By which, I mean, it loves to invent new anime. Phyrra and Cyrus, as you may recall, was birthed by this method. I had a story I meant to blog about but didn't get around to which was another one, and today I had yet another one, albeit this one kinda self-plagiarizing from the previous one.

I don't have the time to explain it today, but it was a really interesting one, to say the least.

Speaking of Phyrra and Cyrus. I didn't do anything productive aside from making content which may actually appear as like five minutes of filler in an episode. Basically, you'd know this if I uploaded my ramble on metals, but adamantium is a metal in the colliniverse. (Specifically, it is akin to steel, in that it is not in of itself, per se, so much a single metal, as much as it is a refined version of a different metal, of which there are dozens. As steel is refined iron into dozens of different alloys, so too is adamantium a refined version of a different mythic metal with dozens of different alloys.)

So today I was wondering if it was in fact possible to have Wolverine expies, that have adamantium melded to their bones--the answer is yes...but that it is not only incredibly expensive, but also incredibly stupid. It can be directly compared to, beit our world or Phyrra and Cyrus's, making a full-body plate male armor...out of gold. Yeah, it's something you could do. It's not going to kill you to do it, either.

It's just a waste of money because in real life it is utterly worthless. The properties of the metal mean that whatever benefit it could offer in theory, when molded into that form, don't work in reality. Still, some people do it anyway. It does offer more mass behind, say, a punch; it does make bones unbreakable, which can be convenient for someone who would break bones a lot.

But the tradeoff is that even the most dense of bones is lighter than the lightest of metals to plate the bones in, so you'd become much, much heavier, not to mention, less flexible. Bones are designed to be a bit flexible; adamantium...isn't. So you become stiff, almost robotic, and need to be much stronger, and are still weighed down.

But seeing as this is a setting which has plenty of golorgs (I need to do the ramble on them as well; short version, that's short for golem organism which is the magical-based equivalent of a cybernetic organism, aka, a cyborg), and there are some situations where it could come in handy (say someone was born with the condition of brittle bones, which is a thing in our world so why not in Phyrra and Cyrus), plus, there's no rule which says that you need to have every bone be adamantium.

It's still incredibly expensive to do, but on a small scale for those who have an actual use for it, it can be done. Not something you'd want to do if you can go without, though, thus, why it'd be stupid for people to just randomly do it. This would come into canon as maybe being a five minute segment if that of a throwaway quick fight for fun, where a contestant would have it and Phyrra would topple them.

​Something I could easily do away with, or expand further, as the need arose, basically.

Just not what I need to be doing!
At work, I sketched out in some quick doodles a few traditional Paladin weaponry.
Now, mind you, what I mean by traditional, is exactly that; they are things which are common due to tradition, but are not in any way shape or form mandatory in that Paladins use the weaponry they forge, and the weaponry they forge is weaponry suited to their style of combat/lifestyle choices.

I didn't get all of it done, but I still knocked a few basic doodles out for a few of them. Felt good to ~art~, even if only briefly so.

What I more came to talk about is a personal blog from my childhood, to tell a completely true story of one of my earliest memories, because it's an entertaining (if a bit mortifying) story. I had to have been either three or four years old for this incident, early. (So in the 1996-1997 range.)

Basically, the short version of it is...I was a genius child. Absolutely smart as could be, in many aspects; incredibly sharp. Fairly common descriptor of autistic children in fact; we pick up on things which most people don't, but we just have an incredibly poor understanding of other things as a tradeoff, more or less.

This is not always a good thing.

When my family was out car shopping, it happened that I was left alone in a dealership car. I don't know why I was left alone, but I was left alone in the back seat of the car. Presumably, my parents were testing the car out, and got out to talk to the dealer about details of the car, inspecting it from the front, or something like that. (They may have had the hood up, even; that'd certainly explain how they didn't notice this!)

If I was in any way restrained by a buckle (I'm presuming I was, but I have no memory of it, so if so it presented me with no challenge to my goal), I managed to undo it; I know this, because I remember crawling from the back seat...into the driver's seat.

(This is a story that, for full effect, you'd need to listen to multiple family members' perspectives.)

What I remember of this is I had a single thought:
"I wanna drive like mommy and daddy do!"
I knew the steering wheel made you go left or right; I knew the brake pedal slowed you down; I knew the acceleration pedal sped you up; I also knew that in order to start the car...mommy and daddy always pushed the brake pedal down, and ended up pulling that lever on their right sides back in order to make the car go forward.

So in the driver seat.

I did exactly that.
I think I was completely down in the pedal area where the feet were, pressing down on the brake pedal...and shifting the car into gear. (Or at the very least, neutral.)

My parents were, prior to this, completely unaware anything was happening...but started panicking when the car I was in started moving forward. (Thank heavens there was no key in the car because even at that age I coulda turned the car on. Though, granted, had I managed it, I probably woulda been stopped before shifting the gears, butstill.)

The main reason for the panic, however, was not because of the implication...

...But because my brother was right in front of the car as I pulled this stunt.

So they made a mad dash to the driver side door, figuring out what had happened, in order to stop me.

In other words.
As a child.
I almost ran over my brother, by "driving" a car.

To this day, how I pulled off what I did baffles my parents, and even I'm not really sure what happened. All I remember from the incident, really, IS that thought of "I wanna drive like my mommy and daddy do!" and the car lurching forward after I fiddled around.

​Makes a good story to tell at the least.

Not as much progress being made as I would prefer, but enough to be good!

I figured I'd knock something off the quickie list.

​I wanted to cover this when talking about characters' parents, but the short version of it is, literally over half the cast is orphans. The few who aren't, have both parents alive, with one exception. Ace's mother died reasonably recently in his life (without her, he had no ties to his home and thus her death spurned his adventuring life)...but his father is very much still alive.

