...In fact I was planning on it already but I realized I didn't make the blog entry yet.
Yesterday in my mega-blog post one thing which I neglected to mention--Phyrra and Cyrus continues to be something I work on. A while back, don't think I mentioned it, but I added something to Bard's character that made perfect sense and made a particular storyline feel more nuanced and natural (albeit having one necessary adjustment earlier in the story to accommodate for it).

Very, very recently, I did similar for Clara, adding a significant section to her previously-rather-underdeveloped (considering her status as a childhood friend of Phyrra and Cyrus) backstory which helps increase her role in the story ever so slightly, fleshing out an already-planned moment.

So Phyrra and Cyrus is not a project I have forgotten about.

I also did today lay the groundwork of the simplified expanded Rise of Rome scenario, too, but that blog can wait.

Mind you, I chose that wording carefully because while I'm not as bad as I was yesterday, this is more a reversion to be what I was two days ago--that being, still depressed, just...not as painfully so. I am still down and can feel that I am quite down, I just am not as horrifically down as I was yesterday.

I'm not upbeat, I'm not energetic, I'm still fairly lethargic, I'm down, and I'm just not enthused by most things, but I'm at least at the point of feeling like I can live, whereas yesterday was actually kinda DANGEROUS levels of low.

Soyeah. Not gonna lie. I could be better. I could be much, much better. I would love to be absolutely entirely better than where I am at right now. I even kinda have an inkling of a desire to be inspired, a desire to work on something, a desire to be passionate, so maybe I'm on the rebound.

...But I know I'm not recovered yet, because while there's that small portion of desire, it's not actually focused on anything. If my lack of focus were because of too many things, I'd know I'd be recovered, but my lack of focus here is because there is no thing. No single thing, and no more-than-one thing. Just nothing. 

I have the desire to be inspired, which is good, but nothing actually inspiring me, which is not as good. In actuality, I feel like I can kinda sorta express where I'm at with this, kinda sorta. I feel like what I want to do isn't so much as work on anything, so much as I want to talk about something. On here. On my blog.

I want my blog to basically, were it to actually have readership (which I know it doesn't, stats be damned, because I know there's no way that I'm getting at-lowest 30 readers a day, at-highest 110 readers a day; I'd expect maybe one tenth of those to be real, 3-11 people per day).

If people were actually reading what I was writing. For it to actually be something that was inspiring to them. That was uplifting to them. I need not write uplifting content myself. My blog entry could be entirely a long entry about why my day sucked, but what I kinda want is that if people actually read my blog, for them to actually have some thorough enjoyment, entertainment, enrichment, enlightenment, from it.

You know.

Basically.

It's the same dream I had when I first became a writer which kept me being a writer for all those years that I was a writer.
It's the same dream I have for being a webcomic artist, and for sharing Phyrra and Cyrus with the rest of the world, even after having had the writer within me be basically dead for novelwriting.

It's to have others feel the same way about what I wrote, that I feel about things that I read. You know how I go on about all these things that enriched my life? How Dan Shive was a massive inspiration to me once I read his work. How Grrr Power was a massive inspiration to me once I read the comic (okay admittedly you never got the full blog entry there but you did get a part of it).

How Worm was an incredibly uplifting, inspirational, piece of work in spite of it being incredibly dark, just because it represented how you can do so much and make a work so incredible online using just sheer willpower combined with clever planning basically, determination combined with competent storyboarding, to lay out a guideline to a plot.

And so on and so forth.

That's been going on since I was a kid. When I was young, I saw that Eragon was published by a person when they were a teenager--I knew that the Inheritance Cycle was, objectively speaking, not a too terribly well-written book series filled to the brim with flaws, but the inspiring fact about it wasn't the quality of the books (which I felt were entertaining in spite of being flawed; think basically "like most mainstream films these days" which are absolute junk in so many ways but can still be mindless entertainment that you get creative ideas from).

It was that a teenager managed to write, then successfully sell, the book he wrote. The books sold, and they sold well. That they sold so well, no matter what you think of the quality of the material, means that the author did something right. Same principle applies to the Twilight Saga. I enjoyed reading it, and the books sold well. I objectively know about all of the flaws in the series which have been pointed out to the point of being old, boring news.

Everyone knows the books are objectively junk--but they were still enthralling enough to be an enjoyable read in spite of knowing all the flaws therein, and the books still sold incredibly well. You can say whatever you'd like about the author; you can say whatever you'd like about the quality of the books. But the fact that they sold incredibly well, combined with my subjective experience of enjoying them in spite of knowing that they were flawed. Means that you have to acknowledge that objectively, she did something right.

She was able to sell something that was flawed, and make people buy it in spite of its flaws, and even enjoy it knowing all of what is flawed within. For all the flaws of the writing you can find, the fact that it had that effect, again, means that there was something being done right.

And that's the effect which has always been inspiring to me as a writer. Knowing that in spite of the flaws of the writing, it is still possible to make a product that people genuinely enjoy, and can derive entertainment from. More than that! That they can be enriched in their lives from having read a work in spite of the flaws of that work. That they can be inspired, that they can be uplifted, to the point where they dream big and can maybe do something that they otherwise wouldn't.

In other words.

My dream of dreams is basically. To be able to have it so that I do for others, what others have done for me, throughout my life. Picked me up, made me stronger, made me more enriched, made me more inspired, made me the dreamer that I am. I want to make other people dream. I want to make others be picked up by what I do.

And right now the only way I have of doing that is through the one thing that I've never consistently failed at for the longest time of anything I've worked on. Which is my blog. Yes, I occasionally for whatever reason miss an entry in spite of the aim to be a daily blog. But the simple fact of the matter is. By and large. For four and a half years.

I've kept this going.

Do you know what else I've kept going for four and a half years?

Pretty much nothing.
Nothing that's me, at least.
Sure, job; tae kwon do; dancing; counseling. Stuff like that, been doing longer than four and a half years. But it doesn't really count as being me. Those things are a part of me, but they aren't a part of my expression of me.

Every dance I try to write, I don't finish.
Every time I take up songwriting I never go anywhere with it.
Every time I try to compose music, I keep it in my head and do nothing with it.
Every time I write a story, I never end up following through with it and publishing it.
Every time I start a webcomic, I end up abandoning it, even after having taken precautions against abandoning it.
Every time I work on a project, I end up abandoning it, even after knowing about my bipolar disorder and taking steps to counteract it.

I have listened to uplifting speech after uplifting speech. People who succeed say the same cliched lines about why they succeeded, not because it's a cliche, but because the cliche is cliche because it is true to reality and they all say the same thing because the same thing held true for each of them. I forget the exact words, but something along the lines of willpower being temporary, of how the drive to work is temporary, but you need to keep doing it, keep efforting at it, even when you don't feel like it, force your way through it, keep at it, and if you really want it, you will put in the work necessary to get it done.

More or less, something along those lines at least. And I have tried to implement that advice before--tried...and failed. I have, consistently, failed. In spite of knowing about the autistic concept of inertia. I know that once I get rolling I can keep things rolling but that when they screech to a halt they stay stopped with a near-impossibility to get started again. I take measures to prevent the stop, and even if the stop happens, I tell myself that I have the strength of will to push the stopped train, inch by inch, until it's moving again.

...But I never actually do and all the planning in the world falls apart because I, frankly, just suck. I dream. I dream the dream, I never bring the dream to reality. For all of those things. For all of those ideas. They all fail. I've gone into this before, about how while I dream of succeeding, I'm actually happier in my failures, and hypothesize that's why so many people who don't make it big can still be happy and why quite a number of people who do make it big are often not-so-happy in spite of having made it big.

Who knows, maybe that is true. I honestly don't know anymore. I am a contradictory being. Old enough where I'm expected to more or less be solidifying myself, young enough where I can't actually do so and am constantly, consistently, second-guessing every single thing about everything. All my beliefs, all my thoughts on myself, how I view things, everything, I doubt it all and I constantly revise everything including my outlook on life.

But I'm going on a bit of a tangent, there. My point is...I generally am just. A failure in general. Yet this blog is pretty much the one thing which I don't think I have failed at.

I've had plenty of blog entries where I didn't succeed.

I like to pour my heart and soul out every single entry, so when I am forced to blog-dodge for whatever reason. Forced to make an empty, substanceless entry. Forced to make nothing. Or whenever I forget to make an entry. When anything like that happens. Obviously, it's not a success.

But by and large. Four and a half years. Four and a half years, I've been doing this blog. And by and large it actually has succeeded. It hasn't succeeded as often as I'd like. It certainly hasn't succeeded in all the ways I'd hope it'd succeed, in part because those hopes are by and large contradictory. I've wanted different things out of my blog at different times, so of course my blog can't be all of them.

But it's still been most of them, most of the time. Even this entry. It started out as any other would, and yet now has been built up to be something actually unique. And there's the charm, I feel, in my blog writing. There's where I derive some hope from.

I want what I write on this blog. No matter the subject. About me. About me talking about my latest passion project. About whatever caught my fancy. About something I read, something I watched. About whatever I have on my mind when I make a blog entry. I want what I write here to be something that readers can get some enjoyment from.

I want as many people as is possible to read my blog, so that as many people as is possible can find something, anything, in my blog, which made it worth the read. I want a blog which is worth the time and effort to read. After all.

It's four and a half years.
And counting.
Of content.
Filled with entries that are this length and longer.
Like, what's my longest entry? I wouldn't even know, but it'd have to be something probably ten times as long as this already-lengthy blog.

I know that even I can't read all four and a half years of my blog.
I can't even really stand to skim too much of it. I just don't have the time/focus to review it all, even though I know that I'd actually be better off if I did review what I wrote/said from time to time so that things that I said that I didn't want to be forgotten, aren't actually forgotten.

And if I.
The girl who wrote the blog in the first place.
If I.
The person who made the entries in the first place.
If I.
The person who can read 800 pages in a single night and then some.
If I.
The person who could read almost all of Worm in the span of weeks, and then finish the rest in the span of days. When that work is over a million words long by some significant amount.

If I can't do it.

Then I doubt anyone else could. And even if they could, I doubt that they would.

Sure, some people like to stay fairly current on my blog; they read it every day, or if not, they binge-read it every few days, every week, every month, you name it. Some people do that, and can do that. That's not too hard to do; keep current on something updating every day.

But starting from the beginning? Yeahhhhhhh nobody can start from the beginning, read every entry, and get caught up, while having read it all well and truly having read it all. It's impossible.

But believe it or not.

I'm actually kinda proud of that.

It's enough content that it's impossible to keep track of it all.

Instantly that means it's worth more than most other things.

I know that my few readers, such as they are, have changed over the years.
I know that they come and they go.
That I legitimately do have a small readership who stay...but who said readers are that stay, tend to change.
But right now the closest I have to inspiration to do something is...well. Just this. My blog.

At this point, I think that the closest thing I'll ever have to a lasting legacy is in fact this blog.
Not any story I'll write; I won't probably ever publish even though that's been a lifelong dream of mine.
Not any webcomic I'll start; I won't probably ever finish any of them no matter my desire.
Not any ambitious project, e.g. a video game, Phyrra and Cyrus; you actually think that I, me, Bree, could actually have the conviction necessary to see it through, by myself? Nooooooooot a chance in hell. Maybe, maybe, MAYBE with the right support network I could see them through, but that would require that support network be perfectly placed and able to push me in that direction actively and consistently and continuously and to keep me from slacking.

Realistically speaking.
This blog is it.
It's all I'll ever actually have as lasting proof.
Because after I'm gone.
You'll have random scattered notes everywhere about random scattered ideas I had. In bad handwriting, with most of the papers having long-since deteriorated due to whatever various poor conditions they were stored in having withered away the penciling/ink to the point where the already-basically-unreadable writing is turned utterly-illegible. 

The ideas die with me.
And because I will probably never actually get those ideas to reality.
They will never be made. They will always just...disappear, when I (hopefully very very very far away) eventually die.
Which, mind you, I know is morbid and is obviously something which isn't something that many people (including myself) like to dwell on, but is a hard fact of life. Much as we like to dream of being immortal and plan on living forever, everyone including myself dies eventually.

Since I don't want to really ponder on it much further, not going to say more on that than that, but what I'm focusing on is how this blog is basically...well. Assuming it isn't taken down at some point. (Which would really really suck and screw you weebly if you ever do that to me.) It's the proof I was alive. It's the proof I was a person. It's the proof I existed. It's the best insight into my personality, my being, my existence, that will remain. It's the record of who I was as a person.

It's not a perfect record, of course. But it's a lasting insight into who I am--and it is something which is there available for everyone to see. It is available to all, which is one of the things which I've always wanted. I've wanted to share myself with the world. I've wanted to share my being with others, open up and just. Tell them about myself. Tell them anything and everything about me.

Basically lay out my life's story, except for the things about my life that I want to keep private to only me or those that I choose to share those things with. (E.g. things that I tell my girlfriend and only my girlfriend are...pretty self-evidently, going to have a level of intimacy to them.)

This blog is who I am. It's not all of who I am, but it is who I am, as is recorded in time, in history. And I know nobody reads it, in spite of my dreams otherwise. But that doesn't stop the dreams from existing. Of this blog. Of my writing here. Being the thing that I get from others all the time.

Of being something that enriches the lives of those who read it. Of being something worthwhile to have read. Of being something that people actually enjoyed experiencing. Of sharing my visions with others, and those visions having inspired those others, in spite of them having been mine.

