...And frustratingly, while there is a spark of creativity to be had in the depression, it is rehashing material I already have made, rather than creating actual new material.

Basically.

When I am depressed, I frequently get bouts of creativity, in spite of the depression. That is to say. There's a difference between manic phases where I'm inspired to create things, and depressed phases where I'm inspired to come up with things that I later create when manic.

Which is to say.

During Manic phases, I am almost never coming up with a brand new idea--the mania is putting effort into creating an idea that I had at an earlier time.

Said earlier time is usually a depressive phase, where I was suffering from depression, where I couldn't get the ability to create something, but I at least write it down (or make mental note of it), with the hope of making it later.

Yet there are also depressive episodes where instead of creating new material, I simply reinforce the memory of older material.

Which is all fine and good if I didn't write that material down the first time, but utterly worthless if I did because it is giving me literally nothing new.

Tonight is one of those nights, covering the superhero/villain stories I've been thinking up as of late.

There were at least one or two supervillain stories taking place in fantasy settings.

I actually wrote a partial blog on one Worm-inspired (with the way superpowers work) superhero group, Heroes 4 Hire, although I went into extensive material I didn't blog about, some of which I don't think I ended up writing down anywhere but which I believe is mostly memorized (aside from some side-characters, probably). I believe it was to be written in third person.

I'm pretty sure the next Worm-inspired story, Requiem, about the titular supervillain (whose powers have nothing to do with 'his'--it's complicated--supervillain name, a common theme of the story being deception and subversion of typical trends of supervillains), who is...probably one of the most interesting POV characters I've ever come up with. (The entire story being first person past tense, narrated by the titular character.) Short version short: a closeted transwoman gains the ability to create a second body, which she uses to live the life of a normal (slightly younger) girl, but because she still has to live in her original (pre-transition, still closeted) body and she could at the time only be conscious in one body at a time, eventually she ends up venting her frustrations with the creation of a third body, who becomes a supervillain. (Incidentally, this allows them to have 2/3 bodies conscious at the same time.)
The power evolved is something of a combination of Genesis's power from Worm (basically, consciousness in an illusionary body) with Harem's power from Grl Genius (basically, it's one brain in three bodies, so it is still fundamentally the same person in all bodies), with the side of Mystique and Ant/Giant-Man, in that the projected form has the basic shape locked as human, but can be any sized/shaped/formed human. Her original body, the closeted one, is still fragile and frail, her projected second body is technically empowered but actively avoids using her power and maintains a constant form and is trying her hardest to live as a normal human, and their third body is usually in the form of a male villain who is the public head of an on the rise villain group.

Then there was the story, pretty sure I did a partial blog on this one, about the (also first person) story about Projection, the name of someone whose life splits into two parallel universes (alternating in viewpoint between the two), one a hero, the other as a villain, with them dreaming about the entire daily life of their other universe's self. This one does have one slight Worm-like aspect to it, but of the three takes the least. (Heroes 4 Hire takes an almost identical concept to 'shards' like Worm has for explaining superpowers; Requiem has semi-frequent battles against Kaijus invading from the Eldritch Dimension in a way strongly resembling Endbringers; this story has superpowers being closely tied to the emergence of creatures who're mostly small, but on rare occasions spawn gigantic endbringerest/kaijuesque city-destroying threats.)

And then there was the story that I can best describe as "Dungeons and Dragons meets My Hero Acadamia meets Worm" in that it's an Urban Fantasy based in modern times of a D&Desque world with modern technology and magic, while existing, being largely obsolete, adventuring being an outdated career, etc. (think pretty similar to that Pixar picture with the two brothers seeking their dad, actually, tho I had this idea before that film was released), with a twist; a significant portion of the population (especially prominent in humans, which is theorized to be a contributing factor in humanity's dominance as the most prolific species) has the ability to transform into a hybrid form between their race and some other race. Human-dog having a werewolf form is easier to explain, but it can also be, sayyyyy, elf-troll hybrid form, or dwarf-dragon hybrid form, to give an idea of the variance involved.
And then, of those with this transformation, a small number of them have defies-the-known-rules-of-the-universe (magic having been studied to a science, magic is a known rule of the universe) superpowers, superpowers that go beyond the scope of any known magic, racial ability, etc. (I quite love this story; the Worm similarities come from the protagonist and her goals, tho I admit I do struggle to write her. I'm also not quite sure on her identity. I'm not sure if she's a her, if she's genderfluid, if she's nonbinary, or if she's a transman. Her alt-form is male; that I know, but I haven't figured out her identity. Also, tho I am a transwoman, I was raised 'male' so it's unfortunately painfully obvious that her writer hasn't lived the life of a woman and that she's being written by someone who was raised 'male'. I'm a girl, but I struggle to write from the mindset of a woman whose femininity is a major plot point. I've written POV characters that were female, but whose character wouldn't change at all if male. This is a character who fundamentally would be different if male, and in the writing it shows how bad I am at this. Regrettably.)

​And then there is the story whose only title I can think of is, "Threadripper and Kinesis", with the point of view character being the villain protagonist Kinesis. This is the first story since Heroes 4 Hire to feature a decidedly male protagonist (I specifically wrote Kinesis and Threadripper to be brothers), tho I admit it is also the least distinct of the stories I've got. It's got the same aesthetic as the other stories; supervillain protagonist duels regularly with hero antagonists, with the story documenting their rise to power. But the closest thing it has to a unique draw is the brothers' reasons for becoming villains: a genuine belief that the lifestyle of a villain where you are prepared for constant betrayal and your allies turning on you and heroes wishing to jail you is better than the lifestyle of a hero where any betrayal is devastating and the mortality rate is much higher for both them and their loved ones. (Mortality rate from villains is almost exclusively either other villains, or heroes going on a roaring rampage of revenge to avenge slain loved ones where the villain killing said heroes' loved ones seals their fate.)
This is the story with the best romance out of any of my recent adventures into superheroes/villains, tho, so I am actually considering playing that up and making this my first romance novel.
(The only other romance novel I've ever considered writing has the basic high concept of "I can write a Twilight that is better than Twilight", just with a different supernatural common entity from vampires and werewolves. Which actually wouldn't be just one book, mind you. It'd be three core books, each with their own unique female protagonist. But I digress.)

​And most recently?
I've begun to develop a supervillain story, loosely inspired by multiple different sources. Taking from the Fitz-Simmons Agents of SHIELD dynamic, taking from Narbonic's Dave-Helen dynamic, and the Dr Kinesis-Alice dynamic from Evil Plan.

Which is basically.
Some works have a hardware-software duo; some works have an omni-bio-scientist and an omni-tech scientist.