Unlike most parents still living in the story, we actually get to meet him and learn a fair bit about him. His name is Jake Samson, AKA, "The Four-Armed Swordsman". This is a moniker he earned via using two two-handed weapons...one per hand. He doesn't literally have four arms, but the implication of the statement is, his skill and mastery of using two two-handed weapons at once is such that it seems like he'd need four arms to accomplish the feat.

His weapons of choice are a longsword (maybe even claymore) in his right hand, supported by a nodachi in his left hand. He's considered the best swordsman of the old continent, one of the top ten adventurers in the old continent, and one of the top ten swordsmen in the whole world.

In this sense, he is a bit of a rockstar, and suffice to say, Phyrra is in particular flabbergasted to learn that Ace's father is someone so famous. It should be noted though that due to how the world of Phyrra and Cyrus is, he's only a mild celebrity. He has some world-wide renown, but only in his area is he considered particularly strong. So he IS famous, but only slightly so.

So I still need to find a spot to unload all the stuff in my notepad file as to not risk having that info lost forever; I need to share a fair amount on blogs, too. I have my blogs loosely ordered such that they are grouped by subject, making it easier for me to ramble, too. All the big ones are organized so that I can unleash them all at once and all the small ones are in the notepad, waiting to be launched.

​Progress!

You may remember that my working title for Phyrra and Cyrus was INFIverse. (Or INFINIverse, I forget which.)
You may also remember that is an existing name of a 'verse. I didn't bother to do research on it, just enough to know both names were taken so couldn't be used as an original name.

Today I came up with that.

It kinda sucks. So if I can find a better original name, you bet I'm gonna use it.

But it returned an absolute zero on google results, which means it's unique to me: the colliniverse.

The meaning is not nearly as special or accurate.
The INFINIverse is accurate because of the concept of INFINITY. (I still need to give you that creation myth.)
The colliniverse takes a concept from there, the collision of INFINITY and Nothingness, but it's not quite the same especially since technically speaking it wasn't quite what you'd call a collision. (Again I'd need to give you that creation myth for you to understand.)

So for me I still consider this a working title. A NEW working title. A working title UNIQUE TO ME. But still, something which with luck I can think of something better down the road.

OH WELL.

For now, it'll do.

I am also beginning to lay the groundwork for further Phyrra and Cyrus work.

This will take me quite a while to finish, but I got about a third of what I wanted to do today, done. And that's progress!

Soyeah.

We're getting there.

​Slowly but surely.

More specifically, what I mean by that is...I feel like I can actually do the things that I want to do.
I have the sense, not immediately.
I have the sense, I'll have to fight for them.
I have the sense, that I'll need to make sacrifices for them.
I have the sense, that my motivation will come and go and that they'll never come to be unless I have the drive to keep going even when motivation wanes.

But I have the sense.
I can do it.

Right now, basically.

I just...believe in myself.
I don't often give myself that luxury, especially as time has shown I often can't.
But.

I feel like I can actually do it.

I can make something of my life.

I feel it.
I know it.
It is a strange sensation to have.
That feeling, which I know is nearly impossible.
Yet to know that somehow I can do it.

It defies words, but I have it now.
And due to how rare it is.
Due to how much of a commodity it is.
I felt the need to blog about it.

I am going to do this.
It will take a hell of a long time to get right, get good.
​But I can do this and I will do this.

Sure enough, not enough time for me to do what I want to do!
I had a double ramble planned with two topics, one revolving around Bard in Phyrra and Cyrus and the other covering a dream I had last night which I extrapolated into a fairly interesting anime story idea. (The dream was that I was watching said anime show with my siblings, and then later watching it by myself on my TV...in spite of not having had cable TV for at least a year or two if not more.)

Alas.

I need to go to bed, because I've got work tomorrow.

​Tomorrow will also be a "so many things, so little time" day for the record. I'm anticipating about half a dozen obligations by my estimate. I'll count it as a win if I get half of those done; I'll double my win points if one of said things is girlfriend time. <3

A huge, huge, HUGE breakthrough on Phyrra and Cyrus.
I wanted to give the full blog today, but I was too busy today dealing with stuff to do that, so all I can really give you is that I'm on the verge of naming their world...and have successfully given their 'Verse a name: I gave it a working title of The INFIverse.

Now.

That might sound like a lame name.

But it's anything but.

That name has regards to do with the coolest creation myth I've ever made, and it took me HOURS of brainstorming to hash it out.

A quick google search indicates that I'll need to come up with something else as Infiverse seems to be taken even though I am quite specific about it being INFIverse (the extra letter capitalization holds meaning), but a working title which needs to be changed because it's taken is better than no title for the verse at all!

Still, since the name's apparently taken I'll need to work a little bit harder, but I'm oh so very close.

I also--and this is directly correlated to the creation myth--worked out what the most popular religion in Phyrra and Cyrus is. Quick note, there's no confirmed deities in existence, be it lowercase god or uppercase God, and yet there's numerous religions in existence revolving around the few aspects of the creation of their world that they don't have explained away with science.

Basically there's a very small gap in their knowledge, and that gap is where religion enters the picture; monotheism is more common than pantheism, and I developed the name of the most popular religion. It's probably the name of an existing religion but then again what isn't: Voidism. Again this'll make sense when I explain the way their world was created, which I can't wait to do, but unfortunately need to wait until tomorrow to do.

​I'm just so excited!

Am I back to blogging content?

...Ehhh, debatable.

But with luck, I'm on my way there!

The real breakthrough there is...well. I'm back! In a way that I have been longing for.