I guess that typing this out has made me feel even better than I was before, a little. Because that spark is there. Mind you. Beyond continuing to blog every day, not gonna do anything with it. I could, theoretically, have ways to spread my blog to others. When I comment on webcomics that allow you to link to a site, I deliberately avoid linking to any site including this blog, even though I could easily do so without consequence and have said link theoretically lead to potentially more exposure. Same for comments on Worm; I left a few and had that option, but chose not to take it.

I could theoretically explore post options more; there's options for search engine optimization. There are sites which I have profiles on that don't link to my blog even though both ComicFury and the site I play mafia on contain the blog link; on the ones that don't, I could add it in.

By having an increased presence on other sites, with a link to the blog, I would in theory be able to get an increased number of readers. Heck, all of those are free but if I really wanted to, there are paid options to expand what I can do using weebly's software (paid options which can go to hell as far as I'm concerned; I'm never paying so much as a cent to weebly and if they try to force me to, they can kiss my presence goodbye; I'd find somewhere else to blog).

That I can list these options but am not going to do them tells you what I mean--I could do more with my blog to increase its exposure, and with luck, increase the odds of my dream coming true, of me succeeding in having it be what I dream of dreams it being, of it being uplifting, inspiring, and so on and so forth.

But beyond making entries like this.

I won't actually do that.

So the dream will remain just that, a dream.

​But it's a nice one to have, isn't it?

So I was planning to say that I had binge-read the entirety of EGS in less than a week (I forget when I started, might've been Monday), but I'm not technically there, yet in spite of it being Thursday. Darn close, but not quite.

I'm blogging about it now though, because relevant?

​The author talking about his experiences compared to a list of autism symptoms. And me going.
"...Huh. The author sounds like he has the EXACT same issues that *I* have."

There are many, many comics from the comic that I considered linking to my girlfriend with me just saying "...THIS IS ME", though for whatever stupid reason I ended up deciding not to in spite of so many of them being so appropriate for describing me.

And as the author says himself, him having a sort of "write what you know/I know myself best" attitude, and from this, having put aspects of himself into basically all of his characters (which I'd know of all too well because I do literally the exact same thing), that makes a lot of sense.

What I wanted to cover were things he talked about, because I don't talk about them much.
But the ironic thing is...some time near the start of this year or thereabouts, half the things he mentioned in the comic I linked I was considering blogging about anyway. And with him talking about them there, a little hard for me to not instantly stop my bingeread and instead focus on writing the blog.

I relax via movement rather than standing still--like the author, I fundamentally cannot stand still in place. It's something that not only is physically painful, but mentally excruciating so I instinctively, reactively, add in some form of movement to it to make it work.

I love pacing and always have. It is something that I do to just...relax, focus my thoughts, to just get my brain in a good mindset for doing what I want to do; many of my best ideas came from a result of pacing back and forth and then just a spark of brilliance hit and then ignited because I was allowed to play around with a calm, collected, focused mind.

Many in my family fidget, but I am by far the worst offender; I am basically never not fidgeting. If there's no object to fidget with, I make an object to fidget with. If there's nothing to make an object to fidget with, I use my own body as my fidgeting material. (Which, to be honest, can be equal parts healthy and unhealthy. I can clean out gunk and whatnot that's accumulated, but I can also rip skin off in my fidgeting without realizing what I did until after I did it.)

I did have a speech impediment when I was younger, and while I was able to overcome half my issues, my issue with stuttering never went away in spite of having spent years at it and taking lessons to try and avert it. Is the main reason why I prefer typing over speaking; I just stumble over my own words which is much harder to do when typing. (Harder. Not impossible.)

But the main thing which piqued my interest?

The mention of oversensitivity to stimuli, and specifically how that relates to the author. Obviously, I have misophonia, so I know about that oversensitivity to a select stimulus, but what he described is something that I wanted to talk about because it happens to me every day I am at work.

I thought it might just be the unique acoustics of the pool deck at work, but thinking about it, it's probably just a me thing. Or an autism thing, more specifically. I am ridiculously sensitive to certain sounds, able to make them out when nobody else can. I fundamentally cannot filter out everyone talking, and it shuts me down entirely.

I think, ages ago, years ago, I wrote a blog touching on that, in fact, now that I think about it. I likened it to the Robert Downy Jr. Sherlock Holmes film in the dining scene, where he was exposed to so many stimuli and had no way of blocking them out. (I've also used it as a descriptor as being part of what curses Sloth in Phyrra and Cyrus; he has a souped-up version of that as a permanent curse on him for his sin, making his life a living hell as a result.)

But what the author said? I can verbatim quote and have it apply to me:
And yet, somehow, I often have trouble hearing what people have said and have to ask them to repeat themselves, which I find all sorts of weird.

I have this super sensitive, hyper-awareness with my hearing, able to hear the ever so slightest of details, whose hearing is sensitive enough to not be able to drown out all of that noise...and yet...when people actually speak to me, I have no clue what they are saying most of the time. Not because I don't understand the words they're saying (though that can happen, because duh, lack of social understanding), but because I can't hear them no matter how much I try.

They can say something, I won't get it, I'll ask them to repeat themselves, I still won't get it, I ask them a third, sometimes a fourth time, and if they haven't given up on telling me what it was they were saying, maybe I hear them. (At which point, then I have to process what they said correctly, which again. Challenging, because duh.)

I'm also uncertain about the sarcasm thing. Often at work when patrons tell jokes, I might not be able to tell, in large part because of the above issue (not having heard them until they repeat it, and their repeated version of it obviously won't have the same tone as their initial version did because they're trying to make me hear it, which I guess sacrifices some of the subtextual clues, or so I hypothesize), but I was raised in a family filled with deadpan snarkers, and am myself one. (Well, as often as someone like me can be one, anyway.)

Online, in fact, snark is my signature style. I'm fond of puns and whatnot, and I often attach the emoticon ':P' to it which ruins the snark, but I am a ridiculously snarky person who as part of the snark, inherently makes use of sarcastic comments and the like.

Misunderstandings are abundant, though, moreso than they should be.

Unlike the author, though, I know for a fact that I have no sense of personal space.
I also know that I am incredibly fond of tactile feedback. Like. I am obsessive about it. I tend to not like touching people (I don't have a sense of personal space, but I just...have an aversion to touching people? But it feels mostly like I don't know if it's appropriate more than anything else, unless it's a child in which case no duh I don't want to touch the child who I know has a runny nose and does the child thing to deal with it rather than the adult thing, and I am quite aware of the hypocrisy of that given I am an adult who still does the child thing to do but I guess I'm a hypocrite in that way), and I rationally know that surfaces everywhere are littered with germs, but...

...I just...like the feeling of them, even if I know they are germ-infested. But that said...I'm kinda selective with what I touch? I only touch certain things, and otherwise leave things untouched. Some things I just instinctively reach out to touch, even if I've never touched them before; other things I instinctively reach out to touch out of established habit; yet more things I just don't touch for whatever reason even if similar things I do touch.

Soyeah.
Just...got some more perspective on things that I thought were me-things, that might in fact not actually be just-me things.

It's a really lousy workaround, and doesn't do the original image justice, but it's better than nothing.
I used my phone to snap a picture of it, which I then through a convoluted process managed to transfer to my desktop (a process involving sending it to my girlfriend even though my girlfriend is literally my only years-long consistent blog reader in that every other blog reader I know of comes and goes with the times, making it kinda pointless long-term but OH WELL).

You can tell what I mean by the camera pic not being the best, but it's at least adequate at showing the basics behind the picture and what I mean.

As a refresher, take a look at yesterday's blog both for a reference point of the prior versions of the panel and for my description of this one. You can instantly see what I mean with the face, right? Something just feels...wrong about it.

Yesterday I thought it was the mouth. Maybe the mouth is slightly too large, but otherwise I took a quick look at the art trying a tactic: look at the image with the head obscured above the mouth (so that the mouth is the only part of the face visible); look at the image with everything below the mouth obscured (so that the mouth is the only part of the face not visible); look at the image with everything.

With the first, the image didn't quite look wrong--it looked okay, it looked passable.
With the second, instantly? "OH GOD THE EYES".
For the life of me, I could not get the eyes to match.
I tried.
I really, really, really tried to get the eyes to match.
But I botched it every single time no matter what I did. I think it's her left eye (appearing on the right) being slightly out of proportion, with the edge near the outside being larger than it should?

Butyeah--you can tell that I got really lazy from pretty much just below the shoulders. Still, the head tilt--while subtle--is hopefully there, visibly. And that was one of my main goals with this.

Overall, quite pleased with this.
​So let's show them all off, side-by-side-by-side, once more for a final comparison.

Aside from how the first is colored, the second is scanned, and the third is a junk photo.
In actual terms of quality of the art itself.

I feel like this is just a logical progression--a well and true, proper, art evolution.

It's on that note that I'd like to continue on a ramble that I originally was going to start in December, near the anniversary of The Descended, back when I first found and started archive binging Grrr Power. (Which I now read as it comes out.)

A ramble which earlier this week I began to revisit, but cowarded out of following through on it--I told myself I would write the ramble while I was at work. Even figured out how to preface it. Even told myself not to get distracted. Even told myself that I'd be a coward to not do the ramble. Even told myself I'd do it if I didn't feel like doing it.

And then at home...I didn't feel like doing it, called myself a coward for not feeling like it, told myself I would do it...and in spite of all of that. In spite of saying that, in spite of knowing I wanted to blog about it, that I should blog about it, I didn't actually blog about it.

Something I kinda sorta hinted at a little bit yesterday, but didn't get into as much as I'd like.

I'm not going to start the ramble the same way I planned in December (and heck, won't even cover a fraction of the material planned then, I'm only going to cover some of it).
I'm not going to start the ramble the same way I planned it earlier this week.

I'm going to preface it by saying that the art-me was for a longest time, "missing, presumed dead".
I thought my inner artist was just...gone.
Not gone in theory. I still thought of artistic things. I still thought of artistic stuff. I visualized artistic stuff. I was an artist in mind, still--but my drive to actually draw stuff in practice? My drive to draw things out in the real world rather than my head? It was gone.

Completely gone, for the longest time, as far as I knew.
Lingering there in the back was a desire to make my ideas real...but no drive to do it--until yesterday.

So what I say might be subject to change.
The artist within me was rekindled, so it's possible other stuff will be, too.
Also this was a ramble typed before I got passing interest in League of Legends, too, so that's another aspect of me which may come back as well.

But to go into things a little bit...

​...Well. Basically...I don't know what to do.

Or more accurately...I do, I compiled a list even, I just don't know what I want to focus on doing.
The full list also included don't-wants, too.

-I want to continue with my life on the mafia site I frequent.
-I want to finish my civ 3 mod, Across the Ages - Mediterranean.
-I want to continue The Descended with all of my accrued skills/knowledge/talent/ideas since my last work on it.
-I want to continue Red Hood Rider with all my accrued skills/knowledge/talent/ideas since my last work on it.
-I want to make Phyrra and Cyrus a reality...I really want to make Phyrra and Cyrus a reality.
-I want to be a teacher.
-I want to be a housewife, raise a family. (Of course, this is optional, but it is still a want all the same since there's multiple ways it could be done.)
-I want to live with my girlfriend.
-I want to fully transition.
-I want to live a happy, rich, fulfilling life.

-I don't want a job, beyond the one I've already got.
-I don't want to live independently.
-I don't want to write (yes, surprisingly enough, I don't want to, but like I said, the artist within me was revived so you never know) pure writing. Obviously, I'd write webcomics for The Descended and/or Red Hood Rider. Obviously, I'd write for Phyrra and Cyrus. Obviously, I'd still write down ideas whenever I had them. Obviously, I'd continue writing blog entries. But I don't want to write literature. 
-I don't want to read. (Well, I've done reading recently, but reached the end of everything I was reading.)
-I don't want to game, not much anyway.
-I don't want to watch things, not really, anyway.

Mind you,
-I do want to do those things if they involve someone else (namely/chiefly my girlfriend; absolutely I want to watch things with my girlfriend and watching, sayyyyy, One Piece episodes is the highlight of my week but what I mean by "I don't want to watch things" is that without watching them with someone else e.g. my girlfriend...I don't want to spend alone-time, me-time, time with just myself and nobody else, watching them--and this also applies to games; absolutely I'll play any game for/with my girlfriend but on my own my desire is rapidly fading).

But on my own.
Just by me, with nobody else.
No encouragement, no help, just as my own thing?
I just...don't want them.

A job is a means to an end--it provides income. To achieve most of the things on the list, I recognize that pragmatically-speaking, I need a job. Transitioning is expensive. Living with my girlfriend won't be possible most likely unless I can pull my weight and not be deadweight monetarily speaking. Phyrra and Cyrus is a project I don't want to make money yet which will be absurdly expensive to make. Red Hood Rider and The Descended both won't make money (they could off of ads, but I am against making money off of them in the same way I am against making money off of Phyrra and Cyrus).

I simply need money. Our world runs on money. And while I get a fair amount from my job--it's not nearly enough. It's minimum wage. Minimum wage in a state with one of the highest minimum wages in the US, but minimum wage all the same. It's also part-time, too, making things even worse. The only reason I have more money flowing in than flowing out is because I'm not pulling my weight in terms of paying for expenses. Food, gas, house mortgage (or whatever), car maintenance, etc.; I do none of that aside from the rare instances I put a quarter of a tank in out of emergency, or stop by a fast food place because I desperately need a fix.

I know I need the money--but I don't want a job, because simply put...well, there's more than just one reason.
One, I just don't want it. Not wanting it is itself a reason, it doesn't need a justification in of itself. I am happy with my current job (well, mostly happy, anyway, about as happy as any job would be because there ain't a job in existence which I wouldn't have troubles at least equaling my own if not exceeding the ones I deal with so I know my issues are comparatively minor). I simply don't want another.