This work splits the difference and divides it up into three characters. The protagonist, a transwoman who starts the story having recently graduated college with her multiple phDs in multiple fields (expert in biological matter in general of all kinds, from fungii to virii to bacteria to humans to animals), who also is a young mother (due to an accident in experimenting on herself--short version short, she accidentally impregnated herself with her own biological sperm, squicky as that may sound, and she is constantly worried about the development of her daughter as a consequence; she originally got into her field to improve herself, but stayed in the field to do everything possible for her daughter).

She also has the superpower of what amounts to an alternate dimension which works a bit like Star Trek transporters with a side of replicators (this explanation should be familiar to those who saw me talk about how Riders work in Red Hood Rider; same basic mechanic, only more powerful here); she places objects into her dimension, where she stores them; she can recall them (and even duplicate them en masse) out, and these copies last for a considerable amount of time and are enhanced in durability due to basically being hard light).

To use this superpower effectively, she has a masters in coding (she needed working understanding of programming code to help her understand the 'coding' of her superpower), and in the process she gained an associate's in some hardware-oriented field as well. (Research not fully done on this story, cut me some slack.)

She is hired to be the third head of a supervillain organization led by two other supervillains, the hardware and software guys, who basically have a similar diversification. The one with the superpower of healing has a masters in (some human-oriented medical field, research not done yet) to use it and a minor in the alt-field; the one with the superpower I've yet to come up with has the minor in (bio field) and master in the healer's field.

All three are, essentially: supergenius mad scientists that're aspiring evil overlords, with superpowers to use on top of their existing scientific abominations (since they do do mad science with both modifying their own biology and using mad science gadgets, on top of also using their superpowers).

I've made all of these stories in my head.
I've, tonight, made new material for none of them.
I've done writing on none of them recently.

​Thus, depression sucks.

That depends on what I manage to do tonight. So tomorrow, I may move it back one day, two days, or no days, depending both on tomorrow and today. Basically: I might not be doing Phyrra and Cyrus tonight (tho it's not off the table altogether), but I did have an idea which I want to investigate. (Basically, I was thinking of making a tiktok and releasing daily videos with a particular gimmick.)

​But today, in a blog that will last until at some point the site inevitably removes the content, fails, or something of that sort. As in, a blog that will presumably last a fair amount of time rather than remain invisible. A public blog that may not last forever because no website does and websites can pull stunts like deleting content on them. (And weebly isn't a site I have much trust in.)

I wanted to, in a broader platform, put on here what amounts to a slight copy-paste of blog-worthy material I've been placing elsewhere. (Heck, it was those answers which actually got me back to blogging here.)

Someone asked me what I think is my most useful talent/skill. I told them that it's my bottomless barrel of creativity and ideas.

I literally come up with a bunch of ideas every day. Some are for things to do in games. E.g. builds in League, ideas for things to do in minecraft, comps to test out in tft, customizing modded versions of Civ 3 in the Civ 3 editor.

Some are for things in real life, which I would do if I had the resources to do.

Most are for various different forms of entertainment, though:
Video games that I come up with that I'd love to create, if not for lacking the skills.
Webcomics that I come up with that I'd love to create, tho sadly most are too ambitious given my level of skill.
Stories, usually novels (but occasionally shorter ones), that I (mostly--some are rather ambitious) have the capacity to create, if I focused on them and dedicated myself to making them.
Songs that I lack the skills to create.
Music that I mentally compose but have no way of bringing to reality.
Animated stories that I would love to create but which with what little research I have done would cost in the range of one million dollars to actually fund (due to animators being expensive and voice actors being expensive--keep in mind, one million dollars is the amount I estimated with animators/voice actors working at just below market rate, and that it's closer to 1.5 million if they charge market rate or higher).
(Heck, I've also come up with ideas for becoming a streamer, doing tiktok videos, maybe dabbling in youtube creation!)

I can pitch to people my ideas and they will always go, "That sounds so COOL!", pointing out how awesome, amazing, and unique the idea is, how incredible it sounds, how they wish it was made (so do I! My greatest regret is that all of the beautiful things inside my mind that will never be created because in spite of how rich their worlds/characters/etc. are I cannot make them all), and how they wish me luck in my creative endeavors.

But then I can't actually make them.

Yet they appear on a daily basis.

Literally almost every day, I am creating a new idea.

But even if I could commit to an idea, each idea would take, what? A year? Two years? At minimum to pull off. (Some ideas I've calculated could take ten years to pull off!) A year or two, for one idea; new ideas, every single day.

I make new ideas faster than I could ever create them.

And few, if any, of them are bad. Most are wonderful, vivid, unique, breathtaking, highly creative, and just...overall. Something that should be made, which had every right to be made.

They just...aren't.

And then there's always the chance.

That I go my entire life without bringing any of them to a fully, wholly, entirely realized life. Where they are, in completed form, distributed across the world for all to have access to. There's a chance literally nothing I ever dream up ends up being made. After all. I've been actively trying since I was 13 (I've been making things my whole life, but 13 was the first time I had the idea of marketing these ideas to others outside of my brain), and that was 14 years ago--

In 14 years of trying, I've yet to succeed. In 14 years of trying, I've not once managed to pull it off. I've always fallen short, I've always failed, eventually, at some point.

That doesn't mean succeeding on my own is impossible, or that I've given up entirely. I haven't. I just need to be realistic in accepting that, yes, I've got a very high hill to climb.


Not gonna lie tho--
Something I really really wish I had was a sort of 'life manager', or at least, 'idea manager'. Where I could have someone who could keep me on-track, keep me on the road to success, remove the distractions from my life or at least strictly budget them, force me to work on things even when I don't want to, find ways to work with me to focus my creative energies, brainstorm my ideas with me, and with their push, get me to make them real.

But, I don't think that's something I can get. Not for free, anyway, and I certainly don't have the money to pay someone to do that. It's also something which I imagine would be more effective to be done in-person, both because I am liable to forget things online, procrastinate, etc., and it's harder to get things on-track online compared to in-person. I can definitely say there's a huge difference between my dear friend reminding me to do something and my mom or older sister (both of which I live with) reminding me to do something.

The former, I may do, but not always, and often with delay. The latter, I may do with delay but almost always WILL do, often immediately.

I know that if I had someone who could do that sort of thing for me, I would, guaranteed, succeed--but waiting for a person like that to show up and accepting defeat before then is something that will mean I never will succeed.

So I try to make do without, to try on my own. With a very very low success rate, but trying > not trying, waiting, and hoping that in the future some mystical force will come to my rescue/aid.