My desire to make art has been slowly rising. And while the creator within me has been alive and well for a while, the actual writer within me has been fairly dormant.

But today...both explosively grew out until they were bursting out the seams.

I want to make art.
I want to make it badly.
I want to make things.

And more than that.

Something finally happened.

For the first time.

I actually began writing the script for an episode of Phyrra and Cyrus.

Now granted.

I took some shortcuts with descriptions; there are plenty of details which should be there that are absent.
And I only got what I estimate is around 7.5 minutes (with another 30 seconds or so that I didn't have time to write but got worked out) of somewhere around 22 or so minutes. (Every episode, I estimate, will have around 20 minutes of content, with an opener that's around 2 minutes give or take 30 seconds, and a closer that is also 2 minutes give or take 30 seconds placing total episode time at 23-25 minutes; the first episode of the series, however, will have no opener at the beginning, and its closer will be the opener for the first season, as is a sort of tradition for anime.)

So it's not like I suddenly have everything.

But the point is.

I DID IT!

Only part of it, but I did it.

I am taking the first step towards committing to making Phyrra and Cyrus a thing, a thing not living just in my head.

Now granted.
There's still miles to go in conceptual art.

Something I'm considering also doing is storyboarding of sorts, where I'll use pieces of paper to demonstrate thumbnail-style (that being, stick figures if that, making heavy use of text and generally just giving a rough idea) "frames", demonstrating key areas of the episodes.

...I'm probably making trained animators cry with my (absolute lack of) terminology, buthey. I am not a trained animator; I'm not even a trained artist.

I know there's a lot of work to be done.
Concept art.
Storyboarding.
Scriptwriting.

All of these aren't done, and need to be done.
Worldbuilding is mostly done, but I still need to fill in some details like the name of the world, the names of the continents, oceans, countries, and cities visited.

I need to come up with names for background characters, and design them.
I need to finish designing the 13 main characters, 4 main villains, and the 10 underling-villains (1's more solo, 1's a direct underling of the first, 2 are direct underlings of Gunther, and the remaining six are the sins under the final).

For that matter, even the designs for Phyrra and Cyrus could use touching up.

Still.
I have a good idea of what I can, realistically, do, and not do.
I can probably get concept art in tandem with the script and storyboarding good enough where an animator can animate something to match my vision.
I can write a script good enough where a voice actor can speak the lines necessary.

I can probably teach myself how to be an editor. I have absolutely zero skills in this area, and I know it's a skill difficult to master, and will be immensely time-consuming to do, and once I am at the editing stage I'll also be running into "okay, I have everything individually I need to make it reality...now how DO I make it reality with the pieces put together", if that makes sense.

But this is okay, because that's so far in the future that by the time I am anywhere even remotely close to prepared, I'll have the time/effort necessary where I'll be able to put the needed work in and find out exactly what I need, and what I need to do, and so on and so forth. (And if we get to the editing stage, I'll presumably have plenty of people I can call upon for advice, because editing is like...one of the very last steps; if I get to the point where I'll need editing, everything else will be in place which means lots of help having gotten there already. See also, what I can't do.)

I can probably teach myself how to code if I get a site of my own. Multiple people are willing to teach me, too. (Plus, if I have leftover funds from whatever money I'd use to MAKE Phyrra and Cyrus, I can always just pay someone for this.)

There are, however, limits to what I can do.

Realistically speaking, I'm not going to be able to animate Phyrra and Cyrus. I may be able to teach myself how to make animations, but to match my vision requires a level of skill that I simply don't have nor ever will. No school can teach me what I'd need to know. I just know it. This is something you may wonder, but I just have a head for it, in knowing that I won't be able to make Phyrra and Cyrus in a way I am satisfied with if I were to attempt to animate it.

So I need to have an animator. Animators won't work for free, so I need to pay them.

I can finish writing the eight songs that I'll need (four openers, and four closers), but I'll need someone to actually sing them. Some of these I can probably go cheap. Heck, my sisters may be able to sing one or two of them and if I become an editor then I'd be able to edit it into something amazing. But not all of them will be; I will need to hire some people to actually sing.

I probably cannot compose the songs to an extent where I am happy with them. I can do what amounts to a storyboard of a song: give the lyrics, give my horrible singing of the lyrics, give some loose idea in the form of descriptors and maybe some sound for what I'm going for, but that's about all I can do. To get openers and closers to the level I would be satisfied with them, I would need to hire a composer.

Granted, that's actually not too terribly expensive from my understanding, but it IS money I have to have and invest.

And most of all.
I have 13 main characters.
Let's say your average episode needs 5 extra voices.
That's not a perfect estimate, obviously. Some episodes won't need any extra voices. Others may need more than 5. Many will need less than 5. Heck, the main characters aren't all appearing from the first episode (as they're introduced along the way), so it's not like it's 13 voice actors from the onset plus the extras.

But for the sake of a high estimate. Let's say I need 18 characters, every episode.

For a fact, I know that any voice actor that can offer the level of professional voice acting I'm after, needs to be paid. And this, I believe. Isn't that cheap.

​Let's see if I can pull some quick estimates.

​For composers, according to this old article, the two ways I'm most likely to get are % of budget (depends on how much money I raise, then), or a rate per minute. Off of 2011 values, $~425/minute (since I don't know if it'd be 1-5 instruments or 6-11) * 2.5 minutes * 8 = $8,500. And that's from 2011. According to this site, that's ~$9,522.17 now. So a general roundabout figure is probably $10,000.

For just the composer. If I am lucky.

Due to google misinterpreting my search to be for hiring a singer to perform (rather than to compose for you), it's a little difficult to find what the cost of singing is. Presumably, quite high.