Least of all as a replacement, but even if it weren't a replacement. Even if I worked two jobs instead of one. I just...don't want to.

Two, even if I did want another job.
I don't think I can handle it.

One day of 8 hours is literally murder on me.
How on earth people manage to do 8 hours a day, five days in a row, every single week almost without fail barring extenuating circumstances and recognized-by-the-company holidays, heck if I know. But I know that I am basically catatonic doing it once a week, where even doing it once a week is too much and I am barely functioning from it, where I would be better off not working in the final home stretch of the shift.

Even if the shift is limited to 5 hours a day.
Even if between both jobs my shift is limited to 5 hours a day.

I can't handle more than 20 hours a week. Heck, even 20 is breaking me. My hard limit, by my calculations, is 18--any more than that, and I am suffering badly. I am badly, badly suffering when I work more than that amount. I simply cannot function.

Working two jobs a week, there's simply no way I'd be able to keep it under 20 hours a week.
Heck.
Even if I quit lifeguarding (and again, to reiterate, I don't want to quit my current job), at the new job there's no guarantee I'd have the job security I do here while staying under 20 hours a week.

Say what you will about my work as a lifeguard having a job where what I'm asked to do is borderline-illegal and typically unethical and often counterintuitive and even contradictory, but the simple fact is...I've worked there for five and a half years and never once been at risk of being fired, in spite of me being able to ask for work of maximum-15 and receiving it. (Mind you, I do have to specify FIFTEEN in order to get 15; specify 18 and I end up with 25, but when I specify 15 I do in fact receive fifteen-or-less, as I requested.)

I've no such guarantee at any other job--in fact, quite likely my refusal to break myself by working more than the limit of my body can handle would end up with me fired, with me having no job. I physically. cannot. work. the amounts. that most jobs ask me to. It is literally impossible.

And yet legally speaking, we talked this over with my counselor, getting disability benefits for me would also be impossible because I can't legally prove that it's impossible for me to work that much. More complicated than that, I know that's something which people will try to pick apart, can't really explain it properly but trust me when I say that there's nuances involved where basically, if I was incredibly lucky and waited literally years I might be able to possibly receive help in some areas (e.g. housing I think?), but that what I actually need, extra money more than what I get now...

...I can't get from the government.
And yet I can't get it from a job.

A job is a means to an end, an end I desperately need, yes, but I just...can't do it physically, and don't want to do it either.
Plus.
Even if I did want it and even if I physically could do it.
There's a total paralysis in what jobs to actually do; I wouldn't know what to pick and choose even knowing these criteria. And even if someone literally spoonfed me a job--it'd require me to follow through on it and that's something I just...am not really...well. Invested in doing.

This is one of the things holding me back from pursuing an actually potentially viable teaching job in spite of wanting to teach (but more on that below)--I just know that in spite of having a passion to teach and wanting to teach, that there's just an utter freeze, an utter lack of will, to push forward and take the plunge in because for some reason that idea of having a job I just don't want.

And I can't make myself want it.

Especially since that job?
That job, which is a means to an end?

As far as my family is concerned, that job is so that I can take the steps to live independently.

...But what they fail to consider is...
...Me living independently? It's what they want. It's what they are pushing for. When they frame the question the wrong way, they get the illusion that it is something I want. Because living independently is a means to an end, it is more or less something I'd need to do to not be deadweight if I got to live with my girlfriend, to not kill my girlfriend from stress overload, to not have my girlfriend have a panic attack when I'm out of site, and so on and so forth.
It is also a safeguard in case I am suddenly kicked out of the house by my dad; if I know how to live independently, then I can survive on my own with difficulty.

But while it is a nice safeguard. And while it is something that would teach me how to be able to support in my own way my girlfriend rather than just be deadweight. I don't want it.
It's not something I desire.
Nothing in my life is inherently better with me independent.
Me being independent enables me to transition, sure--by proxy of not being dependent on my dad.
But that's not something which is a given.

It's not "independence = can transition, dependence = can't transition".
I can be independent and lack the means to transition, and I can be dependent on someone other than my dad and still have the means to transition.
The two aren't linked in that way.

So I just...I don't see the point?
Why am I supposed to be independent?
Because it's something that people "should" do?
Because it's something normal people do, especially by the age of 25?
Because it's something that would convenience others?

It's just...none of that is about me, now, is it?
Like I said--the only reason I see to be independent is to teach me the skills so that I'm not deadweight to my girlfriend, so that I can actually help out and manage some things on my own...but those skills don't require me to be independent, do they? Independence is the quickest, easiest way to teach them, sure, I guess...but it isn't the only way to teach them.

So if I can get those skills in other ways more suited to me...and I lack reasons of my own to seek independence...
...Why would I want it?

I just don't.

There's then my lack of desire to write.
You may recall that my flashdrive containing my writing broke years ago.
It's still broken, still hasn't been fixed, frankly I think my brother forgot it even existed, wrote it off as a lost project then didn't return it or something like that.

That's no excuse to not write.

I can, and have, remade stories from scratch.
Heck, because I am overly fond of rewrites, it's actually a specialty of sorts.
I can, and have, come up with dozens of story ideas. (Most compelling of all, the Worm-inspired Quadraverse story I owe you rambles--plural--about due to having expanded it multiple times since you last heard about it. And it'd be in exactly that format, a book, not a webcomic, not a game, not a show, a book.)

I can't stop my brain from coming up with dozens, hundreds, of ideas, nor would I ever want to. I enjoy those story ideas, I love fleshing them out, I enjoy talking about them, I enjoy making their plot twists, enjoy creating chronology, characters, and so on and so forth...

...But I just...
...Have an utter lack of desire to actually write.

I once came close.
I came close to creating a forum thread, recently, where I would tell people, basically, "I am looking to write, and want some writing prompts to give me a direction to write. I write as much as I can, before then requesting another prompt, and will keep going on this for as long as I can", more or less.
Figured out the rules and everything.
What my starting point would be.
What sorts of things I was looking for.
And so on and so forth.

Almost did it.

...But didn't.

Not because I forgot.

Because I lost interest.

I just lost interest in doing it.
And I have no interest in writing any new stories.
And for that matter, no existing stories.
The loss of my flashdrive, then, I realized was nothing but an excuse.
I was pissed at the time. Royally ticked off. Bummed out, in despair, at the loss.
But I could have recovered from it.

It was a choice not to.

Because right now?

The writer within me is dead.

Like I said, that's the status my artist within me was until just yesterday, so that could change.

But as of right now.

I don't want to write.

Because the writing me is dead right now.
At least the novelwriting, story-writing me.

Similarly--I don't really want to read things on my own.
I read, browse, TVTropes.
I keep up to date on webcomics--more out of obligation than anything.
Yes, I've binge-read a few webcomics recently.

But all of that? It's mostly enrichment. Mostly inspiration. It's mostly things which give me ideas, which make me feel better, which are part of another aspect: they are part of me living a full, happy, enriched life because they give me a degree of cheap pleasure, but it's not something I have any particular investment in. They're just time-wasters. Wasting time, rather than something I truly did because of a deep desire to delve into the world I was presented with.

The magic exists--and then it doesn't.
Worm is a great example of this.
I mentioned in my blog recently, either yesterday or on Friday, that I finished reading Worm.
And more significantly.
I did something like 28 chapters in only a couple months or so...
...And then stopped.
I just...didn't read.
I had plenty of times I could have read.
But for months. (Well, slight exaggeration.)
It just sat there, unfinished.

And then the magic was briefly back, just long enough for me to finish it in less than 48 hours. (Maybe less than 24, I forget if it was Wednesday or Thursday that I started but I'm pretty sure I finished before Friday?)
But it's gone again.

It comes and it goes, but it's not consistently here.
It was here consistently long enough to drive me forward to read something like 28 chapters in a remarkably short time. (I got some internet-stares when I said how much I had read in the short duration I had, akin to "...HOW", with them flabbergasted that I could read so much in so little time especially given that I read many comments too.)

But then it wasn't.
And it isn't, again.

So overall, reading's just not something I strongly have right now.

It is useful for enrichment, for entertainment, for boredom-suppressing, for lack-of-better-ideas activities.
But that's about it.

Ditto, gaming. It is equally a time waster, and due to a small selection pool of games...far less enriching of my life, other than providing entertainment and relaxation and a distraction from doing things that are more important to do.
I still game.
But when I game, it's not so much that I want to do it, as much as I defaulted to doing it.
I ran out of ideas, so I did it because I couldn't think of anything better to do and it was the thing that was most appealing or rather more accurately, least-unappealing.

Again, I'd like to reiterate.

These change when it comes to having a partner, having it not be just me.

I would read just about anything if I had someone to trade comments with about it, facepalming, screaming, making snarky commentary, the like, about it. And I don't mean in the sense of a forum where you just look at comments, place your own, respond to existing comments, e.g. on a webcomic with whatever posting method the webcomic uses (for instance disqus). I mean more in real time, where we can have a real conversation and bring attention to things the other might have missed.

That is fun. That is something that I would always be down for, that I would always enjoy. That I'd always find immense pleasure in.

I would play just about anything if I had companionship in it. Someone watching the stream of a game I play, preferably in real time, again to make comments about how much of an idiot I am being, how stupid that move I made was, how much I deserved what was coming to me, etc.

Someone to play an online game with me, where we could both fail together, repeatedly, because of my incompetence getting us massacred over and over again. Or, alternatively, if we stack things in our favor to make it nigh-impossible to lose...managing to win a victory albeit one where I didn't pull my weight. Or, alternatively, where we play against each other and I totally let them win, honestly, couldn't just be because I am absolutely utterly incompetent and they are just better than me, nope, not my inexperience, totally me letting them win.

Any of that? Yeah, that's fun. Never tire of that. Never gets old. Never would stop with it.

But on my own. With no feedback. With no network...I'm getting tired of it. I'm not creative, I'm not inventive, I fall back to the same habits and do not explore much. I play the same things I have played...and I basically just. Don't really have much motivation to play them anymore.

And similarly, watching falls under that same umbrella. Sure, watching things with others is amazing, is great, is something I want to do always and enjoy doing. A real highlight of my week, uplifting, amazing, basically something that gives me great, immense, immeasurable, pure, sheer, joy at having done, leaving me happy and fulfilled.

But on its own...well. Watching some things can be useful to gain inspiration. It can motivate me to do my own things, to make my own work, to get ideas from what I watched on things that I can improve on in my life and in my creativity...but that's about it.

I don't really want those to be central parts of my own, personal, me by myself, life.
They can exist in the peripherals, sure, I guess.
But they shouldn't be what my life revolves around.

What should my life revolve around?
Well, probably not half the things I want, but whatever it should revolve around should be something I want.

And again.
I want to continue being a part of the mafia forum I play on--because it is, like it or not, a fundamental part of my identity. It is a piece of me, a rather large part. When I gave up, progressively more and more, on every other site...at the end. Even after having given up on ComicFury...I stayed there. I stayed there when I stayed nowhere else.

It keeps me grounded, it keeps me sane, it gives me my one iota of social interaction and is the only source of resources/support network I have readily, easily, available access to. Pathetic, sure, sad, yeah, but that's simply the truth. They are all I have built up.

Doesn't help that they serve as a very nice source of enlightenment, so to speak--they have a far, far, far, far, FAR more open-minded view of the world than I'd otherwise get. I mean, liberal as liberal gets is a fairly dominant majority there, sure, yeah...but I need that to help counterbalance the fact that my family is as conservative as conservative gets.

I need reminders that my family is racist, that my family is bigoted, that my family's religious intolerance is not okay, that my family's politics are not to be blindly sheeped, that I should take their words with heavy grains of salt. And the site's one of the better places to give it to me.

Not the best, admittedly, because they have a bit of a problem with the "if you don't agree with this, you're part of the problem" mentality, and they're not aiming to educate people nor am I directly looking for them to educate me and other issues and the like, but it's still exposure to an opposite view to what my family (and by 'my family', I mostly mean "my dad's toxic, backwards views"), but I fully credit the site for being one of the largest influences in me not being an echo of my father.

Without them, I'd be the worst trash of the worst trash, most likely. A despicable human being that honestly the world would be better off without having around as a whole, one spouting hatred at all times at everything not appearing to be part of it. I was headed down that road, and while I'm not fully on the road opposite of it (to the point where some probably would still argue I am those things, a despicable human being that would be better off not around, an opinion I can't entirely dispute because yeah, I am kinda trash), that I am at least trying to stay further and further off of it is something I credit to the site.

Sure, yes. The internet is a toxic cesspool of vitriol, and this site is no different. That exists, in abundance, and perhaps moreso than on most sites. Certainly seems it is filled to the brim with those hostile, divisive emotions. And yet...in spite of that. It is not all negative. It is not all bad. I know that my place on there is largely a negative one where I cause more problems than I help...

...But in spite of that...I still want to be a part of it, because it is part of my identity.

It was one of the two places I came out on as being a girl. (The other being ComicFury.)
It is one of the main places that helped me build my confidence in my femininity, that helped me build my identity as a woman. That helped me find who I am as a person.

And it's something that I crave.
Even if I wasn't part of that site.
I don't think I'd be able to give up mafia altogether.
It's just ingrained in me. Second nature to me. As both a player and as a game host/moderator/insertterminologyhere.
If I was on any site that had mafia, I would play it--I wouldn't go out of my way to sign up for a site with it just to play it, but if I were already a member of a site I visited that had it, heck yes I would. (Which would be a liiiiiittle bit problematic since I know sites that I frequent such as Kongregate have sections for it.)