I was also asked what ideas I would make if I had the time/focus.

​The big one would be Phyrra and Cyrus, an anime-style 2D animated (ideally posted onto the web) series. Separated into four seasons, each approximately 12 episodes (tho I believe the last season would do better with 2-4 extra, for 50-52 total instead).

The basic premise; the world (the working universe title was INFINIverse/INFIverse, but I found out both of those names for a universe were taken so I settled on colliniverse, the origin of that being the collision between INFINITY and Nothingness) is a High Fantasy world. The protagonists, Phyrra (a swordswoman) and Cyrus (a tactician/strategist) Thaumason (Thaumason is pronounced almost identically to 'Thompson', just instead of a soft 'puh', it's a soft 'muh', and is about as common a surname in Lilim as Thompson is on earth), are twin (fairly mature-for-their-age) 11-year-old adventurers, with aspirations to become the greatest adventurers of all time--even in the world of Lilim (the name of the planet), this is an unusual oddity, since most adventurers start at least at 16, if not 18, with the average adventuring age being 16-36.

They didn't want to wait that long, but they realize their young age will be held against them. Their goal is to seek out the legendary artifact, the Book of Infinity (which, in actuality, is a remnant of INFINITY itself, but to explain that I'd need to give an explanation for what INFINITY was), which rumor states is able to grant the user(s) any power they imagine, including ability to magically age oneself.

In the first episode, they succeed--they find the book in the same chamber containing the four major elemental books (Book of Fire, Book of Water, Book of Air, Book of Earth), and they manage to actually activate the book of infinity...which triggers the curse/trap of the book. Designed to kill any individual who touched the book, when both of them grabbed the book at the same time, it instead switched their souls, placing Phyrra in Cyrus's body and Cyrus in Phyrra's body. However, it also gave them access to magic (magic, in this world, can be learned by anyone...but it takes approximately 30 years to master, and even 'spellbladers', who use specialized specific lesser magic oriented on one specific trait, are typically in their 20s), as well as the ability to access and master the four elemental books.

To escape, they activate the book of air, summoning its guardian, Gora the Rock Golem (all elemental books are protected by their opposite element), who helps teach them the spell necessary to leave. And from there, their adventure continues. The cast of the Thaukama (Thaumason + Nakama portmantu) expands to include Ace Samson, a teenaged adventurer skilled in tracking, ranged weaponry, and medicine (think the DND class of 'Ranger'); Cedrick (don't have his last name memorized, oof), their initial rival adventurer, a spellblader whose magic is specific to telekinetic control of platinum spheres; Kaze, the Wind Shade (guardian of the book of earth); Myra, the Siren/Mermaid/Sea Serpent (guardian of the book of fire); Bard Tune Song, a teenaged street rat (think an even more hypercompetent Aladdin) whose father was a powerful Demon that resembles a werewolf; Clara (also don't have her full name memorized, oof), an apprentice Paladin (Paladins being a specific spellblader school specializing in light magic); Hera, the Dragon Phoenix (guardian of the book of water); William Grant Clemency, an Adept (basically, can see the true nature of things) who is nobility in Lilim's New World (largely uncivilized new continent, think America circa 1700s); Lilian Rose Wolfe, a tailor; and Alena (also don't have her full name memorized, oof), a young Botanist/Alchemist.

Throughout their adventures, they fight monsters, villains, evil overlords, and make their name known, all while seeking a way to undo their switched souls...because as long as they are in each other's bodies...they won't age so much as a day, and are stuck eternally 11 until such a time as they figure out how to undo the curse permanently.



I can explain more, like the way the four worlds (afterlife, demon realm, spirit realm, mortal realm) work, the way spirits work, the way demons work, various magitek items involved in the setting (they have stuff which basically is on the level of a smartphone), etc. but I think the idea is clear enough.

I originally thought that there would be much much heavier themes involved regarding the body swap, that it'd touch more heavily on issues like effectively being trans--but over time, I realized that in spite of the body swap, it's actually only a minor thing. Something that, yes, comes up, and yes, is essential to the plot, but which is only a minor thing. It's a story of adventurers first, a coming of age story second, and has the issues of the body swap only third.

I have names for almost every episode; I have mentally worked out almost every episode; I basically know what happens, when, down to the episode, with entire plot arcs mapped out.


But, 1: I have no experience writing for an animated project, I have no clue what I'm doing, and,
2: Animation is ludicrously expensive. Initial google search I did right now says one second of animation is $150 at the cheapest--times that by 60 for one minute, times that by ~25 for the length of the episode, times that by 48-52, and you get: $225,000 * 48-52. (I did a google search two years ago and I think that one said $30/second, which is cheaper, but still hugely expensive.)
Just for the animation.
And then you've gotta hire voice actors.
Not to mention, composers to compose the music for the series.
Not to mention, video editors for sound effects.

It might be possible to get a kickstarter going for the project. But to get a kickstarter, I need to be in a position better than what I am in now. Plan is to write the initial script for all the episodes, try and map it out loosely scene by scene, roughly estimate the amount of time it takes, finish the lyrics for the openers/closers of each season, maybe make some loose storyboards of panels screencapping loose ideas of what I want to make, and hope the fuck that by the time I get all of this done, it's gotten me enough competency to know what I am doing to the point where I am able to justify a kickstarter to fundraise it.



All of this is ludicrously ambitious, I know, but Phyrra and Cyrus is the project I have most wanted to complete for over two years now.


If I give up on an ambitious project that I am very much out of my depth for? If I decide that I need better connections before jumping off the deep end, if I decide that I need to be established in an industry already before branching out?

Well, the main area I'd do that is in writing. Right now, mostly superhero stories. Well, one's a superhero story, but most of them are supervillain stories; I've thought up at least four different ones. Most have some inspiration from Worm, but each is distinctly their own universe, with their own rules, their own premise, their own characters, etc. Writing them is comparatively easy, and they're largely fleshed out enough where I could make any of them reality; I just haven't done them yet.

When it comes to talents I would like to have but do not possess, the obvious answer would be the ability to animate things myself. (That, or the ability to do everything necessary in editing videos. Either skill would save me a ton.)

But in skills not applicable to my ambitions...life skills. Washing/drying laundry (my mom showed me how to do it once or twice, did not stick as a skill, need to learn the ins and outs of it), washing dishes or at least how to properly handle a dishwasher (how to organize it, what to put where, what I need to do to run it, and when run, what to put where), cooking food, and also: doing makeup.

Laundry and dishes I think I can maybe figure out how to fumble through on my own, cooking is something that I haven't really done but which I may have the ability to fumble through on my own, so of these I'd say the skill I'd most want due to it being the one I least think I can fumble through on my own, would be learning how to apply makeup to myself.