For voice actors, I've found a site which I'm presuming is up to date, the question being how relevant it is. I believe it's pertinent though, so according to these numbers, if we assume a worst-case scenario of it being considered a Large Market (when it comes to money I have to spend on Phyrra and Cyrus being a reality...well obviously I want to show it off to as many people as I can, but the more I show it off to, the more it costs to make in the first place, so more people = worse, from a budgeting perspective)...
...Well, that's $118 * 18 * 48 = $101,952 to make.

That's not impossible for me to get. I mean, with an actual job proper rather than minimum-wage lifeguard, I could probably save that amount within 1-3 years. (Of course, if I had 100,000 to spare, my first desire would be to spend it on transitioning because if memory from when I looked at it serves me, $100,000 is just about the cost to fully cover a complete transition start to finish when you add the bills up between psychiatry, pills, doctor appointments, hair removal, and surgery. Those are the bare minimum, but they alone are expensive.)

However, costs for an animator...*shudder*
Hoh boy, if this is to go by, that's gonna suck. I'm presuming it'd be flash animation, butstill. $15 * 60 * 5 * 8 (for the openers), then
$15 * 60 * 20 * 48
= $36,000 + $864,000.

...And that's 2011. Rough estimate of current cost, $967,900.17 + $40,329.17 = $1,008,229.34. Would be over a million dollars to animate.

I can't earn that much.

I'm not sure I can even raise that much.
But that rate was by my understanding an incredibly cheap rate. A cheap rate, in 2011. And I'd need basically a million dollars to pull off 48 episodes.

Frick I'm a whole lot less certain about being able to pull that off.

Animation, up there with voice acting, is the skill I most cannot make Phyrra and Cyrus without outside help on.
And yet, they are singlehandedly the two most expensive parts I'd have in making Phyrra and Cyrus.

But dammit.

I want to make Phyrra and Cyrus real.

Somehow.

I don't know how I can make that much money.
How would I?

Maybe I could find people willing to work for below the market rate.
Maybe.

If I offer them exposure, proper credits and whatnot. Maybe figure out a way where Phyrra and Cyrus would make a profit and offer them a percentage of it. (God I don't want that because honestly I'm not looking to make money from Phyrra and Cyrus and it's quite the opposite I don't really want to make any money from it; I want it to be there for everyone, easily.)

Maybe. Maybe, I could figure out a way of somehow negotiating prices down.

But there has to be a limit to how much I could reduce the prices. I can see. If the animator(s) worked at half market value, potentially. At a stretch. I can maybe, maybe, maybe, MAYBE cover the costs of Phyrra and Cyrus with $500,000.

Which is a range that is maybe, maybe, MAYBE JUST EVER SO MAYBE. Doable with fundraising. 

I don't know how I'm going to make this a reality.
But I'm not going to let this discourage me. It's daunting. It's disheartening in a "this is gonna SUCK" kind of way. But it is not discouraging. I'm still going to make it a reality. I'm still going to figure out how to make Phyrra and Cyrus a real thing. And a real thing, available for free online, with people able to comment on episodes. (For instance, on Youtube. Not necessarily there, but that's an option.)

And yeah I know.

With inflation.

It's only going to get more expensive the longer I wait.

The longer I procrastinate on getting to the part of needing to hire these people.
The more expensive it'll get to actually hire these people.

Yeah, I know.

There's a lot of work to be done before I am anywhere even remotely close to ready.

The things I have yet to do may sound simple when I say them, but as soon as I face them, they become immensely daunting.

Designing about 30 major characters, along with designing numerous extras, plus background characters that may only appear for one split second for one scene as part of a crowd. Names, appearances, what they sound like, what they wear.

Naming every city, every region, every country, every location, visited.

Creating every monster/creature/beast/etc. fought in adventures, designing areas, landscapes, terrain.

Figuring out, second to second, every piece of dialog, every facial expression, every single tone used, to convey the meaning I am intending. Figuring out how every single bit is framed, such that I have a second-by-second playout of how every episode goes, and writing the script allowing this to be shown.

I need to do it all.

I know I can do it.

I am working towards it.

I'm not at the stage, I'd say. Where I need to start trying to get into contact with people to help me get to the places and people who can help me out. Basically. I'm not at the stage where I think I need to begin reaching out to everyone on how to make it a reality, how to get the things I need, and so on and so forth.

There is just oh so much work that I need to have FINISHED before then.

And it is all writing and art, pretty much.

It is all the two things within me that were dormant and have now exploded outward.

I can do this.

If it takes me years, so be it.

But I know I can do this.
If it takes me a ton of help, so be it.
If I have to make some personal sacrifices, so be it.

But I can do this.

I know I can do it.

I know that it may sound strange to have that confidence. I don't know where it's coming from.
I just have it.

I. can. do. this.
So somehow​, I am going to get it done!

So yesterday, I ended up vastly expanding on what happened on Tuesday, meaning this ramble might be a little chaotic and disjointed, but I'll try to keep it as coherent as possible.

Basically.

On Tuesday, I had a series of multiple dreams. I've since forgotten them--all except for one. I had a dream about a more modern-aesthetic Power Rangers team. One Ranger (maybe blue?) was a morbidly obese (incredibly, INCREDIBLY fat) 10-14 year-old dark-skinned (I forget if he was Black or Hispanic, but it was one of the two) boy, and he was the ace of the team; strong, skilled, and smart, but NOT the leader, either in or out of combat.

There were two or so other initial Rangers, with a fourth and fifth antagonistic-to-the-first-group-at-first duo of Rangers. (Like I said. More modern, rather than classical, Rangers.) They were led, OUT of combat, by an elderly gentleman who was obscenely rich.