Heck.
If I was on any site that had a section dedicated to playing games...and they didn't already have mafia?
...I would start it for them.
I would figure out what I'd need to adjust, what I'd need to make it work, and then I'd make it work.

Only way it'd be possible for a complete detox from mafia would be to cut me off from any site that has any source of games on it. And I mean, any source. Doesn't need to be forum-based; if they have a chat client that has chat game support? I'd find a way to make a chat-based mafia game.

Because I think in mafia games.

I have it that ingrained in me, that I convert experiences into mafia games and mechanics. I turn ideas I see into mafia-centered things. Many of my ideas which started as a mafia game can be converted to something not a mafia game...but it also works vice-versa just as frequently, where something I thought of as a different idea becomes a mafia game because the mafia game suits the idea more naturally.

I've been doing mafia for over ten years--not half my life, but 40% of it. 2/5ths of my life, spent on the forum game. That experience sticks with you your whole life. It's ingrained in my brain. It doesn't go away. It's instinctive on every level. The good (what little there is), the bad, the ugly, it's all there, as part of me.

And because in spite of its flaws, in spite of all the things there which are sour, which there is bitterness about, I genuinely believe in the community, I genuinely feel like it is a special place, I genuinely feel like it is a place which is more good than it is bad. It's got lots of bad. Lots and lots and LOTS of bad. But the good is just...stronger, more empowering, more rewarding.

I want to make more of that good, there. I want to do what I can to make there a better place, one piece at a time. The site is, in many ways, a bit of a reflection on humanity. It is deeply flawed, it is deeply troubled, there is lots of hatred, there is lots of divides, but there is also lots of...everything positive about humanity. Bonding, creativity, socializing, humor, love, friendship, unity, you name it. 

I could drop it. (There are two situations which would cause me to; if my girlfriend asked me to, in spite of my attachment to it, I'd leave in a heartbeat, wrap everything up as hastily as is possible and then simply depart and never return again, OR, if I on a fundamental level felt the site itself had betrayed my trust. I've felt betrayed before, but that's not something that I consider the site betraying me so much as something else having done so.)

But given the choice, I don't want to. It's helped build me as a person. You can leave sites like that behind you...but it's not something you ever want to do, and this is no different. My investment, my attachment, is such that barring either condition coming true...I just...want to keep it as a part of my life.

I don't want it to consume my life.
I don't want it to be all of my life.
I don't want it to be the most important aspect of my life.
Heck, when I wrote these down, it was almost practically in the order of least important to most important. (Almost. Not quite. Not really, but you can kinda see how the later ones are more important to me than the earlier ones. It's not an exact list, being a teacher is a lower priority than my creative projects, but the reason it's lower on the list is that it has a direct lead-in to talking about the others, which you'll see if you keep reading, BUT I DIGRESS.)

So it's not an important aspect of my life.
But I want to continue keeping it AS an aspect of my life.

On that note--I want to finish my Civ 3 Mod, Across the Ages - Mediterranean.
This one's not really that important...but it's a bit of a pet project. There'd be a sense of accomplishment, of, "I did it!", and it's a bit of an education, a personal pursuit of mine, a bit of a healthy hobby of building something tangible, that you can look at as concrete, and which could lead somewhere.

Would be unlikely to lead anywhere, but could lead somewhere, in that even though it doesn't teach me coding or anything it still teaches me basic structure of how to make a game idea more or less real. It gives me the layout of the sorts of things, the details, I'd need to work out. Structure of the game, of map layout/creation, of units, of balance, of tech trees, of resources, the like.

The knowledge generated from this is poor due to me being lousy at it, sure, but it's still some sort of grasped knowledge, which I'd get better at with time and practice. And it is knowledge which does have a way of transferring over to other projects, especially if I begin messing around with things I thought I wouldn't be messing around with (such as pcx files).

The intricacies, the nuances, of making my scenario what I want it to be, would teach me how I could go about making ideas that are my own game proper, into reality, because honestly this mod basically is a game of its own at least in scope, in scale, in ambition, in ideas poured into it.

I wouldn't even probably play it, beyond playtesting it. See the game section above for why. If I wanted to make something of my life...I just wouldn't have the time to keep playing it over and over again, even though if I succeeded at making it the way I dreamed of it, I'd have the ability to.

The ability to play it over and over again and enjoy it, that? That if I could actually achieve it with the full scope and scale of my ideas, would make it all worth it in the end. So it's something I want to do, but it's not something that is at all critical. I still have desire to do it even though I work on it less often than I used to (used to be just about every day), but that's more from increased passions elsewhere I didn't know I still had.

I want to go back to The Descended, from my revival of interest there.
This is something I was going to touch on in my December blog, which was near the anniversary of The Descended. (Remember, The Descended was spawned as an idea around Christmas Break, on vacation; we were in Oregon when on my grandfather's antique computer I drew the first sprite iterations of The Outcasts, The Elementals, and The Latens. I forget the exact date, but it was somewhere in that range.)

The exact blog was spawned during the time I said I had an "epic year-end blog", promised it was coming soon, procrastinated, said I'd do it, but never actually did, with it never having materialized. There was so much more to it when I wrote it, but one of the core aspects of it was a scary thought to have.

The Descended, with my thematic nature of liking 12, had about 12 "Arcs" of content.
Each "Arc" is, by my approximation of modern standards (not original standards), ~30-40 pages long.
The Descended was, from the very beginning, at its original iteration and with each reboot, each revision, always at every single point, envisioned as releasing once a week.

One comic a week.

The Descended was the first webcomic I had which had clear start and end points and material strewn in-between.

I had other story-based webcomics--some I even knew the direction of!
But I didn't have clear ends to them. Only generic ideas of where I was heading with things.

The Descended was the first, and in some senses, still the best, at getting me a story-based webcomic that didn't just have a simple direction. It had a clear, definitive, unambiguous, ending planned to it. (Mind you, not at the get-go. Took time for that to materialize, until July if I recall correctly which is why I consider July 23rd to be an "anniversary" for The Descended, and consider the original December launch date an anniversary.)

My original plot, I lost on my old old laptop. You know, back when my old laptop was called my laptop, I referred to an old laptop? Well now it's not the old laptop because my previous laptop now is the old laptop, so it's the old old laptop. Or maybe it goes back even further? Actually, it does.
My original plot was on my old old old laptop, a laptop so old I pretty much forget it even existed in the first place. That, or it was on a desktop. It involved many more gags than the current plot, many more out-of-universe mentions, far more self-awareness, and even toyed with the idea of there being a on-the-other-side-of-screen (i.e. YOU the READER...except, GAMER) character, a gamer, controlling the actions and being dissatisfied with the outcome, "loading" to redo them...and at least at one point the characters in-universe refusing to revert.

I don't remember the details, never wrote it all and frankly I'm glad I didn't because while that was a valid direction I could have taken things in, The Descended would have been far, far, far worse off for it. I'm much, much happier with the direction I decided to take things in when I got my next plot.

Which I still didn't finish.
And which was on my old old laptop.
But which, critically?

I mostly have memorized.

The finer details, fine points, exact specifics, I don't remember--but I remember far more than I don't. It's ingrained in me as second nature. Mind you, there's not total recall. I have to focus on a moment to remember that moment, but I can generally remember more or less the structure of all the ideas I wove, the intricate narrative between the four protagonist groups of four and their pasts from before the start of the comic.

And I can tell you that works out to be about 12 arcs, with each arch being about 30-40 pages long.
The first arc to introduce you to three of the main groups and a little about them, the second arc to get more into the details, third arc to have the outcasts have their first encounter as a team while the background of the elementals and latens is explored, fourth arc the three groups meeting, and then further arcs for exploring the villains and such. Davos with an arc, Aria with an arc (so that's six), an arc detailing the rise of the fourth group (so that's seven), at least two arcs detailing miscellaneous plotlines where each character gets some growth, and then at least two arcs for the climax (that'd put it at eleven meaning I'm either merging two separate arcs or forgetting an arc, but I'm in the approximate right range, here).

What makes this all be scary?

Well do the math, here.

I took down the original page, but the original date has been preserved.
The Descended's first comic was released on December 28, 2009.
Over 9 years ago; near the end of this year, we'll be seeing The Descended's tenth birthday, and at the time I wrote the blog, I knew we were looking at its ninth.

There are 52 weeks in a year.
Do the math I've presented.
12 arcs, each ~30-40 pages long?
360-480 pages.

One page a week?
If I kept to one page a week, in nine years, I'd be able to do 468 pages.

Now assuming every arc together ended up being less than 480, then I'd be finished with The Descended.
The Descended would be done.
DONE.
Finished, completed, start to finish, a comic that was actually wrapped up and concluded, rather than on an indefinite, indeterminable hiatus.

Now, granted.
One page a week, the original schedule, is an unrealistically high goal given my innate abilities and how busy I was.
Also granted.
I improved the comic in 2012, 2013, and 2014; those dates represent more accurately the places you can call launches for the comic proper compared to the original.

Butstill.

The scary thought?

The Descended is an unfinished comic I put so much effort into, only to end up wasting it, because of stupid reasons.
Originally, writer's block, leading to a rewrite and generating a script.
Then writer's block in how to make the script real, culminating in the death of the computer.
Then in artist's indecisiveness.
Then for the stupidest of stupid reasons, because I didn't have the worldbuilding finished.
The World of Soano, The Descended's setting, is an RPG Mechanics 'Verse--one which using RPG Mechanics Terminology, but which is not self-aware of being in a comic and do not consider themselves in a game (because they aren't).

This is a rare combo, but it's exactly what I chose to use. To them, they use terms like mana, charisma, wisdom, dump stats, the same way we might talk about computers, food, health, cars, whatever. It's just part of their world, of Soano.

I didn't finish making the mechanics--I wanted it so that the World of Soano was one where anyone could run a functional whatever-they-want using it. A tabletop RPG, a video game, a webcomic, a story, I wanted the World of Soano to be accessible and usable by all, not just me. So I wanted to build the system for it...and I never finished it, and I put the comic on hold while I tried.

Stupid reasons.
Stupid, stupid reasons to stop the comic.
The hiatuses were never for that officially, because I was busy, because I couldn't keep up with my life, but it still contributed to killing the comic.

And yet.

I would be done with it if I hadn't quit.

Or if not done...close to.
I would be nearing the end of it.
I would be getting ready to wrap things up.

And yet.

Instead of that.

I get a comic that never started.

In spite of how there is now a revival of interest.
And new ideas.
Yes, those ideas are a bit "draw and discard".
Some knowledge of The Descended is irrepairably lost forever. I'll never get the finer details back, I'm sure some plot threads I devised are entirely Lost Forever, in spite of how good they were. The plot I had for The Descended was a magnificent one, one which was funny and yet told rich stories with great character depth and which went into the backgrounds of them and showed their personalities, all of them, on full, the entire way.

You got a bunch of compelling villains, too, who were largely sympathetic in spite of being antagonists to the four groups. I've forgotten all but a handful (literally, can count them on a single hand; the big bad, two who have personal ties to characters, a third who has a tie to another character, and a fourth whose final battle I remember vaguely but I remember literally nothing else).

But I've also gained things like the Aria chronicle. Her basic background was in the plot from the get-go. I knew that the revelation about her lineage would be there, but the story was all in the present/future; it didn't delve into the past at all. That whole story would've never existed, and yet now it does in full, because I toy with getting into Aria's mindset quite often (she's fun to think as and fun to interact with).

And frankly...losing ideas? The ultimate excuse I put forward for stopping The Descended?

Was just an excuse.
It wasn't a justified reason to halt things. I remembered it, how hard would it have been to just type it up again and make a better backup? I stopped because I wanted to stop...

...But I've regretted it ever since then.
Always wanting to unstop it. To revive it. To come back to it. To do it again.

Heck.

One of the things I gained was a basic map OF The World of Soano. Soano's shape was originally incredibly vague, but now I know what it looks like. (Well not by memory, but I have the paper in my room and can locate it fairly quickly to reference.)

And using that basic map.

I was able to map out the exact geography of where our protagonists begin their journey.
And even drew up a few pages for a hypothetical reboot of the update that vastly improved the reboot of the reboot of the original. (I think that's how many I did? Might be one more reboot in there?)

I could make it be amazing.

Absolutely stunning.

I know how to draw all the characters better than I ever did, in spite of having not drawn most of them in like five years minimum in some cases.

I could fix the gaps in the mechanics, patch them up.
I could make it coherent.
I could finish what I started.
I could do everything I failed to do then, now, with my current skill sets.
I know I could do it, because independently I've done those sorts of things on my own.

It'd take time, it'd take planning, but I know I could make it work, and dangit.

I want to.
Even though I know it'd take time.
Effort.
And ten years to see fruition.
I know that the longer I wait now.
The longer it'll be for those ten years to come to fruition.
So I want to do it sooner rather than later.

​And you know what else this applies to?

The thing inspiring me to make this ramble?

Thaaaaaat's right!

Red Hood Rider is all of the above, and more.

When we had easter, a result of that was me organizing a lot of stuff.
Part of that was recovering my old never-made December blog entry, but another part of it was uncovering the Episode 1 artwork (which was all drawn on paper) that I'd brought out ages ago to use as a reference and never returned to my room.

It had degraded to some extent and had been shuffled, but I did what I could during this time to preserve it and put things in the proper order.

And this is what got me set off towards the current path.
Because while there was plenty of things about the old art that I hated (the original "Hello" face panel among them), there were other things that to this day I think are drop dead gorgeous.

I managed to make amazing art back then. Circa September 2016--two and a half years ago, it'd appear.


I did intricate details that to this day I'm not sure I'd be able to do.