I've seen makeup be applied to people before, and even have them talk through the process as they were having it applied. But in order to get good at applying makeup, I'd need to have all the supplies in front of me, and be able to freeze-frame, frame by frame, analyze with clearly visible what's-what things, step by step, work through it, and figure out what makeup is right for me.

Tho that said.

There's one skill that's both project-related, AND, real-life related: voice manipulation, as a skill/talent. Changing your voice takes lots and lots of practice and is something I lack right now, so I REALLY loathe my voice right now. And if I put in the work to have a more feminine voice, then in the process, I might pick up the skills to be able to voice some characters, or if not, at least give a better model for what I envision their voices to be. Or if not, at least hopefully allow me to sing better. Basically, lots of stuff with my voice would be useful for projects, but it's something that also would help for transitioning, too.

(Basically, overall: for a project? Animation. For real life? Makeup. For a combination of both: voice.)

​I was also asked what in 2020 I'm thankful for. In that, I instantly found my answer: ​increased presence on twitch and one community in particular there where I joined their discord and even am involved on their minecraft server.

I realize I don't have the setup for streaming, in spite of what I would want, and I realize that being involved in those communities isn't letting me spend time creating things on my own that have a tangible permanence to them (by which I mean, being involved can make me contribute to jokes, uplift spirits, etc., and my contributions there aren't meaningless since the community wouldn't be quite as good without them, but because I am one of dozens upon dozens there, while every drop I add into the pond matters, none of my additions there are something people will remember as being from me years from now; they helped, they were important, they meant something, but while you might remember the general vibe I contributed, you wouldn't remember my specific contribution to the vibe, because it's not my community, it's a community I am a part of).

Which is to say: doing stuff there isn't, for instance: making a game, writing a story, making art, making an animation. So spending time there isn't helping me succeed in any of my life's ambitions/dreams.

But I am, explicitly, okay with this, because I value that community in my life that much. They're worth it. I've asked myself if I would rather succeed in my goals or spend more time in the communities I love and remain a nobody, a person who hasn't succeeded at anything with tangible permanence to it, whose only successes are contributions to communities I am a part of but explicitly not the head of. I've asked if I'd rather strike out and succeed on my own while giving up on the communities I'm a member of, or if I'd rather remain intimately a part of those communities at the cost of increasing my odds of never succeeding in my grander goals.

The two are not actually mutually exclusive, of course. Spending less time in a community doesn't mean a total severing of ties with them; being intimately a part of a community does not mean I am guaranteed to fail at my grander ambitions.

But if it ever did come push to shove a choice between the two. I think I'd take the community I feel at home at, over the shot at success.
Ideally, I get the best of both worlds, obviously. I'm intimately involved in the community, but still trying to strike out on my own. But I value the community I'm spending time in more than I value a shot at success.

I want to succeed, but if I didn't succeed and spent a life in mediocrity, obscurity, in nothingness, but remained a part of communities I'd cherish, I would be content with that. Not happy, because I want to succeed. But content. I even developed a theory that was, more or less: almost every human has dreams and ambitions of doing great things in their lives, but most give up on these dreams and ambitions and fade into obscurity without being memorable on the grander scale of things; my theory is more or less that the conclusion I reached was the conclusion they reached, too; that it's alright, that it's okay, to not become famous, to not have tangible permanence in a legacy lasting after you are gone, if you are happy with the community you've built in life. The two are not mutually exclusive, but if forced to choose between one or the other, community > fame 9 times out of 10.

It's important to not accept defeat, to not give up, but it's also important to see how strong you value things. I value the community I've become a part of more than I value success in tangible permanence. And I know getting both isn't impossible. (Heck, basically all of the mods in that community have done exactly what I aim to do. They're becoming successful writers, artists, etc., and are successful streamers, who're building communities of their own! Yet they're still a part of the community. But their own communities, while overlapping with the community I know them from, are explicitly THEIRS, not just a carbon copy clone of the original community. I want to build a community of my own, that is truly mine, unique to me, and still be a part of that community. I know it's possible because I've literally almost a dozen examples from that community demonstrating their successes. It's just something I'm struggling with.)

I apologize for the haphazard lazy throwtogether of content I put elsewhere copy-pasted to here, but I figured it'd be good to get up on here, too.

Not that anyone reads my blogs, butstill. At least in theory, my blog is more accessible than the original location.

Trying to make excuses not to, trying to put it off.
This is, pretty obviously, not the blog about League. I can still try to make that later, though I have some slightly different thoughts there overall.

I admit, I don't know exactly where to begin with this.

Basically, this is something I've toyed around with blogging about before but never managed to form enough of a coherent thought on it and the more depressing aspects of it overwhelmed me anyway leading to my blogs being short ones where I noted I was feeling awful and couldn't blog, or something to that effect.

It does come from a bit of a morbid place; one of the things spurning on the urge for this blog was me thinking of "what if?" scenarios where I am about to die from diseases, and then more or less going, "why wait to be dieing to do that?".

I suppose I can start with this. I won't go into details to respect their privacy, but basically. My friend, who was my girlfriend for two and a half years, is dating the love of their life, and hearing about all the things their girlfriend does, it makes me realize how much of a failure I was as a girlfriend.

I definitely had the same love. My friend is never going to stop being the love of my life, painful as that is to me since I know I'll never be their girlfriend again. But what I did with the love, is where I more or less think the failure comes in--or rather. More or less. The lack of what I did, in that I didn't do anything. I never sent gifts. I never put real time and effort into figuring out a way to meet them in-person.

You might attribute that to differences in personality, of their current girlfriend just being that significantly different, but in many ways, from what I have heard, they have quite a number of similarities to me. They've done more to progress their relationship in less than two months, than I did in over two years.

On the one hand--that's amazing for them! That is awesome for them! That is really, really good, for the both of them. It is proof that the two of them were made for each other, more or less. They are really, really good for each other, they are better as a couple than I was as a couple with my friend. And because they are so good for each other, assuming that nothing catastrophic gets in the way of their relationship, I know that they will be tremendously happy together and that knowledge gives me a lot of happiness.

I do genuinely get happiness from seeing friends, especially this friend, happy. I want them, especially this friend, to be as happy as is humanly possible, and their current relationship gives them that more than I ever could, and I do genuinely think that is a good thing.