That's about all I remembered from the dream once waking up...but it was enough to send off a chain reaction in my mind, where I reminisced about a really, REALLY old idea of mine.

We're talking, I know for a fact I was younger than 15 when I had this idea, young. Since I turn 25 in 2 days, that means this idea is in the 11-15-year range, of OLD ideas. I believe the tenth season of Power Rangers was recently ended when I had this, old. (You know. The season which had the Red Ranger special, which had a Tommy Oliver clone in the form of a sixth Ranger that was highly antagonistic at first that disabled/stole animal zords from the Rangers until the Red Ranger managed to undo the brainwashing and turn him good again, with him being a wolf-themed Ranger. That season. It was the last season I watched as a child, so it left its mark on me.)

Let me look that up, in fact, since I have a computer.

...Yep. February 9, 2002 to November 16, 2002. Wild Force.

I distinctly recall, also, that I actually never got to see the conclusion of the series. I got CLOSE to the conclusion, including seeing numerous villains die/do heelfaceturns/fight with other villains/work with the Rangers either temporarily or permanently, but RIGHT near the very end of the series...
...I didn't get to see the end of the series, leaving me immensely disappointed, and as a child who was creative.

My answer to being disappointed was to write my own story using the material.

Not immediately after. I don't think I was that young, and that it was written that close. So not when I was nine years old. But close sounds about right; the 10-12 range is exactly the zone where I would have written this story idea down.

And I call it a story, but what it really was...was fanfiction.

I don't use that term lightly.

You know how I have dozens of stories which are knockoffs of things? I still call those stories, and use the term knockoff, because I developed original aspects to the stories--some of them even being prophetic! For instance, my Bleach-knockoff story was written before the Hueco Mundo arc, yet contained details about my Hollow-equivalent and Shinigami-equivalent's relationship to one another that was only revealed during/AFTER that arc (including having my story feature Hollow-equivalent characters as heroes!); my Bleach-knockoff story was written to contain a canonically-optional sequel that contains children of the main characters...

...Which had them meet in a VERY SIMILAR situation to the actual end of the Bleach manga. I wrote that ending when Aizen was still a main villain. Like. I didn't even know that there was anything after Aizen, because at the time I was writing it, there wasn't. So now if I ever were to publish the story, it would look like I DID blatantly steal ideas...

...Even though those ideas were my original creations. In other words, it'll look MORE like a knockoff than it actually was, because I developed a deep setting and lore on my own, without utilizing the details of the setting.

...BUT I DIGRESS.

MY POINT BEING.

I usually will call things knockoffs when they are knockoffs.

This wasn't me writing a knockoff, "basically Power Rangers with the serial numbers filed off".

This was me writing Power Rangers. Fanfiction, of me writing a series paying respect to the entirety of the series as I had known it to be. To my childhood of the first ten seasons, of which I'd seen a large portion of but never the entirety of. (For some strange reason, that "seen 90% of the series, but not the season finale" thing that happened for season ten for me? Also happened for many prior seasons. I got to the part where series-long villains were defeated, and said series-long villains went down destroying zords, but didn't actually reach the conclusion of the series.)

​The basic premise of this was that--due to an inherent clause of the background material--this would be an alternate universe, but would be almost identical to the known Ranger works. The story involved how an ancient, powerful civilization (implied to be Atlantis...in Mesoamerica, with strong ties to the Mayans) deciding to materialize all the evils across the universe, be them past, present, or future evils, into a single entity.

They hoped that by doing so, they could create a utopia for generations to come, as a world free of Evil would prosper--but they underestimated the strength of Evil, and in order to save the world, they had to seal the Evil entity up using the ten elements. Though they ultimately succeeded, it was not without cost; by the time Evil was sealed, their civilization laid in ruins.

Come modern day, an expedition uncovered this Evil, and accidentally broke the seal, setting it loose on the world once more to wreck havoc...but all was not lost, as the ten elements each chose a champion, from across the world (that "across the world" aspect was important; I wanted a diverse, multiracial cast, spanning the entire globe), to carry on the fight.

That's the basic backstory I came up with.

Now for what that means.

I envisioned an ambitious project, with either ten short seasons or five longer ones featuring a mid-season finale. An actual multi-year storyline, continued start to finish with the same cast and setting. As the backstory implied, there were TEN initial Rangers, rather than just five; double the number.

The ten Rangers were:
Fire
Ice
Water
Energy
Light
Darkness
Air
Earth
Metal
Rock
(Nature, you may note, is missing; he's the eleventh Ranger, joining at a later date. This cast being incredibly genre-savvy, a humorous moment arises when one of the two lead-Rangers comments, "Okay, if anyone has a recent new friend, long-lost relative, or notices a change in behavior from existing friends or family, speak up. Especially if they're wearing green."
"What's suspicious about wearing green?"
*camera pans to show off the Rangers in their civilian attire wearing colors matching their Ranger color; the lead Ranger says nothing but communicates the message nonverbally*)

Evil would have nine generals, each representing a sin. Yes, nine sins. I originally planned out all nine of them, but I forgot what the original 9th was. I developed a new 9th on Tuesday to replace the forgotten one. All the generals would have different personalities and approximate power levels, with the 9th and final being the hardest. One of said sins was incredibly sympathetic, defeated/destroyed at about the midway point in the series.

I don't remember my original sin ranking, other than the 9th was the most powerful, and 8th was the second-most powerful; of the seven sins WE know, I don't remember how I ranked them most to least. But the idea was in a ten-season series one would be defeated at each finale; in a five-season series, same idea, just also utilizing mid-season finales.