There are some things that are horrific and I'm honestly wondering if it's just that I rushed them because I struggle to understand how I could be so good in some areas and so bad in others. Or maybe I made them from memory without reference images and the amazing ones are ones where I cheated by using some, butstill. Doesn't matter. The point is. There's some gorgeous artwork in there.

So everything I just said about The Descended?

Applies to Red Hood Rider, even moreso in some instances.
My original plot is sort of lost. There might be a copy of it stored online (which I know where it is), but I'm not sure if that's a copy of the plot itself or if it's just most of the characters. (I know it's not fully up-to-date because the character of Brigand I'm pretty sure wasn't included among other stuff.)

The original plot I've mostly got memorized, but vast large swathes of it I have forgotten. Mostly stuff that gave characters other than Ruby...well, their characterization. Each of the ten fighting members of The Ruby Gang had immense characterization to them, and even the two non-fighting members of The Ruby Gang had plenty, and so too did support members like the Darkblood Coven's higher-up vampires, other Coven's vampire leaders, and such.

Every single Rogue got a lot of exposure, and even a wannabe Rogue got a repeat appearance. (That I remember, but stuff like that, I know I didn't.) Fighting styles, I had mapped out. Basic abilities, I knew. Details of the Rubyverse, largely mapped out and explored.

Lots of that stuff, I forgot.

The majority of it, I remember.

And just like The Descended?

Critically.

There's a "draw and discard"...
...Where I added key aspects I didn't have. Though to some extent I've re-forgotten them, when I was playing around with inventing my martial art, it was the vampiric martial art that I was inventing, for use in the Rubyverse for some of the choreographed fight scenes that were far lamer and more rigid prior to this invention.

And near the climax of the series, there was a whole Episode that I've invented...one which is one of the most important in the whole series, as it is the episode which explains why Ruby has been the protagonist the whole time, which explains Ruby's role in the Rubyverse, why she was selected to be The Chosen One. Before I had an episode covering a What If where she didn't exist, where Sally was The Chosen One, and it's still in the series at a much earlier point, but this new episode?

This new episode builds off of that rather than just leaving it, and ties things together that originally weren't.

Ruby is actually given a very strong reasoning for being the protagonist, and in it, the episode explores both why Ruby is me...and why Ruby isn't me. And how both halves of that are important to why she's the protagonist. And how everyone is a little bit me, and how they could get by without someone who is heavily me, but why in my story they had someone who is half me.

Because that's another thing which has changed about the story.

When I first envisioned Ruby.
She was born as a series of "what if"s rapidly chained together.
What If I were a magical girl.
What If I were a vampire.
What If I were both a magical girl and a vampire.

And from that, she became me in all but name, just with abilities I don't have. Me if I were a vampire magical girl.

...Except...

...She evolved.

She isn't me anymore.
She's still partially me. She's still got large aspects of me in her life, because she was based on me, she came from me.
But she became something else.

AND FURTHERMORE.

I became something else.
I diverged from Ruby, just as Ruby diverged from me.

Over the last couple of years, I have continued to have my world outlook expand and grow--and Ruby's outlook has also expanded and grown...but not identically to mine.

We've taken similar paths, but not identical ones...and this new episode just before the climax? It heavily explored this concept, this aspect, of her and why she earned her identity, her spot, as the protagonist, rather than having it just be given to her. A meta commentary on her role in the entire series, even.

So much about the series I've lost.

But in spite of her being largely out of focus.

Crucial details like that?

I didn't originally have...yet I have since been given.

A draw and discard.

Mostly memorized, some lost, but lots gained.

I wouldn't have it finished.
72 episodes were planned--each episode a little bit shorter, in the 20-40 page range rather than 30-40 page range, but with far more episodes you more than make up for that. Divided up into 12-episode seasons. Conservatively, that'd be 1440 pages; liberally, that'd be 2880 pages.

Red Hood Rider also updated at a rate of one page a week.
And was much, much newer.
When was the launch date, again? 
October 1st, 2016 it looks like.
Two and a half years ago.
At 52 pages per year, that's ballpark figure of ~130 pages.

Less than a tenth done with the series.
Heck.
Less than half way to conservatively being at the end of the first season.

But the other part I said about The Descended?
That part still applies.
I would have ~130 pages done for Red Hood Rider.
Instead of four.
FOUR.

Because I quit.
Because of real life stresses.
Because of stupidity.
Because of excuse after excuse.
Because I gave up.
Because I just...didn't do it.

And yet.
Now.

I want to.

I know how to do it, and do it better than I was doing it. I wouldn't need to redraw anything, all I'd do is suddenly have a years-long sudden improvement in the art. (Might come at the cost of it being in a different font tho as I don't remember what fonts I originally was using.)

I can make it amazing, make it stunning, I can fix my mistakes (for instance, fixing the godawful aesthetic of the ComicFury site), finish what I started, do everything I failed to do then and do it now. With my current skills, it's viable, it's doable, and it wasn't back then. It'd take time, it'd take planning, but I could make it work.

And I want to do it.

Even though I know it'll take time...and would take an amazing 28-56 years for me to finish if doing only one page a week. (Which is an outright impossible thing so I'd need to somehow manage to do more than one page a week. Like, two or three pages a week.)

Yet if I don't start it now.

It'll take that same amount of time whenever I do start it--and I'll be just as behind then, in the future, as I am now, because I didn't do it now, because I didn't close the gap any when I had the time, the chance, the method, the opportunity, to do so.

But in spite of that.

It's not the only thing I want to work on.
It plus The Descended are not the only thing I want to work on.

I really want to make Phyrra and Cyrus a reality.
I think of them almost every single day.
Again, there's a draw and discard effect going on.
Some worldbuilding details get lost; exact details of how episodes are meant to go get lost.
But the overarching chronology, what things happen when? I know by heart, and I keep on repeating them over and over again.

I really, really want to make them come to life.
They are my passion. There is an ambition there. It is a love project. A project of pure love, a creation filled to the brim with all my heart and soul, that I want to pour my everything into. I know it won't be easy. I've had a bit of an insider look into what constitutes a sound editor's job, and contrary to my original hopelessly naive belief that I might be able to do that myself realistically speaking having seen exactly what that entails I know that in theory I might be able to technically speaking do it...

...But that when doing so it's a butchered job that is a hot mess. In order for Phyrra and Cyrus to come to life as I envision it, I'd need someone else to do the sound editing for it. Because if it were me, I'd never be able to do it justice. I could do justice to The Descended. I could do justice to Red Hood Rider. (Although to get multiple pages out per week I may need to bite the bullet and get help because frankly I don't know how I'd manage so much as one a week yet alone multiple a week with no aid.)

I can't do justice to Phyrra and Cyrus. I can't do justice to Phyrra and Cyrus as a voice actor and even if I could do one voice I certainly couldn't do them all. I can't do justice to Phyrra and Cyrus as an animator least of all because I'd have to teach myself how to do it and then do the hot mess of a job at it which is shared for being what a sound editor would be.

I'd have to go back to my blog where I detailed everything about what I need for Phyrra and Cyrus to confirm this is everything, but off the top of my head, what I need?
-Animator for the four openings
-Animator for the four closings
-Animator for the show itself (the three need not be the same, though they can be)
-1-4 composers for the openings' music (one composer could do all four, four composers could do one, or anywhere in-between those extremes)
-1-4 composers for the closings' music (ditto)
-I'll handle the songwriting for the openings and closings
-1-4+ singers for the openings (probably at least one will use multiple voices and thus need multiple people)
-1-4+ singers for the closings (ditto)
-A sound editor
-Voice actors for each member of the Thaukama, each villain, recurring characters (rare as they may be), and one-off characters (this probably is 2-4 dozen people altogether depending on how much overlap there is)
-I'll handle the scriptwriting

I can do justice to the things I say I'll handle.
I can, and plan to, give direction to the animators for openings, for closings, for the show itself. (The latter is an extension of the script; of course the script, or what I call the script, covers the basic plan of what's to be animated.) But I can't do animation and have it do Phyrra and Cyrus justice.
I can songwrite and do Phyrra and Cyrus justice.
I can't sing and have it do Phyrra and Cyrus due justice.
I can give direction to the composers for what I'm looking for from them, but my skills in musical composition are lackluster enough that I wouldn't be able to properly do Phyrra and Cyrus justice if I handled this.
Having seen what sound editing entails, how involved the process is, how so much of a single second of video animation can have like thirty individual sounds (not an exaggeration, if anything that's understating it rather than overstating it) attached to it? I can't do that and do Phyrra and Cyrus justice. I'd miss too much, I'd leave too much out, it'd be too basic, too sloppy, to chaotic, to filled with things it shouldn't be and missing things it should have.
I can't voice act and even if I could I can't voice act for the number of people I need.

I can't get these things for free, I know this, too. Even an animator working cheaply for the exposure it'd give, even an animator who I could get on board for recognizing it as a love project, even an animator who could get as passionate about it as I am...well...even if I could get someone with one, two, or even all three of those traits?

It still wouldn't be free to do. Because anyone who learns animation to the level of skill I would be looking for is doing this sort of thing professionally--as in. They need to pay their bills. And animation takes time. Ain't an animator in the world who'd be able to provide that animesque high quality animation I am looking for, who'd do it in what amounts to their spare free time, because that's what them doing it for free would be.

If they do it for a cost, then because it's a job they are going to be making it a project they put some fairly decent investment into. Maybe it's not their top priority project, but they're not going to put it on the backburner, they're not going to put it off. They're getting paid, so they are going to make it and make it well because they want to live off of their animations.

If they did it for free, then they'd still need to pay their bills. They need money for food, for gas, for electricity, for supplies, for internet, for all the stuff professional artists and animators need. They need money to survive--so they need to get it from somewhere.

If I wasn't that somewhere, then they'd need to be doing something else to get the money...meaning that Phyrra and Cyrus? Not their focus. Honestly...if Phyrra and Cyrus took longer to make because the animator was working cheaply and had it as a lower-tier project while working on a higher-tier project that was more expensive and can sustain them, that'd be fine.

My concern though is with the quality; when I do finally find an animator...if it doesn't live up to my vision...if it isn't what I envisioned or even better (because the thing about good artists to a writer is that sometimes, they exceed the writer's expectations and throw in details that are even better than what the writer told them to do, and I imagine animation is similar in that it can be better than what the script called for), if it looks like junk because as far as the animator was concerned something not helping them pay the bills was junk to make at a lower quality...what was the point in making it at all?

I imagine that with the proper research, I could probably find someone who would work for free. Would be incredibly hard to find, but I could find it out there somewhere. But would they make it quality? That's what I'm looking for. And 48 episodes of quality? That's not cheap. That's not free. That's expensive.

It takes money that I don't have.

But I want to make it.
I know I can do it.
Realistically speaking I'd be funding it by season, I'd be needing to do a fundraiser, I'd need to find a way to make ad revenue to go towards the future seasons and maybe fundraise them if the ad revenue isn't enough, and even after doing that I'm going to have to find people who have a combination of those traits.

Who are willing to do it cheaper than the usual rate for the sake of exposure.
And/or who are willing to do it cheaper than the usual rate because they recognize that it is a labor of love, a project with heart and soul behind it that they genuinely believe in.
And/or who are passionate about the vision that they are able to see I have for it.

Because that's the only way I'll be able to get the money raised and have the money raised cover everything.
I know a lot of research needs to be done on my end.
I know that a lot of work needs to be done on my end.
Finishing the scripts.
Doing the storyboarding of sorts.
Filling in filler details.
That sort of stuff.
I know that all.

But I want​ to do it.

And I also want to be a teacher. Not as much as I want to make Phyrra and Cyrus, and, heck, not as much as I want to create my webcomics. But.
I love teaching. I love imparting my insights, my wisdom, my thoughts, my teachings, onto others. I like to be able to say that a person was left in a better position, because of a contribution I gave to their growth.

I just have a love of teaching.
I don't even care if my lessons are listened to, if the people I am teaching to actually learn, though obviously I take pride and joy when they do, especially if they are able to take my teaching and improve on it to make it better than what I was teaching them to do.

I just...really like passing my knowledge and skills on to a "younger" generation. 

This need not be a teaching job proper, though.
I don't need to be a Teacher to be a teacher.

For instance, I am prominently known for being an expert/"expert" at the theory behind mafia. (Depends on who you ask. Bit of both camps are accurate; I have been playing for ten years so it figures that yes there are somethings I really can teach people about and being autistic with my brain wired in nonstandard ways gives me unique insights others over those ten years have missed...but because I am autistic I am prone to poor explanations of concepts, and just because I've done it for so long doesn't mean I'm perfect or know everything or am right all the time because I'm human prone to error and also poor judgments. Could ramble on this subject all day, but here's not the place for it.)

Nothing gives me greater joy than just getting a chance to tell people about my philosophies and have my ideas be passed on to them--not necessary verbatim. Taking elements of my ideas is actually a way to turn a basic idea which was on the right track but never nailed it (which is what I often am) to be refined to the point of actually getting it.

I encourage healthy skepticism in my teachings, will tell things as I see them and have a bit of a "that's the way it is" attitude towards some stuff, but I like just...seeing people actually read what I say, and taking even some of it to heart. Like, pondering what I said, considering it, and even just going, "ehh I disagree, for these reasons".

Someone who reads my ideas, and develops their own, someone who listens to my teachings, but develops their own. Someone who paid attention and took the best of what I had to say and eliminated the worst of what I had to offer. I love having stuff like that happen.

And another form teaching can take?

The main form which I dream about it taking, in fact?
The ultimate form--parenting.
Now, granted.
I know that I'll probably be a lousy mom.
Doesn't change that I want to BE a mom.