But, it does highlight my shortcomings. It does highlight all of the "what ifs", of things I could have done better, of things I could have done differently. Our relationship wouldn't have continued if I had done things better, if I had done things differently, mind you. The feelings they have are the feelings they have and the feelings they have are that their current girlfriend is the love of their life. Nothing I could've done differently would've done anything to change those feelings so they would still have ended up together regardless. (Which, again, I feel the need to reiterate--is overall a good thing! It sucks for me, but it is genuinely better for them and since it is genuinely better for them, is a good thing.)

So what I'm more or less getting at here, is. This is not regret of "if I did things differently, maybe we'd still be together".
No, this is more regret of, "seeing what their current girlfriend has done for them, it makes me realize what I missed out on", more or less.
I could have done so much better for them.
And I didn't--and as a result, I just feel like in comparison, I am a failure compared to what I could've done.

Basically, every time I hear what my friend's current girlfriend has done for them, I realize, it's something I didn't do for them when I was their girlfriend, which I could've very very very easily have done, but I didn't. I didn't even think of most of those sorts of things. I had the love, but I did almost nothing with it.

There were times where I considered doing more. But 'considered' isn't actually doing, and even those things I considered pale in comparison to what their current girlfriend actually has done.

And overall.

I just feel like.

Seeing the current relationship makes me realize why I suck.
I feel like a coward. Too scared to do anything. I feel like a failure. Not as a girlfriend, mind you, but more as a person, with the lens of my time as my friend's girlfriend just as a way of exposing the underlying fault I have as a person, if that makes sense.

To put it another way--I don't think I was actually a failure of a girlfriend and I doubt my friend would think I was, either. But I do think I was, and still am, a bit of a failure as a person, and it is realizing that I didn't really succeed as a girlfriend which helped expose this. (Again, to reiterate, nothing would've stopped the breakup; even if I had succeeded as a girlfriend, feelings be feelings be what they are. But that doesn't stop me from lamenting the lost opportunities that have passed me by, things that we could've done while girlfriends which we can't do as friends. I could've done so, so much more than what I did, but I didn't. And that's a failure on my part.)

Like I said.
This blog is really, really hard to compose properly.
I'm still not sure my thoughts, feelings, are being properly conveyed. I'm worried that they aren't. That the wrong message is being sent.
I feel like the part about thinking their current relationship is nothing but positive, is clear enough; I feel like the part about me knowing nothing would've stopped them from entering into their current relationship, is maybe clear enough, and as per above, that this is a good thing.

But I'm not sure I'm really getting my point across.
That I feel like looking back.
If I were less incompetent as a person, then on both ends, there would be more good memories from the relationship. More for them, more for me. (There's plenty of good memories, mind you. But I mean, so so much more than what I gave. To reiterate, their current girlfriend has given them higher-quality memories in two months, than I did in two years. And what I mean is, if I had been a better person, if I had thought to do more, then we'd have had much more, I guess is what I mean. I still feel like this is poor wording to get at the concept.)

I identified the main problem, at least I hope so. It's that I was way, way, way too passive. Just as a person. And I am still way, way, way too passive. I've more or less, just been...waiting and waiting, rather than controlling, planning. I feel like I am pathetic, that I am a coward, held back by my fears (no matter how justified or not they may be), always held back by an endless number of excuses, usually procrastinating endlessly.

Those things weren't specific to my relationship, but realizing what a better girlfriend I'd have been if not for those things is what I am getting at, basically. That's what I mean. By seeing the current relationship my friend has, it revealed to me that as a person, I am passive, a coward, too timid, too afraid, making excuses (I made so many trying to avoid this blog!), always endlessly procrastinating.

Lamenting the "what if I had those qualities" of the past for what that'd have meant, doesn't do me much good though. (It is what made me think of this blog in the first place, in tandem with the bucket list, but it is not productive to dwell on.)

But what it does give, more or less.
Is motivation.
It is reflecting on that which lets me see. "Bree, you didn't have those good qualities back then, and you have all these regrets now as a consequence...so why not make the changes now, so you don't have them in the future?", more or less.

Realizing a fault I had in the past which made life less rewarding than it could've been if not for the fault, basically. Serves as motivation to move forward in life trying to fix the fault, so that in the future I won't have regrets due to the fault. That with the fault fixed, I have no further regrets from the fault. (The regrets from, in hindsight, realizing I had the fault and what would've been better if not for it, will never go away, but having fixed it helps a lot.)

This fault will be very, very, very hard for me to fix.
It won't be an overnight improvement.
I will have to fight every. single. step. of the way to put it down--and worsening it is that the fault will fight back at every single stage.

Do you think having fears combined with excuses combined with procrastination, is a combination which lends itself to trying to correct itself? No, it's a combo which tries to reinforce itself, and every time I will be trying to push those traits away from myself, they will push hard in resistance.

I am always afraid. I am always a procrastinator. I always make excuses. I am so good, such a natural, at them. And every time in the past that I have tried to fight back, they have managed to reinforce one another as to keep me passive, keep me stable, keep me unchanging, keep me immobile, keep me rooted down, grounded, stuck, in place, not moving forward for stupid fear of being catapulted back.

In fear of losing it all, in fear of losing my life, I have lost (out on) things I easily could have not lost (out on) if I was less afraid, if I didn't put them off, if I didn't talk my way into taking the path of least resistance. Which is precisely why this is so. damn. hard. It is the path of least resistance to be passive. It is the path of least resistance to do nothing. It is the path of least resistance to do as little as is humanly possible and rely on others.

I am not happy with that.
Mind you, nothing really makes me happy right now, depression does that to you, but I am dissatisfied with the idea that I am not going to have any progress in my life.

I'm not going to proclaim something along the lines of. "That changes now!". Or "that won't happen anymore". Of overnight success, of overnight suddenly becoming somehow, mystically, magically, on track.

Like--I don't even know what I'm going to do yet, specifically, to get out of this funk. I have some very loose ideas (see below) which are progress, if I work on them, if I progress on them, but like. I don't have a plan here. I kinda wish I had one because I think it'd help me a lot, but one of the excuses I made for not trying this before was precisely that, not having a plan.

So screw a plan, I'm still going to try.

It's not much of an immediate change--but an eventual one? I am setting an absolute, hardest of hard, absolute LATEST deadline of January 23rd, 2023, for coming out as a girl publicly in real life. Everyone online has known for over six years. I don't want it to be over ten. More than that, I don't want to reach thirty years old and still be trapped in the living hell of my current life.

And to reiterate this--that's the latest point. Latest. As in. "No matter what. No excuses. Nothing. No amount of fear. No amount of backing out. No amount of cowardice, second thoughts, hesitation. No matter how awkward it will be, and it will be awkward, come out, period, end of discussion." That'll be very very tough to do, but I refuse to let myself not do it.