But I did work on said sins on Tuesday; it was my main project I worked on. Absolutely new, I came up with an idea that each of the sins would not, in of itself, inherently be evil, that they represent things that are not bad, but in extremes, can be bad--and thus, that their opposites (which would be themes of the season) wouldn't be direct opposites, but rather, the thing necessary in order to provide balance to the sin.

With that in mind:
The ninth sin, Knowledge, I took a little bit of an obvious biblical cue as to the source. However, Knowledge being a sin, by my definition of the sins, makes sense when you think about it. Your first inclination might be, "how can the pursuit of knowledge be evil?", but what makes it a sin is reckless and unchecked pursuit of knowledge. Pursuit of knowledge, above any and all ethical concerns.

You can think of this in some fairly obvious terms. Human experimentation is a bad thing, we can generally agree to that, yes? And yet, the results of human experimentation have yielded great advances in understanding of the human body. The problem is, that knowledge came at the price of literally being genocide. (Think, as a go-to example, the holocaust.)

Knowledge is undeniably a good thing. But pure knowledge, with nothing to put it in check, leads to a level of amorality that is, undeniably, something we'd define as evil, because there is nothing inherent in pursuing knowledge that gives us ethics; quite the opposite, ethics impair the pursuit of knowledge, thus why they're often portrayed as discarded and we have the common mad scientist trope.

So the opposite of knowledge isn't ignorance as you may expect or something to that effect; the opposite of knowledge, I defined as Wisdom. Wisdom, here, would essentially be having the sense to 'know' things that knowledge doesn't give you, in that it's having the capacity to have good judgement, to know "that's wrong" in ways knowledge doesn't allow. To take experience, and put it not so much in cold data points, but warm feelings, as it were.

​In terms of the story, Knowledge is the strongest general--and is, in fact, the first of the generals to destroy a zord beyond capacity for it to be repaired. He thus, goes down VERY late in the series. Near the end. He hurts the Rangers. He damages them, and wages psychological warfare on them by bringing up truths they don't want to hear, and the Rangers struggle to overcome this and are left rattled even after having done so.

The eighth sin, Despair, is not from Danganronpa, thankyouverymuch. Danganronpa was not even a game in JAPAN when I came up with this idea, yet alone with an American release. It's actually taking more of a cue from Fullmetal Alchemist in that I always thought Father, as a homunculus, should have an eighth sin to be named for, just like the other seven homunculi had sins they were named for.

In hindsight, Knowledge would actually be a better fit for a sin for Father, but at the time, my younger brain came up with the idea that Despair was an eighth sin, because it made sense. Despair seems to be a common, strong negative force of humanity, similar to the other seven sins, so to me it was just a logical extension, especially since it does have a direct opposite: Hope. 

Despair, in terms of the story, takes the story in a bit of a darker turn, the catalyst on which results in the exploits of Knowledge. Despair, himself, does not inflict personal damage. He doesn't destroy a zord, but what he does do, is leave the Rangers struggling in ways they have never struggled before, and even after he is defeated, the Rangers consider it a phyrric victory thanks to what they were unable to recover.

​From there, we get into the familiar seven sins. The below isn't a power ranking, as a reminder, and is just the order I happened to remember the sins in.

Pride I defined as not being evil, because sometimes, it is good to be proud. Proud of what you are, of what you have done, of your heritage, of your progeny, these things may be prideful but they are all admirable. It then should be no surprise, then, that the opposite of pride I don't consider humility, here. Because pride also leads to aspects such as honor and nobility.

The thing making pride a sin is when pride is given in excess as to blind someone to others, potentially harming them. Thus, the opposite of pride, I defined as Compassion. In that by being compassionate at all times for others, you would keep the pride in check, and be unafraid to take a blow to the pride in order to help those in need.

Wrath was a difficult one for me to justify as not being evil because it's the sin I have the hardest time understanding. Ironically, of the seven sins it is probably the one I feel third-strongest (second only to sloth, with pride as my main sin), in that I have lashed out blindly against the world, but I never really understood why. I knew the feelings of wrath, but not the underlying reasoning of wrath.

Still, I did what I could, and came up with the idea that wrath is a source of strength for humanity when humanity has been in pain. You can think of it as a strong survivalism instinct of sort, to lash out blindly, without purpose, to cope with hardship and hope that by the time the wrath has subsided, the damage dealt has left us in a position where we can continue to survive, hopefully in better positions than we were at the time we became wrathful.

The check for this blind lashing out, then, would be Understanding. Understanding the source of our suffering would allow us to root out the real problem. Attacking aggressively (a trait of wrath) is not necessarily a bad thing! But to do so without aim is reckless-at-best, destructive at worst. By understanding what's wrong and being able to deal with it at the root of the problem allows the emotions to be channeled productively, rather than destructively.

Greed is, as defined by me, more or less a focus on materialism. Materialism is not, in of itself, evil. A want for the material can be quite innocent, with beneficial traits of it including sentimentality. Attachment to objects can lead to feelings of warmth, as well as preservation of history and the creation of stories. In every day-to-day life, materialism also manifests as a want to provide not only for oneself, but also for those that one cares about.

In our world, you can't get by without materials. Most commonly, we think of wealth, of money, but even in a land without it, you need materials in order to survive. Food, shelter, water; all of these are or require materials. And craving these, especially when you are lacking in them, is not something which can ever be evil to me; that's just simple survivalism.

What makes greed be a sin is an excess of this focus on materialism. Where gathering the materials is in excess, and you gather more than you have a need for and make no productive use of the extra. Depriving others of what you didn't need in the first place, simply because you gathered it for whatever reason and don't give it back.