Doesn't have to be biological children, though it could be. I'm not picky. Doesn't have to be from birth babies, though it could be; again I'm not picky. I'd consider myself no less the mother of a 4 year old than I would an infant, no less the mother of a child with my blood in them and/or my girlfriend's blood in them than I would someone who has none.

Aside from being a housewife being my dream job (again, even though I know I'd be terrible at it and it is pragmatically speaking, economically nonviable in this day and age), frankly, the main reason I think I've always dreamed of raising children?

Was so that I could teach those children.

Every time I think about it.
Every time I think about all the times I've pondered wanting kids.
Every time I think about having envisioned raised kids.
Every time I think about all the different ways it could have happened.

Ultimately.

The thing that I remember most from all of those times.

Was that I was teaching them the lessons that a mother teaches their children, more or less the type of lessons my mom taught me only being my own unique take on them, stuff like actions versus consequences, the price of pursuing what you want, the like. Giving them a drive, giving them an encouragement (because encouragement is one of the most important aspects of teaching).

Supporting them, loving them.

It's mostly that I wanted to teach them to be the human beings they end up being--and with luck, to have some pride in knowing that their lives turned out the way they did in part because of what I helped them with. (We'd certainly hope so, because the alternative to that is despair/shame/horror that their lives turned out the way they did and the constant doubt of where I went wrong. Stuff like, 'they became a serial killer', noooooooot something I'd exactly be able to find pride/joy in, is what I mean.)

Ultimately, though...everything I just said?

Literally everything--mafia, the civ 3 mod, the descended, red hood rider, being a teacher, raising a family? I'd give it all up for my girlfriend. I'd give it all up to just live my life with my girlfriend. It is perhaps one of my greatest wants. It is one of the holy trifecta, the other two being the other two I listed.

I want to transition.

I want to have a full, happy, rich life.

I happen to also legitimately think that these three things are the only three on the entire list which augment each other rather than get in the way of each other. I have a finite amount of time in a day.
I can't, fundamentally can't, every day.
Do mafia.
Do the civ 3 mod.
Do The Descended.
Do Red Hood Rider.
Do Phyrra and Cyrus.
Teach.
And everything else.

I can't do them all at once.
I have to pick and choose. (More on that in a bit.)

But I legitimately, genuinely, think that the holy trifecta are together things that not only I can do all at once, but which are borderline impossible to do without having done all at once.

​I am a girl.
Without having fully transitioned, I will never truly be able to be at peace--which will diminish my happiness.

I derive the greatest happiness and joy out of the love I have for my girlfriend. They are the most important thing in the world to me--more important than anything else and I would do anything for them.

Transitioning is something that I legitimately don't think I can build a support network for on my own--it's a little bit of a self-feeding loop. To build a support network, I need a support network. And to get a support network, I need a support network. I honestly don't think that I'll be able to manage it on my own. And while I can theoretically have access to a support network here...realistically speaking, I don't see how it ever works smoothly.

It'd be bumpy, shaky, at best. It's something that I'd barely manage to do, if I managed to do it at all. There's a very real chance that left to my own devices, I never transition in spite of always wanting to, for like...ten, twenty years. However long it takes my dad to die. And even then, only transitioning if I am not then reliant on my brother, and can find a way to manage it in the hectic situation.

It's something that in theory I can do, but pragmatically speaking, transitioning is something that I'd likely have the easiest time with if it was with my girlfriend. 

And of course--my girlfriend probably wouldn't have become my girlfriend if I hadn't known I was a transwoman, and presumably is happier when knowing that I am happy (especially if they are the cause of said happiness).

When I wrote this blog, originally on the 23rd, I titled it "I don't know what I want to do".
But it's more like...
...I don't know what to focus on doing.
I know what I want to do.

I just spend five and a half hours typing it out. (Okay that's a slight exaggeration. Started at just past 12:45, and it's 6:03 now, so it's more like 5.75 hours.)

Everything I wrote? That's what I want to do. (Mind you I didn't cover large swathes of some subjects, e.g. the massive chunks of the December blog I left out.)
It's just that they are all so...so...conflicting, and I just.
Have a paralysis on what to focus on, more or less.

And it's so persistent, I might as well link it to you!

To be a little more specific, it's the area just after the one-minute mark that I'm looping through, because there's a nice little not-actually-repeating-but-close-enough-to-trick-my-brain bit. (Not sure how to explain that better. Basically, different words are used and you can tell they're different words, but they're sung using the same notes--and especially when it's not English and especially without the lyrics showing on the opener, that's enough to trick the brain into looping that segment over and over again.)

So while we're here.

Might as well talk about it some more.

One--that song is drop-dead amazing. It is a stunning thing on its own.
But two--the animation accompanying it is perfect.

It is one of the, if not the, best openers for an anime I've ever seen. It is just. that. good.

So it figures if my praises are that high for the opener, they are equally sung for the show proper.

And that rings true.
As my girlfriend put it, I gave the show my highest possible form of praise:
"The premise is really, really similar to the book I was working on". (Specifically the book before Heroes of Gistou.)
That book featured characters who, as early as their childhood years, plotted to escape a complex ruled by non-human entities. The characters had to show incredible intelligence and wisdom beyond their years in order to orchestrate the escape. (Granted, this happened in the prologue...and all but one of them was killed because while the escape succeeded, afterwards, in the chase, they died. So the similarities pretty much end there, butstill.)

Given how much I pride myself in my writing.

That's about as high a praise as is possible, in fact.

And there's another thing I would like to point out, from a different story of mine--one not intended to be a book.

Emma (and for that matter Ray and whatshisname), The Promised Neverland's protagonist. Is 11 years old...
...The same age as Phyrra and Cyrus.

...Why is that significant?

...Because this show is more or less a validation of "I'm on target" for displaying smart, intelligent, wise, mature 11-year-olds in terms of content. Yes, they are occasionally still kids, but the show displays them actually being smart. Not fake-smart. Genuinely clever and intuitive, prodigies who are geniuses, with ingenuity and quite capable of coming up with amazing strategies.

Which is what Phyrra and Cyrus are supposed to be.

It gets better.

Emma and Phyrra are pretty similar personality-wise. Cheerful, fairly friendly and somewhat polite while being somewhat blunt. (Admittedly, bluntness is more Ray's trait and politeness more whatshisname's trait.) A bit of a doofus compared to the other kid(s) her age, but in spite of needing things explained to her sometimes, by no means actually an idiot, capable of extreme cleverness of her own...while having a charming smile, warm heart, charismatic attitude and surprising level of insight.

Which is more or less what I'm aiming for with Phyrra.

And Cyrus is similarly like whatshisname with a side of Ray, being level-headed, calm, cool, collected, a planner, pragmatic, efficient, cold, yet still understanding and not all-knowing. Someone who prefers thinking rather than athletic flairs, and is lethally calculating in maneuvers.

...But it gets even better.

When Phyrra's body-swapped into Cyrus, and vice-versa. (The state that they stay in most of the series, aside from the twice-a-month times they are in their own bodies past the prologue.)
Because Cyrus's real body looks a lot like Emma, and Phyrra's real body looks somewhat like a cross between Ray and whatshisname.

When body-swapped.

Phyrra actually looks a lot like Emma.
And Cyrus actually looks a lot like a cross between Ray and whatshisname.

(My girlfriend's probably gonna be ticked when reading this blog and realizing I already forgot his name. Or more specifically, I'm not positive of it. I kinda have 'Nolan' in my head as being it but I'm not sure that was it?)

If you took Ray's hairstyle/length and the expressions/eyes/hair color/etc. of whatshisname, then it'd look pretty darn close to what Phyrra's real body is like, the body Cyrus is trapped in most of the time.

And Cyrus's real body, which Phyrra is trapped in most of the time, being a body that I deliberately modeled to be a stereotypical shonen anime protagonist body.
...Is pretty darn similar to Emma's, because she is a bit of a stereotypical shonen anime protagonist even in her body.

Obviously, they're not basically-identical, but the resemblance is fairly self-evident.
I haven't really drawn Phyrra and Cyrus yet (I should, I know, but I haven't), but I've made reference images of them using various programs, some of which are on this blog. As a refresher, here's a dump of them all.

Keep in mind, none of these are their official look. Keep in mind, all of these were made in various programs. The first faces were made in an iteration of a program called FaceMaker (specifically this one, which the maker themselves note is not too original as there are others like it, but that's the one I used for the images shown), the most-of-body, in-profile ones are from this anime character maker, the next set which are probably some of the closest-to-vision versions are from the continuously-expanding-with-new-content rinmaru games anime character creator, the next set of generic faces is from anime face maker 2, and the full-body picture is from a can-optionally-become-NSFW, tread-carefully, you-have-been-warned, K-ON dressup 2.

I can't stress enough how none of these are official.
None of these fully capture the aesthetic.
These are mostly done as brainstorming. Proof-of-concept work. Throwing ideas around for exact iterations of what their outfits look like. I have, in previous blog entries, described their exact look, and these give you a fairly good idea of what sort of look that is, but none of them are exact. You can't even average them all out to get it, either, because some are truer to the vision than others.

These are all just loose references, unofficial things that I use as a shorthand, lazy reference, things I use because I lack any other way currently to give a visualization of the two--until I actually draw Phyrra and Cyrus myself, I don't have any non-text picture of them. I can describe them, but without using these program screencaps, I can't actually show them to you yet because they haven't been drawn yet.

Butstill.
From this, you can probably get where I am coming from with what I am saying. Take a look at this in comparison since while not the best picture of the characters it's enough.

Cyrus's hair is more red than orange and his eyes are matched to the hair pretty much (not exactly, his eyes are more like the color of Emma's hair whereas his hair is redder than Emma's hair), and when Phyrra inhabits his body as she does for most of the show, she has the general aesthetic shown here by Emma. This shot shows a lot about Emma's personality and it is one perfect for Phyrra as well, showing expressions, showing thoughts, and so on and so forth.

Phyrra's hair is styled almost like Ray's, except removing the emo-covers-one-eye part of it. Pull that hair back so both eyes are visible, and suddenly you have her hair there, albeit hanging back down to the shoulders in the back. Blue instead of black, but you can get the idea.

Her eyes are almost exactly the color of whats-his-name's eyes over there.

And Cyrus, when inhabiting her body as he does for most of the show. Has an expression which is dead-inbetween Ray's and whats-his-name's. Not quite as cynical/serious as Ray, but also not quite as "open" as whats-his-name's. Deadpan, somewhat-serious, but not looking aggressive/dark as much as Ray does here.

So in a sense.

This is me paying the highest of high compliments to the show.

Comparing it to a novel I love and hold dear is high enough praise in of itself.

Egotistical to the extreme, sure, albeit not entirely unjustifiably so. (The novel I can trace its exact origins down to the short story which is still posted online. If I recall correctly, to about 2009ish, give or take a year. Turning it into a novel, I can also track down the exact year of, which I believe but am not sure was 2011. I am pretty sure that whenever the manga this anime is adapting was made, didn't start until after that, so my work comes first, even if it ends up published later. Which I realize doesn't change much, but is why I say not entirely unjustified...just mostly unjustified.)

But hey, I am egotistical so when an extreme narcissist like me says, "this work is like one of my own!", it is as high a praise as is possible because given how high I hold my work to be, the esteem in it, saying it's as good as that is saying it is really good.

...Yet I'm not just comparing it to the novel I love and hold dear.

I am comparing it to my pet project that I hold the highest of high ambitions for.

To the point where I even mentioned it in passing to my mom today, which is a way of kinda sorta solidifying it as "real".

When I mention something online, it can stay online forever and never have a form of "legitimacy" to it.
That doesn't mean that things online for me are illegitimate. But what it does mean is that things online are harder to have be legitimate.

And to say words in real life holds power.
Hearing Bree online is nice; hearing it in person is something which is life-changing.
That's the effect I am talking about, and I think this is something anyone online can understand what I'm getting at here. How what's done and said in real life means magnitudes more, and why it is a goal so much to strive for--because it is so worth it when it is actually done. It feels like the difference between saying and doing (real life), the difference between living it (real life) and not-really-not-living-it-but-not-really-fully-living-it.

I think you get what I mean.

Saying, even as a hint.
That Phyrra and Cyrus as a project exists.

Just had a way of solidifying it.
As.
Not just "this is something I want to do, but...".
But.
As.
"Yeah I'm doing this".

Phyrra and Cyrus, that project of mine that I hold the highest of high ambitions for, the thing where I solidified it as being real.

I am comparing to the show.

That show does basically everything I'd want to do in Phyrra and Cyrus.

So when I say "The Promised Neverland is the quality to which I strive to make Phyrra and Cyrus be".
There really can't be any higher praise than that.
​It's higher than the highest of the high praises.

I want to create.
Except.
My mind is racing.
All it is saying is.
I want to create I want to create I want to create I want to create IwanttocreateIwanttocreateIwanttocreate

And so on and so forth. On repeat. I know what I want to create. I have a very, very strong passion for Phyrra and Cyrus right now. I've thrown around ideas for other things, but they were thrown out because of the overwhelming urge of, "No. Phyrra and Cyrus. I want to create I want to create I want to create".

The problem is.

With my mind racing like that.

I can't focus in on what to do.
I can't hone in on what I would create.
I can't slow it down to think rationally.
I'm just being flooded with the same thoughts over and over again, and each time I have a spark of an idea on what to do, I think, "That might be good, but what do--" and then the flood gates overwhelm with I want to create I want to create I want to create.

I don't know what to do.
I want to create, but I am 100% manic right now.
No other word can describe this.

​I want to create.