Preferably, I move that deadline up. Within a year, for instance. But this is a date which I felt was a good starter, because it gives plenty of time for my fatass of a dad's poor health habits to inevitably kill himself (after which I could immediately come out), while ensuring I don't wait 20 years for something to happen.

I am willing to wait two years to be myself. I feel like my dad's health is poor enough that it is very realistic that he could die in that time.
I am not willing to wait twenty years to be myself--while I feel like my dad's health is poor enough that he won't live that long, it is still a considerable chance that he could, especially if he (shock! gasp!) actually cleaned his habits up. (He won't, but if he did...)

So I am setting myself a decent deadline, so that I can actually hold myself accountable. I do have this more or less planned out. Day before, shopping for girl clothing, next day, wake up early to make the announcements publicly online on places where people in real life can see it, go to the Y and talk to them there, while there text my mom, come home with her, and face my family.

It is a plan which I can adjust closer to the time I do it.
I can do it at any time, too.

The main reason I'm not doing it sooner, I suppose.
Is.
I guess.
I want to exploit the safety for a bit longer.

I don't want to be passive with that safety.
But in a sense--I want to practice, so to speak, with that eventual outcome, by pushing myself now in other ways.

Granted, said practice could just be me failing, me not doing anything, in which case. Maybe I move the deadline up.

In fact, that actually sounds like a neat idea. I don't have any clue how to implement this. But a rule of more or less, "The more I fail to be less-passive now, the sooner I force the lack of passiveness". As in, the more I fail at my current endeavor, the more I push up the date of the coming out.

The less use I get out of my current life, the more I push towards changing my life.
Right now, I am not getting anything out of my current life--so if not for this being a change I'm making literally just today, I'd be pushing the deadline to be much much sooner.

Right now, my plan is to commit to trying to make something, screw the excuses.
I want to commit to making something.
Truly commit to it.
At work, I threw around two ideas. One being a webcomic as a safer/easier option.

The other was Phyrra and Cyrus.
I have made oh so MANY excuses to put off working on my pet project there. And some of them are probably valid. I don't have a wide enough voice range to voice every character so I would need voice actors, and I probably cannot animate things on my own (though I will be looking into that).

But a lot of the excuses, I just.
I'm sick of not doing what I want to do, because I have the thought of those things causing failure. I know it won't come out perfectly, but I want it to come out. I know that I could do this better with planning--but past a certain point, excessive planning which I can't complete, just...doesn't do me any good.

I have put it off, saying I need to plan more.
I have put it off, fearing that it'd fail.

I don't know how, exactly, I will manage to make it so that I don't.
But I am not going to succeed if I don't try and right now I'm not trying. Talk, no action.

I do have a very, very loose idea of maybe a way.
I have tools readily available at my disposal to help me.
I have had many many many times where I am watching streams and gone, "I want to watch this, but I want to do something else at the same time" where I was pseudo-bored--still invested in the stream and wanting to watch it, but wanting to do something in addition to the stream, and I did nothing or might as well have.

There's stupidly obvious things I could do.
I have boatloads of art supplies.
I have an endless supply of most things I would need to try, and if I am watching a stream I can open a tab to look at any artistic reference I want. I can draw.

Granted, yes. I have made a very strongly-standing excuse which I don't have a workaround on, not really anyway, of.
I can't scan my drawings into my desktop.
And even if I could--I don't have an art program beyond paint on the desktop.

But the thing is.
I don't need to put the art on the computer.

I just need to make the art, actually make it, stop talking about it, and do it, and then see where it takes me.

Do art while doing the stream. Concept art. Or storyboarding. Just. Working on it.

I have the tools. I have the skills, and if not, the ability to learn the skills. Like, one thing that I don't have is a video editing program or whatever would be needed to make the final version of Phyrra and Cyrus and even if I did I don't know how to use one--but these are things that a quick google search would fix.

I can literally solve one of those in less than thirty seconds, and the other can be found in the same amount of time (albeit, presumably, as a youtube video or something, taking time to watch, and practice, and such).

I made the excuse of not knowing it and it being something I won't be able to do.
Ignoring that it is something I could learn to do very easily.
And there's no excuse not to.
I've been lazy.
Not doing it when I could have.

I don't know what order I will be doing things.
I don't have a schedule, not a plan, not yet.
But I am getting started.

Because I feel like if I don't start trying to make something of my life.
There won't be anything in my life.
I was okay with not doing anything in my life when I felt like I could live a life of a nobody and be content--but I'm not happy with that anymore.
So why am I still doing what I was doing, when I was in that mindspace? Why am I still doing nothing, when doing nothing was a byproduct of a mindset that I am no longer in? Doing nothing was something I was fine with when doing nothing still allowed me to be happy, but right now I am not happy and doing nothing does nothing to make me happy.

I am sure I will invent a myriad of excuses in the future, so future self, screw you for being a self-sabotaging prick.
But right now.
I don't have those excuses.
So I am going to put in the work that I can.

"...Wait, didn't you say that yesterday?"
Yeah funny how that works out.
Turns out shortly after my blog entry, we lost it again! For almost a full 24 hours. Fun times.
Now I did try to sleep sleep sleep the troubles away and now that my power is back, hopefully for good, I have a ton of catchup work to do, but there were plenty of eventful things I think are worth talking about.

Yesterday, my family made the decision to drive to Denny's for dinner--we had no food prepared and no way of preparing food with the power out, no generator, nothing. On the drive there, my mother and my sister were both rather alarmed by my father's haphazard driving; his carelessness made them rather...on edge.

And while I have utterly desensitized myself to thoughts of various different catastrophes by playing the scenarios out in my head (I have talked about this before on my blog, about a month ago, a little bit more if I recall correctly, so you can find me talking about it there--normally, I would be all too happy to talk about it again but this blog is going to cover a ton of things which leave me with a need to rush the rest of the subjects).

I found myself sharing similar sentiments.
Which is rather surprising.

Because you know that headspace I've been in? The rather negative one where I haven't had a reason to live? I'm still in it and even now to some extent am still feeling it.

And yet.
My mind was filled with thoughts of.

"I don't want to die."
I had an overwhelmingly strong urge to live. My will to live is still there. I don't know what's driving this strong power, I don't know what the basis of it is, I don't know where it comes from. But it was most definitively, positively, overwhelmingly there.

I was sharing my sister and mother's concern, because I didn't want to die.
I don't know why I didn't want to die.
I still haven't figured it out.
But I don't want to die.
And in fact, to the quite opposite: I am afraid to die. It's terrifying me.
I haven't a clue why.
I still don't know why I am alive.
I still don't have a reason to live for.