For me, I then defined the opposite of this materialism as Spiritualism. This is not, inherently, religious. And frankly, the dictionary definition for spiritualism sucks. (Good god, is that what people think I meant when I have used the term previously? I've used the term spiritualism a LOT because I am spiritualistic but not religious, and yet...what I mean by that is most decisively NOT what google is telling me when I search for that term.)

Okay so apparently I'm gonna need to go off on a tangent because I'm not sure how to explain this because I can't do it with google. Spiritualism as I see it is a companion opposite to materialism. By that, I mean, they are opposites, but you can and SHOULD have BOTH. Which is why it is what keeps greed in check.

So if materialism can be thought of as a focus on the material world, on the physical reality, then spiritualism is a focus on the immaterial, on the belief that there's more than the sum of the parts. You don't have to believe in an afterlife in order to be spiritual. 

Actually, that's the word I was looking for in order to get google to tell you the meaning I'm going for: 
spir·it·u·al
ˈspiriCH(o͞o)əl/
adjective
adjective: spiritual

1. 1.
   relating to or affecting the human spirit or soul as opposed to material or physical things.
   "I'm responsible for his spiritual welfare"
   synonyms:nonmaterial, incorporeal, intangible; 
   inner, mental, psychological; 
   transcendent, ethereal, otherworldly, mystic, mystical, metaphysical; 
   rareextramundane
   "your spiritual self"
   antonyms:physical
   • (of a person) not concerned with material values or pursuits.

(Huh, didn't know weebly could do that kind of formatting.)

THAT is what I mean.

So a sense of spiritualism to me is that. To have a sense of more to life than just the material. And having this, I consider an essential counter to greed, because with a sense of spiritualism, you then have purpose for your materials. And when you have no need for the materials, you are more willing to give these materials to those who are in need of them rather than hording them for yourself. Giving to others, because of a sense that spirituality allows for a type of peace.

Lust is a sin which I also don't really understand that well, but for me, the idea of its opposite being chastity was absolutely absurd. Instead, I simply developed the idea that its opposite would be, quite simply, Love. In this case, because Lust as I understand it is a sin because it is lusting after something, namely, pleasures of the flesh.

For me, abstinence would then not be an opposite; it'd just be stupid. The opposite over a crave for something would be a genuine appreciation of that something. Love can then take any form. Of objects, of family, of a platonic friend, of a romantic partner, and even of strangers.

In this case, then, you could say it is absolutely okay to crave after things. Having cravings is not a bad thing; it is entirely human to want, and there is nothing wrong with wanting things, as this want can lead to a great many things, including motivation to drive your life in a positive direction. It is only when this craving becomes harmful that it becomes a problem, and by having genuine love for the thing you are craving, you wouldn't be able to cause that harm because if you did then that wouldn't be genuine love. (More or less, anyway. Probably not the best wording, but I feel like the basic idea comes across.)

Gluttony I more or less define as eating in excess. Obviously, eating is not a sin. We need to eat to survive. Eating a lot is not inherently bad, either. Some of us really need to load on the food. And it is perfectly healthy to eat as much as you want; it is probably unhealthy if you're not, if you're starving yourself.

So what makes eating in excess a sin, then? By letting it accumulate. Eating, but not making anything out of the consumption. So what I defined as the opposite of gluttony, is Drive. A drive to do something, strong, powerful, motivating, allows that consumption to have purpose.

Sloth, then, follows a similar purpose, but here, I define sloth as being inaction. Here, it becomes a sin when it is deliberate inaction, especially deliberate harmful inaction. Where taking action will prevent harm, and by choosing not to, harm is produced.

However, inaction is not itself a bad thing. Inaction leads to gathering of more information, to create a more reasoned opinion, allowing action when taken to be better, be more precise, be more on target. To accomplish the goal, to accomplish what you set out to do, with a greater ease, speed, and success rate.

What works as an opposite to Slothfulness then, is Decisiveness. That being, decisively deciding, "Now is the time to act". Having the ability to know when you need to act...but also when you need to not act. Someone lacking decisiveness, someone indecisive, is likely going to lead to harm by having hesitated, or alternatively, someone lacking decisiveness, someone impulsive, is likely to charge into a problem without a thought, recklessly causing havoc. (You can understand, now, why I consider this my second-greatest sin!)

Last but not least (presumably, anyway; one of the seven sins is 'least' for the purposes of the story, but heck if I know what the order was), we have Envy. Envy is honestly the sin I might have the hardest time defining. For me, I can think of it in the terms of,
"Seeing that someone else has this thing, or has done something, and a drive arising to action from this", more or less. What makes that a sin is when the action taken is destructive, is harmful, is damaging to others. But Envy is not, in of itself, evil, because seeing someone having done great and wishing to act after having done so is not evil.

After all...humans idolize other humans. What do you do when you idolize someone? You generally take direct action motivated by that someone. That's not an inherently bad thing at all! It can be a bad thing, but it can be an immense force for good, driving you to do a many great things.

So what I define as envy's opposite, is Acceptance. Acceptance works as a companion to envy on all levels. It is acknowledgement of what you can, and cannot, achieve, so you don't harm yourself trying to do the impossible. It is acknowledgement of what the differences between you and your object of envy are. It is acknowledgement of what your object of envy wants, it is acknowledgement of...

...Well, all the various circumstances. If you harm someone else out of envy, you're not accepting the circumstances; you're trying to reject them. And that's what makes the difference. Accepting, rather than rejecting, reality...but still using those feelings for productive ends. "I can't do this, I can never be that...but this is what I CAN do, that is what I CAN be", is where I am going with what I mean.