So a prior obstacle I was facing was coming up for a name of the planet Phyrra and Cyrus is set on. Today, I did that.

It has more to it than that of course.
To understand this ALL, you'd need me to give you a ramble on the birth of the colliniverse, but I don't feel like doing all of that (it was intended to be a full ramble on its own) just as a prelude for my real ramble.

The cliffnotes that are pertinent are, the colliniverse (the name of the setting for Phyrra and Cyrus) is thusly named because of the collision (thus, colliniverse) between INFINITY and Nothingness (thus, why INFINIverse/INFIverse were working titles and preferred titles for the setting until unfortunately I learned they were taken, alas).

There are four realms making up the colliniverse: the spirit realm, demon realm, mortal realm, and afterlife.

The first entities began to form simultaneously in two of these realms: the demon realm and spirit realm. These proto-demons and proto-spirits began to take on some properties of their realm (demons got the short end of the stick, but due to this fact, were the innovators of several breakthroughs).

While it took a long time for them to gain both shape and form, once they had begun to do so, they began to interact with their environment. Spirits learned that unless suffering cessation of existence, they could never truly perish. This meant that while they could visit the afterlife, they could never permanently reside within.

Demons meanwhile learned that to go to the afterlife, they had to suffer irreparable damage to their form, usually the utter destruction of said form altogether--a one way trip. They could of course suffer cessation of existence like a spirit, but they also had a permanent destruction. Thus, demons basically invented the concept of death.

Spirits and demons alike found that they could procreate, creating more spirits and demons; spirits and demons found that on some occasions, new spirits/demons could form without procreation (more common for spirits than demons tho).

Later on, some demons found out that in spite of reaching adulthood and maturing, they would continue to go through the process of time development--and since at adulthood they were at a prime, they would go past their prime and wither, even die. Thus, demons invented the concept of aging as well, something foreign to spirits aside from in the context of birth-to-maturity (which spirits understood).

Spirits also found they could do something demons couldn't. In ONE specific area of the mortal realm, they found that they were able to influence it. They were vaguely aware of the vast expanse of the mortal realm beyond said area, but slowly shaped this world's properties, within the confines of what they were able to manipulate with their limited influence.

This world is the world on which Phyrra and Cyrus takes place. Spirits were struggling with creating anything with a soul in the mortal realm, in spite of now being able to (briefly) visit said realm. (Demons, too, learned that they could visit this realm.)

They had the right building blocks, but something was missing. The spark of life just wasn't there...
...Until a demon named Lilith deliberately, willingly, underwent cessation of existence to impart pieces of her soul to all of the potential proto-life.

This process was what the planet needed to jumpstart evolution. (Mind you, evolution of life was possible without her--it's just that she made it advance leaps and bounds. She also did this at least partially out of spite, to leave her mark on the world as a "screw you" to spirits.)

And thus, the world would forever bear her name: Lilim.

Incidentally, two more demons also contributed.

Once Lilith provided her mark, demons soon learned it was possible to imbue life with their soul, albeit suffering cessation of existence when doing so. Life, mind you. Didn't require demon souls in order to thrive. There's not a finite, limited, supply of souls. New souls for life are born all the time. It's just that it's possible for a demon to make one particular lifeform have their soul.

Incarnos figured out how to import himself to the mortal realm, permanently, WITHOUT suffering the cessation of existence demons previously had suffered. He even kept his identity and personality, albeit losing his original shape and all his prior experience. The trick was that it needed to be done from the afterlife, and to imbue the new life with its soul at the exact moment the life would gain a soul.

So Incarnos invented the process of...reincarnating.

And finally, perfecting both the work of Incarnos and Lilith, we have Huuma, who reincarnated himself into a proto-human, yet also managed to pass on a small piece of his soul (not enough to destroy him, but enough where all of his progeny would bear at least some of his gifts) to all of his offspring. The whole was retained, but still passed on.

And it was from him that humans eventually formed. (It was not instantaneous, mind you.)

Eventually, spirits and demons alike perfected their forms, their lives, their abilities, their aspects, and so on and so forth and how to enter into the mortal realm. But this is some of the backstory for the process, which I could elaborate on further if I gave you the original ramble on how this state came to be in the first place.

Butyeah. The world has a name now: Lilim.

Now I just need to unbury my drawing of a rough map of Lilim, and figure out how to create more precise geography and from that geography map out intuitive kingdoms from which I can then create the nations that will be named and visited.

And from there, it's naming cities. If I can name all major cities, then I'll have basically done the last bit of worldbuilding I need, since I already did worldbuilding on things like magical leylines, miasmic veins, and the like, with the distinction between beasts, demons, monsters, and whatnot. (Just because I neglected to share them doesn't mean I didn't do them!)

​I'm getting to where scriptwriting will be ridiculously easy.
So.

​Progress!

On my own, a passion of Phyrra and Cyrus has been rising, but beyond that, I'm receiving inspiration from sources ranging as wide as Markiplier to Love Live. (Yes, really. You'd think the two entirely unconnected, but both in their own way provide a strong drive forward there.)

Now, mind you.
Won't be doing so tonight.

And frankly I'm not sure when I will.

But I want to move forward there.
Bit by bit.
Slowly.
Inch forward.

And make Phyrra and Cyrus come real.

By any method necessary.

I swear I can do it.

I know I can.
And I know it would be good to do.

I don't really want to succeed, mind you; if Phyrra and Cyrus is objectively a failure, so be it.
​But I want to make them, and not fail in having done so.

In my defense, I was under the impression I had, so I thought I was good. OH WELL THIS WILL BE A LONG ENOUGH BLOG THAT IT'LL MORE THAN MAKE UP FOR IT.

Basically, today I did a lot of work.
Now, mind you.
Not work on a current thing.
The thing about me is, I continue to revisit past projects of mine even when I am working on a future project. I try to prevent myself from too heavily revising--rewriting, redoing--it, but when I am doing these exercises, I try to extrapolate in areas where I hadn't visited before.

Of course, sometimes I end up rewriting anyway, but mostly through the virtue of having forgotten the original material meant to be canonical and thus replacing it, mostly accidentally. OH WELL CONSEQUENCE OF MOSTLY KEEPING THINGS IN MY HEAD.

But I know for a fact that what I did this time does cover new ground.
It's not for Phyrra and Cyrus.
It's not even for Red Hood Rider.
It's for the webcomic obsession prior to that which I still intend to make at some stage, The Descended.
I actually made two breakthroughs there.

The first is in character ages.
Before, I had kept it generic. "Somewhere in their 30s" for most, and even of those that aren't, "appears to be in their 30s" for at least one or two.

But today I made a ridiculously simple breakthrough.
While the fourth group of four adventurers introduced later into the story largely remain intentionally ambiguous on their age, I realized that I could calculate nine of 12 main characters' ages by relating them to a tenth. And the two standouts, both had ways for me to calculate their ages.

It works like this.
Argus has an older brother, who a couple years before the story begins, died of old age/natural causes. Said brother had a son, who appears to be around the same age of Argus. That gives a very specific age range, since Argus appears to be in his 28-34 age range (technically, I believe the official way I handled it is that he appeared 34 pre-ascension, and was de-aged to 28 post-descent).

If you account for the human lifespan in the setting to be ~80 years, and that the son is ~the same age appearance as Argus, and that the son was probably born when Argus's brother was in his 40s, that gives you a good estimate.

I settled on Argus's nephew being born when his father was 46, and that his father lived to the age of 80, placing the nephew at the target age range of ~34. (36, since this was a couple years ago.) I generally assumed that Argus was around the same age as his older brother, so if he's a year younger, that would make him ~81-82 at the start of the story.

Aria I knew died in her 20s, but at what spot I wasn't sure until I settled on 24 today. That left the question of how long she's been a ghost for; since her younger brother is alive and an old man, and the village she died in has only the elders of it be old enough to remember her when she was alive, that gave me a fairly good estimate. I knew she was younger than Argus, but not by too terribly much.

Her parents died before she hit puberty, so that means her younger brother wouldn't be much younger than her. If you keep the human lifespan estimate at ~80 as per the above, that gives a general range for how old she is. The village elders would have to be less than 80 currently, but more than 10 when the incident happened. So say if they were 15 when it happened and 75 now, that'd be 60 years--a little bit of an overshoot, since it'd also place her younger brother who isn't that much younger than her (I estimated him to be ~15-16 when she died) to be ~76, when I wanted him to be more in the 60s range.

So, adjust slightly, make it be ~52 years having passed with the elders a bit older when it happened and a bit younger at the time of the story, and you get her age as being ~76, younger than Argus, but not by much. It also would place her brother as in his 60s, albeit only just, so that felt about right.

And then there is the key figure for calculating everyone else's ages.
Davos is, explicitly, one of the youngest in the cast, younger even than Nathan Betrax. His age range is in the 18-26 area, though I wanted him to be at least 20 for some reason so more on the higher end of 21+ but sub-26.
Sasha is the same age as Davos--not to the same day, mind you, but within a couple of months and such, the same year. She is ever so slightly older, but not by any significant amount, and it's easier to just say she's his age, whatever his age may be.

Davos was born at a time where the remaining 8 characters (save Nathan, who is a bit younger) were all children old enough to have memories and know what their parents looked like (an event happened which orphaned them, around the time Davos was born), but still be prepubescent and not have perfect recollection of that time period. Generally, that gives the 6-12 estimate.

This fits with their age range being 30s while Davos is in his 20s, and can be further broken down.
Sarge is the oldest.
M and Enlec are about the same age, and about one year younger than Sarge.
Kinas and Sanik, being twins, are exactly the same age, and are about a year younger than M and Enlec.
Tyra is about a year younger than them, with Sinaer being six months younger than Tyra.
Nathan is at least two years younger than Sinaer, but no more than ten years younger than Sarge (which gives a bit of flexibility with his age).

So if Sarge was 12 when Davos was 0.
M/Enlec would be 11.
Kinas and Sanik would be 10.
Tyra and Sinaer (albeit barely) would be 9.
Nathan would be anywhere from 2-7 years old.

And scale that up by 20-26 years, which I believe is best at 24.
Sarge becomes 36: a bit on the older side, but he has always looked older than the rest.
M and Enlec become 35: a bit on the older side, but still looking fairly youthful.
Kinas and Sanik become 34: the exact age I pretty much envisioned them as, but didn't want to name until I figured out the chronology (which I have).
Tyra and Sinaer (albeit barely) become 33: just about the same, in their peak.
Nathan becomes anywhere from 26-31, which is about where he should be. I estimated him at 28-32, which would place his Davos birth age at 4-8, which is the right area for him.

Nathan is meant to look youthful, but still have some features highlighting later adult manhood, so I think that 29-31 is the butter zone; I'll make the snap judgement call of 31 on that basis.

Placing Davos and Sasha at the aforementioned 24.

(By the way for those who are curious as to how they look the way they do: adventurers have a limited form of age-halting, based around their level; their race's natural lifespan is extended by however many levels they have, so a normal human living 80 years that's level, say, 50, would live to be around 130, and age appropriately slowly.)

Giving the characters an exact age is something I've striven for, for ages, but never managed to figure out until today in spite of all of the pieces having been there previously.

The second breakthrough I made was actually what triggered the first.
To talk about it though, I need to go off on a tangent.
Back when I was actually trying to produce content for The Descended actively on a near-weekly basis, there was a period where I couldn't make content...but could make canonical filler content.
By that, I mean: a flashback story, giving backstory. Stuff that would eventually be featured in the story proper (and is still planned to be!), and was mostly available as bonus side-material for those devoted enough to read the right places anyway, but which was miles away from being featured.

Yet was not really spoilerific. Stuff that was planned to be integrated into the comic properly, and still is planned to be integrated into the comic properly, but which I could produce quickly and cheaply as filler, as padding, for a break allowing me to do the work I was trying to do.

​That was the Kinas Chronicle. To save you the time of looking for it (warning: insanely long, insanely badly done in most places but more on that below), here it is in full (again, not really spoilers, just backstory, but stuff that you wouldn't learn in the story proper for a long, long time):

...Incidentally, just looking at the alt-text (captions, here) makes me remember why I love Kinas as a character so much and another reason why the chronicle held power to me. He was literally telling a story mirroring my own, in a way that I couldn't possibly have known about, but which is immensely powerful to me in hindsight.

BUT I DIGRESS.

The point I was making here is.
There are self-evidently some huge flaws in the Chronicle. Aside from a little shoddy writing here and there, the narration style is too much text and not enough images. Now, I wrote this as filler, so that's okay, and in a lite novel format that's actually what you'd have, but it's still a little jarring.

Each page is absurdly long. I told the chronicle in eight images; given the length of each image, I should have cut it up to be many, many, many more than that. (Then again, once more, it was filler, designed to be done in as little time as possible, and designed to disrupt from the story as little as possible. NOT THAT THAT WORKED OUT BUT I TRIED.)

The characters, both past and present, have obvious artistic flaws, aside from Sinaer pretty much.
And the reason Sinaer doesn't share those flaws (aside from the child sprite of her) is because I used trace jobs of her for the chronicle. As in, I created a version of her using anime character maker 2, then traced that. I still drew her, technically, but it was as cheating as cheating gets and pretty much plagiarizing to do so. Obviously, that's a regret. (Done for a combination of time saving and the fact that I couldn't draw her that well at the time.)

I was utilizing the Windows 7 version of MSPaint at the time, so I made heavy usage of copy-paste.
The dialog order is incredibly hard to follow.
The images aren't done very well.
Many key characters are kept out of sight to hide my inability to draw them.
I should have done that for child-Kinas/Sinaer because their presence is the absolute low-point. (Though the way I handled Kinas's dad is not far behind.)
I covered up art with text, covered up text with text, and similar issues due to limited space per panel (in spite of the infinite canvas I was utilizing).
And so on and so forth.
It is, self-evidently, what it was.
Something shoddily thrown together that didn't have very high quality all-around.