You'd think that in order for me to have this strong, overwhelming urge to live, I would have some sort of motivating reason, underlying justification for not wanting to die.

But if it's there, I haven't found it yet.
In spite of me not having a reason to live.
In spite of me being in that negative headspace.
Of thinking.
"The world might just be better off if I were not in it", more or less.
That terrible headspace I blogged about less than a week ago, that I never left and am still in it even in this very second.

​That doesn't change that the feeling was there, that fear of death and very strong desire to never let it pass, as long as I have any ability whatsoever to fight against it. (Mind you, realistically speaking, this is a bit morbid and grim, but I don't expect to live to an old age. The two most likely causes of death would be either in a car accident or more likely, due to something like cancer from not taking good care of myself, not checking in with doctors regularly, and the doctors probably not searching for the signs of the diseases that would kill me until it's too late. If I did get, sayyy, skin cancer, and the doctors didn't notice it until it was stage four and had metastasized to multiple organs in my body...I'd be pretty much a goner in no time flat. If that happens, not much I can do about it, but you bet that I'd still try to do something.)

And knowing that deep down.
I very much am fighting to stay alive.
Even if I don't know why I am fighting to stay alive.
The fact that the fight is there is, in of itself, empowering.

It's a little disappointing, not knowing why I want to live.
But I do know that I want to live.
I haven't discovered the reason why I want to stay alive, so I need to keep searching for a reason to keep living, but knowing that I want to live is, in of itself, just that tidbit, enough to keep me afloat for as long as I remember it. (Which is one reason I'm writing this blog, mind you! It'll make it easier for me to remember the feeling that was there, even if I don't know what the feeling is for or about, so that I don't forget.)

That was one thing which happened during the outage.
There were a couple of extra things as well, though.
One thing was working on a webcomic project which has many, many, of the same themes as The Descended does, with a similar core cast size (four protagonists), following a 'villain' in his rise to power, that has a notable beginning and end, in a Fantasy setting (albeit an Urban Fantasy setting of sorts; religious notes about it but not a lot of actual nonhumans otherwise), which I wanted to blog about ages ago yet never got around to it.

In fact.

If you check my December blog entries, at or after December 13th of last year (that is to say, December 13th, 2019 or so), you'll keep seeing me refer to "I really need to blog about this!", and then I never did because I am a moron about that sort of thing.

Well, blog entry made! Or, started, anyway. Still need to finish it.

Basically, I don't know if any blog readers will remember it, but around December 13th, I had mentioned that there was an idea for a webcomic that I really really liked and which was really really fun, but which I didn't have the skills to pull off. The webcomic, Freakshow High, remains something that I cannot make for a vast majority of reasons; I would need a co-writer who would take my basic ideas for the setting to come up with characters and plots which I would collaborate with them on.

Traditionally, I have never been involved in a collaboration which went well. Admittedly, though, that was me working on other peoples' brainchilds, rather than someone who shares my ambition and can see what I am going for, fleshing out my concepts to make something of their own that I just so happen to also have credit for. Butstill, I imagine that's a bit of a tough ask.

How do you get someone to be a co-writer for a webcomic by telling them, "take this basic idea and then make it so that I can make it"? I mean, I think that some collaborative efforts actually have worked out from similar, but the question is could I do that? I'm...not so convinced. Even if I could, the point remains, by myself, I wouldn't be able to make it in any world no matter what; I'd need help, help of a specific kind.

However.

Freakshow High did revive the artist within me.
And more than that--the worldbuilding narrative-writer within me. (Which I think is reflected in my dreams. The last two nights, my dreams have been amazing, cinematic, masterpieces, beautiful, fluent, works of art with fleshed out characters and deep, intricate plotlines and amazing worlds with simply stunning visuals, that I was really bummed out to wake up from because I knew that my awake mind couldn't continue their plots and that I wouldn't get the stories back if I went to sleep so they were killed mid-project, essentially.)

I did a 5-minute drawing of the protagonist from that series, Hey You.
It was done in actually closer to three. In ink. With no reference images. And it was better than most drawings I've made in pencil, with no time limit, using reference images. Was it perfect, no, there were obvious flaws born of me improvising on the spot. But for what it was, it was the best drawing I've ever done...

...Until I drew the Dean of Freakshow High, Dean Master Satan Hercure, in a similar timeframe. I called it a 5-minute doodle concept sketch, but it was done in three, and it would be passable as being in an actual webcomic page.

I did better than that, too.

For the first time in years.

I designed a webcomic logo to apply to the webcomic. Not the most inventive of logos (Freakshow High, underlined by bull horns that surround the text, with flames on top of it), but still an actual well and true proper logo for a webcomic, even knowing that it's for a webcomic that I'll never actually be able to make on my own.

And it goes further.
That worldbuilding I said I hadn't done and was feeling uninspired to do?
That didn't last!
I created a list, incomplete, of attendees to Freakshow High, with details about them.

Demons are among the 'infernal' attendees, who more or less feed off of energies radiating from their source of specialty, particularly emotions. Each demon has a unique specialty (though these are usually genetic, with a clan of demons sharing their specialty), but can still sustain themselves off of other methods. Think a lot like Cubii as portrayed in Dan and Mab--they are usually attached to an emotion (mostly negative ones), and feed from the energy radiating from it.

They may occasionally gain abilities pertaining to their primary source of sustenance, which can include things such as minor shapeshifting or invisibility among others.

Devils who the Dean is among, are among the 'infernal' attendees, and are not to be confused with Demons. They more or less get their energy from contracts, sustaining themselves from bargains, both written and spoken. This is neither inherently nefarious nor inherently benign. They are obligated to fulfill the terms of these deals for their duration, but have the power to terminate any deal they want to at any time. They also have very loose definitions, open to interpretation, on what a deal is. (They can call things deals which weren't intended as deals, with some creativity, and with specific interpretation of wording, get away with breaking the spirit of a deal in favor of rules lawyering the wording.)

They have reasonably decent shapeshifting abilities.

Succubii who should not be confused with Incubii and should not be confused with Devils or Demons, are among the 'infernal' attendees. They are, technically speaking, all hermaphrodites, who in spite of being hermaphrodites do true to what you'd expect, usually appear female. They do indeed feed off of the type of energy you'd expect, love energy, most potently from sex, but they can recharge themselves simply by hanging around people who have a bond of any form of love--familial, romantic, platonic.

They get the most energy from having sex with someone and more or less 'draining' them, but they can sustain themselves just passively by being around strong bonds. Due to having the same resource pool as Incubii, they are bitter rivals with Incubii by and large, absolutely loathe being compared to them, will probably murder you if you make the mistake or even if not give you a rather lengthy lecture on the differences between them.