So those are the sins I developed for the story, and their accompanying themes. Each time the Rangers would clash with the generals, one of these themes would come up, in either subtle or overt ways. And over time, the narrative would be woven.

One sin, I don't remember which, was far more sympathetic; this sin ends up destroyed at the half-way point in the series.

For the curious, eventually, there would be two other Rangers joining, for 13 total.
The 12th Ranger is Heart; the 13th Ranger is Void.

​However, yesterday, I did something I was never able to do as a child:
I knew the elements of the 13 Rangers as a kid.
​But I never knew what their zords were, what their teams were (that being, the distribution of the initial ten Rangers), or even what their colors were.

I did all three yesterday.

ONE OF THE TEAMS:
Fire, the Red Ranger, would have a Dragon as his zord, and would be the leader of one team.
Earth, the Orange Ranger, I wasn't quite sure what the zord would be but I came up with Badger.
Metal, the Silver Ranger, would have a Dog zord.
Darkness, the Purple Ranger, is another one I wasn't certain of but I came up with Rat for the zord.
Water, the Blue Ranger, was an easy choice for zords, with a Shark. (Yes, I know, it's been done before, but so have most animals in terms of zords. Admit it, you know it's true.)

In the megazord, the dragon would be the body; shark, one arm; rat, one or both of the legs; wasn't sure beyond that.

THE OTHER TEAM:
Ice, the White Ranger, would have a Bear as his zord, and would be the leader of the other team.
Air, I had trouble coming up with a color but decided Pale Ranger would work. As far as zords, didn't get a specific animal but it'd be some form of Bird. (All three megazords I envisioned as having wings on their backs. Membranes for the dragon, feathers for the bird, and then a third type of wing below.)
Rock, the Brown Ranger, would have a Snake as a zord. (Yes, this is basically Onyx.)
Light, the Yellow Ranger, I had trouble with but settled on Elephant. (Mostly for the purposes of shaping the megazord.)
Energy, the Cyan Ranger, I came up with a Jellyfish zord. (I know, a creature of the sea. But literally all the animals I can think of as having a 'sting' that aren't fang/tail-based are aquatic animals. What would you use if not a stingray, electric eel, or jellyfish? Spiders/scorpions/snakes weren't viable because that's an entirely different type of sting, and NOT the type I was going for. Also see below.)

​In the megazord, the bear would be the body; the bird would be the wings; the snake would be one arm; the jellyfish, the other arm; the elephant, the legs and maybe also a shield/weapon.

Nature, the Green Ranger, would be the 11th Ranger, joining some time in the earlier half of the series relatively early-on. His zord would be a Dragonfly.

Heart, the Pink Ranger, would be either the 12th or 13th Ranger, depending on whether she joins before or after the mid-way point in the series. (I don't remember.) Regardless, her zord is a Cat.

Void, the Black Ranger, would be either the 13th or 12th Ranger, depending on when Heart joins. However, his join point is fixed; he joins immediately after the half-way point in the series. (It's not really much of a leap of logic to conclude this; yes, the sympathetic sin destroyed plays a part in the creation of the Void Ranger. But it's not in the way you would expect...)

I should mention:
A key individual, not a Ranger, but a vital cast member, is their out-of-battle leader. This guy, a young billionaire at the head of a massive corporation, was the sole survivor of the group that unearthed the Evil; he was responsible for accidentally breaking the seal. This is also a fundamental part of the backstory from the very beginning; he was always designed to function as a bit of a Big Good.

He is the one who brings the Rangers from their positions across the globe and gets them to work together as a team; he is the one who bankrolls the entire operation, and more or less is responsible for founding an entire corporation dedicated purely to the purpose of defeating the Evil he unleashed. It was remembering him that made me do all of this work, because of the similarities between him and the elderly gentleman I dreamed of.

But today, I gave him a first name which I hadn't done before. None of my characters had any names. But I gave him the first name of Adam.

Other stuff I did yesterday:
Adam's organization would equip all the Rangers with stun pistols--incapable of destroying Evil, but capable of momentarily stopping it. Similarly, each Ranger would have special daggers, which can wound beings of Evil, but not destroy them.

Each Ranger would have their own unique weapon, though. I did in fact come up with 13.
Sword
Axe
Mace
Staff
Spear
Bow
Crossbow
Rifle
Scythe
Claws
Disc
Whip
Armor (think, big boxing gloves, and an equivalent for the foot to allow for Kamen Rideresque kicks)

Obviously, Power Rangers being merchandise-driven, each Ranger would develop 2-3 additional weapons or so, and all Rangers may receive the Armor (with the original holder of the Armor simply getting superior armor, upgrading the existing armor to be MUCH better) because that's an excuse to make at least 13 new toys, but AT LEAST TO START WITH, each Ranger would have one of these weapons.

No, I didn't assign specific Rangers specific weapons; I can kinda sorta give some decent ideas for which Rangers would be candidates for which weapons based both on their element and animal (as both can contribute), but I don't see any weapons which scream one particular Ranger. (Other than Fire having the Sword, out of tradition because obviously a/the leader has the sword.)

One final thing I did yesterday: develop a Quirky Miniboss Squad.
Specifically, War, Famine, Pestilence, and Death. These four would be subordinates to the generals, always helping out but being comically inept. You know the type. Every Power Rangers squad had these villains, the villains who don't often fight the heroes if they fight the heroes at all, mostly work in the background, have scenes with the major villains, might have some character development, but are ultimately mostly harmless and sidekicks to the REAL threats.

That's all I made.

There's more to the story, more details I created originally that I'm not going into now (I only really described the details necessary for you to know what's new), but you get the idea of what I worked on.

And why it was way too ambitious for a ten-year-old.