Yet there were also some things about it that, to this day, I remain proud of.
The way the story was told and written may be flawed, but I still feel like the idea behind it holds some incredible power.
I took time to create original sprites for many of the characters' pre-"descent" appearances (since they did look different before, and after, their traumatic experience that divided the groups).
The original art I made mostly holds up to scrutiny in spite of its flaws as passable. Some of the images of David are atrocious, but I'm proud of that design.
Tyra's pre-descent appearance has some issues with proportion, such as the bow, her hands, her neck, and so on and so forth but that was all done by me and captured the essence of her.
Sanik's pre-descent appearance is almost perfect aside from the elongated neck, the arrow in relationship to his hand, and his bow in relationship to his hand (not to mention, lack of strap for the quiver).

Kinas's teenaged self is awful, but Kinas's pre-descent adult self aside from a minor perspective glitch in the chest and head, positioning of hand-to-sword, and lack of real grip on the shield (it wasn't until Red Hood Rider that I was forced to learn how to actually pull that off), is pretty much perfect.

There was something magical about the narration style, too, in the transitions held. 

All in all.
It is something that I have, in spite of its status as filler, wanted to redo for years, to keep the good and discard the bad and give it a grand do-over. But this is nothing new; I've had that feeling pretty much since a year after I made this. (Which, being in 2012 of October, was a full 5 years ago for the desire.)

Why's this relevant?

Basically, the thought occurred to me today.
There is exactly one other main character I could instead make a new Chronicle for.

In the fourth adventuring group later on, two characters have backstories directly plot relevant almost to Argus levels of importance (see below), so I can't chronicle them without massive spoilers. A third has only minimalistic backstory in general, and isn't actually that fleshed out. (Ha ha I am talking about the member that's a lich.) And the fourth has a backstory reserved for a planned sequel-series to The Descended, revolving more around him, so not something I could even remotely touch on since even in The Descended proper it's only hinted at because of the plans to reveal it later.

Kinas's chronicle pretty much tells the backstory of all eight elementals/latens, and how the groups divided into half, splitting up. So no need to cover the perspective of another of the seven others in those two groups.

So it's a member of The Outcasts, Argus's adventuring party.
Sasha's story is fairly minimalistic; the only details that are there are directly plot relevant.
Davos's story is fleshed out, but his backstory is incredibly plot relevant, to the point where there's multiple "arcs" (arcs, being defined as basically what can be thought of as "episodes" or "chapters") covering it; not something to spoil.
Argus's backstory is literally the driving force behind the comic; almost every single event in the comic, he had some hand in, which makes the instances he isn't involved all the more unique for that fact (something lampshaded when it happens; basically his team blames him for why there are a bunch of angry people suddenly, and in those rare instances, he can truthfully say, "This one's actually not my fault!". Because mostly, it is).

Leaving it as being...
...Aria.

Her backstory does come up in pieces in the comic proper, but like the Kinas Chronicle, though there are elements that are technically spoilers, they are not "real" spoilers. It's a fairly self-contained arc, self-resolving. Her backstory is brought up, but it doesn't have an overall effect on the grander plot; it is a detail which if it was left out of the comic altogether would make no difference on the comic at all, other than not fleshing her out as much. (Haha she's a ghost she doesn't have flesh aren't I so funny.)

And the result of that is.
There's actual potential to tell a story in a format similar to that of the Kinas Chronicle, intermingling a series of text with a series of images, interwoven to be almost like a lite novel. And I could actually tell it. And today I actually expanded on her backstory, basically the whole impetus for this idea.

I knew the basics already, which I can say because they are literally how I introduce her as a character. She was taught by her father's principles, inheriting his alignment, and her mother's skills, inheriting her class. The resulting build of a Lawful Good Rogue was ill-suited for survival because a sense of honor and duty motivated her to not run away when running away would have been the tactic allowing her to survive. (And is a move perfectly viable for Good characters that're rogues, so long as they have a plan to take the enemy down that doesn't involve a head-on confrontation, their weakness.)

I knew that the specific form of the way she died forever cursed her, killing her but preventing her from moving on to the afterlife, and that she's thus (justifiably) worried about Cessation of Existence due to Undeath Always Ending (she doesn't know those tropes by name--though Argus helpfully tells her them--but she knows their ideas well enough).

I knew she had been dead for a long time, but not long enough to be older than Argus.

I knew that the village she was haunting was indebted to her for her sacrifice, tolerating her antics as a result and seeing her as mostly harmless aside from her pranks.

I knew she was orphaned at a young age.

But that left a lot of ground uncovered. Specifically, everything from when she was orphaned up to the point where she died, which if you remember from the above, is a full...well, not specific date, but at least 12 years because her parents died before she was a teenager, leaving her to fend for not only herself but her younger brother (who I knew existed, and was alive some umpteenth years later).

And I basically invented the story of that gap today.
All of it 100% original, and I know for a fact not contradicting existing canon. (The way outside of this hypothetical "Aria Chronicles" being introduced to the comic proper? That might, albeit only slightly, requiring minor rewrites of very specific sections of an already-existing plot. But the content of the story? Nope, all original to today and fitting in line with content made prior to today.)

I kinda want to make it.

In fact, I really want to make it, but because it requires an intermingling of (as I envision it) computer-typed text and hand-drawn art edited in whatever I have available (which on this computer...is the MS Paint that comes with Windows 10)...

...I probably never will.

OH WELL AT LEAST THE IDEA IS REALLY FUN. (And in some areas, funny.)

I've not been blogging about it, but I've had some pretty revolutionary insights into things lately, and I mean that in absolute sincerity; if I were actually able to properly unpack the thoughts I had, they would be pretty darn insightful and actually make you pause and think. And if nothing else, give good insight into my mind.

Now I ultimately decided. I didn't want to spend the time/effort making those blogs. I had other things I wanted to blog about which were unrelated, took less time to talk about, and so on and so forth. Things which I could unpack quickly, easily, flawlessly.

So on Wednesday, I didn't give an expansion on my reflections about fear.

Yesterday, I didn't give a narration about the nature of time (and by extent, reality--short version, time in the narration given both exists and doesn't exist, everywhere and nowhere, is an objective constant that can be measured yet subjective illusion subject to the whims of the subconscious, without this being paradoxical because there's a logic to how it works; there's more to it than that and that's a poor explanation of the thoughts but like I said I didn't want to bother with the full version and still don't).

But today, I had a thought about failure, and this one I did want to share.

Failure is fun.
Now, I realize the Dwarf Fortress meme of "Losing is Fun!" exists, along the lines of "There's no winning, only losing, so make the loss as spectacular as is possible", more or less.

That's not what I mean.

What I mean by that is.

Failure is seen as a bad thing, but in it, there comes a blessing.
When you succeed, it is seen as a good thing, but with success comes a curse.
Failure helps you learn, whereas success can cause bad habits to form, but even this is not what I am referring to.

I'm more referring to what the effects of failure and success are, long-term.

Continuously failing can be a test of character, causing someone to either break and give up or push themselves with a drive until they succeed, but this is not what I am talking about, either.

What I more mean. Is that with failure, comes an expectation--or rather. A lack thereof. With failure, there is freedom. Failure gives you the luxury of choice, at every step. Do I continue, do I give up, as a start, but. I'm more talking about. When you fail.

You are under no obligations.

The results are right there, failure, in front of you. So if you've failed at everything. Then there's no obligation to do anything. What you do with that failure is up to you, allowing you the opportunity to do what you want--even if what you want to do is continue to fail.

That might seem like something nobody would want. Who'd deliberately want to continue to fail at a task which it's possible to succeed in? But therein lies the realization. Sometimes, continuing the task and failing it is the fun part, because it is the task itself which is fun--and succeeding at the task would make it no longer be the same level of fun.

This is one reason why I think so many people are perfectionists. They find flaws in what was done, to give themselves an excuse to call it a failure--so that they can do it again, but better.

Because the flip side of failure is success.
With success comes obligations.

If you succeed once, you are continuously haunted by that success: "I did it before, so why can't I do it again?" plagues all too many people. More than that, by having succeeded, it is expected that you will succeed again. People hold you to the level of quality you have shown you can do. If you do good, then you are under pressure to always do that good.

Once you have succeeded.
Once you have made your name.
Suddenly, everything is viewed in the lens of that success, compared to it.
"This is better than that".
"This is worse than that".

But when you have nothing but failures, there's a level of equality to it. A failure is still a failure, and while some failures are more spectacular (and I mean that in both senses it can be used in, in that they are massive failures or look-better-but-still-are-failures) than others, they still have more or less the same treatment.

A failure is a failure.

But when you succeed.
Suddenly, everything must be a success, viewed in terms of "less successful than previous" or "more successful than previous". And while some of these metrics are objective, plenty are subjective. Artists, creators, writers, and so on and so forth in particular are what I am getting at here; when they have gained renown for their work, their future projects are compared to these past projects, and inevitably, some will shower praise while others, criticism.

And it was this that made me understand why.

Why I am okay with living my life as a failure--and even seek failure out.

​There's a trope for this: Victory Is Boring. But it's a trope for good reason; it's true to life. There is less excitement in success, because with success comes obligation, comes expectation, comes pressure, comes the chains of the weight of the world bearing down on you. When you succeed, you are burdened by it.

But with failure, when you fail. You can forever continue to fail. You never need to succeed as a failure, because you can continue to fail over and over again and nothing changes. Nobody expects differently. There's no pressure to succeed, because you have failed. There's only the minimal burdens of the world coming from the bare necessities of survival. (You need to eat, you need to hydrate, you need to have shelter, and these things in the modern world come from some form of success in some endeavor for the most part.)

And I realized that this is why I am acting the way I do.

I have, for the longest time, lacked the drive to succeed.
I have, for the longest time, been dreaming up ideas and then not following through with making them reality.
I've been figuring this as being my bipolar disorder for as long as I've had that diagnosis: manic episodes for creativity, depression for how the idea dies out.

But there's a constant throughout this, and it's not just in my creative works. In mafia games, in all aspects of my life.

I have proven, time and time again, that when I put my mind to it and really try, there is almost no challenge I can't overcome. (I am human so I have limitations, but these are much fewer than most, especially myself, would assume.)

I have proven, time and time again, that I can do this, I can do that.

I have proven it as a proof of concept. Yes, it's viable. Yes, I can do it.

So why don't I do it more often?

Why do I lack the investment to try?

Why do I not make the effort?

Because if I made the effort, I might actually succeed--and that's something I don't actually want.

Well. Obviously. There are some things that I'd rather succeed on. (Namely, transitioning; living with my girlfriend.) But by and large. "It's the journey which matters, not the destination" is a saying for good reason, and it is specifically this that I am getting at.

The destination of success isn't actually worth anything to me (except on the few things it is; see above).
The journey is what I have fun with.
But the only way to ensure I keep on the journey.
Is if I don't reach success--and thus, fail.

So as I said.

Failure is fun.

And that's why I will forever be one.
I'll probably, realistically speaking, never succeed. Not even on the projects I most want to, like Phyrra and Cyrus. And because I'll keep inventing new ideas and never put in the time/effort to find out solutions for the technical difficulties in my modding, I'll never succeed in perfecting my mod.

But I'm at peace with that, because I am okay with living my life that way.
It comes with its own hardships. It comes with its own trials. It comes with the difficulties, the pains of knowing that my vision will never reach others. It comes with financial difficulty and making the few things I still want to actively pursue succeeding at, harder to get. (It's easier to succeed in transitioning and living with your girlfriend if you have succeeded at getting a steady, well-paying income, for instance, so it's harder on me that I can't get that easily.)

But it is not without its perks.

And honestly I actually think this is a contributing factor to why most people don't "succeed" in life.
Not everyone is famous.
Nobody achieves most of their dreams.
Everyone has a little creativity in them, and the vast majority of the human population has an overabundance of it; almost every single person in existence has some sort of creative thing they'd love to make. Music. Songs. Poems. Stories. Games. And so on and so forth. Yet only some of them so much as start, and of those that start, only the smallest of fractions of them succeed.

Most people are unknowns.
Most people are failures.
Most people never make it.

But I think the reason why.
Is because even if they never consciously make this connection.
On some subconscious level.
They know it, and are happy with who they end up being, even if it's a nobody.

For most of my life I've always struggled with the dilemma of feeling like I am half-nobody, half-extraordinary. That I am stuck in the middle of being ordinary and being special, that I am not normal enough to really fit in with more normal individuals and yet not special enough to make it big as a star, not talented enough to become the famous person I've always dreamed about being.

Yet I think that with this realization, I can be more at peace with myself.

I still won't ever fully "normalize", because with my brain wiring that's not possible.
I still won't ever succeed.

But now I feel a sense of serenity about it, that this is not a bad thing. That this is an alright place to be in.

You might think that this would mean, thanks to this realization, I'd give up on some things.
Oh no.
Furthest thing from it.
I'm doubling down on doing them.
Even knowing that I'm going to fail, I'm going to do them--specifically because I know I'm going to fail!
(The mythbusters quote about "Failure is always an option"? More like 'failure is always the ultimate option'.)

Honestly if I actually succeeded at this point I wouldn't know what to do with it.
But I'll still try. Over and over and over again.
My lot in life likely won't ever change, especially given my lack of drive to do so since I'm mostly content (aside from hating my dad) to live as I am.
But I'll still try.
Because the failure from trying is the most fun I can have.