To a lesser extent, this also applies to Demons. Most demons can partially sustain themselves off of the Succubii territory resources, and some demons specifically require it as their unique specialty, but Succubii are a different species altogether.

Incubii who should not be confused with Succubii and should not be confused with Devils or Demons, are also among the 'infernal' attendees, and much to the chagrin of Incubii and Succubii everywhere, you could take the paragraphs above about the Succubii and apply them to the Incubii--they are, technically, hermaphrodites, who in spite of being hermaphrodites usually appear male. They feed off of love energy, are bitter rivals with Incubii as a result, loathe being compared to them, would probably murder you for doing so or at least give a rather lengthy lecture on the differences between the two, and these differences to a lesser extent apply to them and Demons.

Imps are among the 'infernal' attendees, who're anywhere from 25-75% the height of an average human. At their tallest, they just look like a shorter human; at their shortest, they are like the size of a dog or big cat. They make up for this by having limited illusions and shapeshifting capabilities, which allow them to, should they so choose to, appear normal size, something aided by their wings naturally supporting flight.

Fairies are basically more insectoid Imps. About the same height, with the same illusionary and shapeshifting powers, who have wings that allow them to fly.

The Fairfolk are much as you'd expect the Fae to be: basically alien in thought process, but incredibly attuned to the world otherwise. They have unparalleled hearing and sight, which non-Fairfolk suspect is the reason they appear to be crazy (because they see and hear things others do not, and can't turn this off), and like the vast majority of attendees to Freakshow High, have no limited lifespan, accumulating knowledge and also quirks as time passes and they get bored, usually choosing to obsess with something. 

Gorgons can paralyze people with eye contact--note that this is an activated power, not something that always applies at all times. Their hair is indeed snakes, but these snakes can take on the appearance of dreadlocks and can be cut to any length the gorgon wants their hair to be. These snakes are prehensile so long as they are in snake (not human) form, allowing gorgons to manipulate objects using their hair.

Lamia are basically the land-equivalent of the merfolk: they are basically anthropomorphic snakes. Think like a centaur but instead of the bottom half being a horse, it's instead a snake. However. At puberty, lamia's tails will split in two, allowing them the option of either slithering, or walking on two 'legs'. (Yes this is blatantly ripped from One Piece, I thought that was incredibly neat, deal with it.)

Lizardfolk are pretty much what you'd expect; anthropomorphic lizards of various kind.

Dragons are, well...exactly what you'd picture a western dragon to be. Gigantic creatures, winged, scaled, four legs, tail, claws, teeth, with a big breath weapon. They are inherently master level shapeshifters, though, and almost always take far, far, more reasonably-sized shapes, usually humanoid. They are some of the strongest creatures in existence and do indeed have a taste for greed, but they are not invincible and do lay eggs unless they maintain their shapeshifted form 100% of the time, so they almost never appear in their natural forms.

Merfolk are also pretty self-explanatory, with the add-on I mentioned ripped from One Piece: they are amphibious, able to breath both air and in water, are the best swimmers bar none in the water, and at puberty their tail splits in two allowing for them to walk on land rather comfortably while still maintaining their ability to swim.

Fishfolk are not Merfolk; they are basically anthropomorphic fishes. Whereas Merfolk can vaguely be thought of as terms of literally half-man, half-fish a la Centaurs being half-man, half-horse, Merfolk are instead just hybridizing human and fish features throughout their whole body. It's a little cheap to do especially given what I already stole, but again, you can more or less just look at One Piece's depiction of Fishmen to see what I am getting at here.

Insectoids are to insects what Fishfolk are to fish, humanoid versions of various different insects.

Werebeasts are pretty self-explanatory: humans who have the ability to transform into a different, usually mammalian, creature, in various different forms: full transformation (fully become the creature), hybrid form, and partial transformation (where they're mostly human but have a few features accentuating them that come from the creature they are a werebeast of).

The most common of these by far is the werewolf, but there are plenty of others like werecats as well. You can indeed be either born as one or gain it as an infection; the infection can only be transmitted on a full moon, and there is a slight difference between those born werebeasts and those who're infected; those born have full control over their transformation from birth and are not obligated to transform during the full moon, whereas those infected need to learn how to control their transformations yet no matter how much control they gain they are always going to be in either their hybrid or full-beast forms on the full moon.

Vampires are pretty self-explanatory as well. No, they don't fry in sunlight, but the sun does weaken them. They're pale in complexion. They drink blood; this doesn't need to kill the target. They can be transformed or exist from birth; transforming requires draining someone then giving them blood when they are on the brink of death. They don't explode when impaled by a stake, but leaving a stake in their heart will paralyze them and put to halt their regenerative capacities; long enough will kill them.

I'm not sure on what abilities they have for sure. Do they have hypnosis, shapeshifting, turning into a mist, etc. powers or not, more or less, haven't decided that yet, but they are more or less your standard fare for vampires who aren't ridiculously weak and yet also aren't ridiculously brokenly strong, either. Average run of the mill vampires pretty much, who don't have stupid quirks (they're not compelled to count, repelled by holy water, do not require invitations, can cross running water, are unaffected by crosses, you get the idea), but don't have dominance either.

Witches are a separate species from humans, technically, but for all intents and purposes, are basically just "humans who can use magic". This magic is genetically passed on from parent to child no matter what (general rule of thumb: almost every single attendee of Freakshow High is fertile and capable of having children with almost any other attendee of Freakshow High, which means that yes, you can have someone who has anywhere from 2-20 species in their lineage although it should be noted that you're not going to have best-of-all from this, you'll basically inherit one or two and then the rest basically don't exist aside from having a small chance your descendants manifest them, think dominant versus recessive in that you'll have a few dominant with most recessive), and on every rare once and a while, can appear in someone who previously lacked it.

They are disproportionately female, but not inherently so. (Usually any witch who randomly gains powers in spite of lacking a lineage of it will indeed be female though.) There's plenty of male witches, but they still call themselves witches in spite of that term usually having a female connotation to it.

Their magic is currently not well-defined, though what I have in mind is more or less, "very very versatile and capable of a lot, but still having set rules to follow which make it not capable of anything, with limitations to what is possible", I just didn't put in the actual work yet to set said limits and such.

Ghouls are creatures that are 'cursed', more or less a generic term that applies to many types of things. A wendigo would be a type of ghoul, for instance, due to the curse of consuming flesh until passing it on. These curses can be of numerous different natures. Common curses that create ghouls originate from Witches, but they can be from plenty of other sources. As long as they retain enough autonomy to function in the supernatural society, however, they are more than free to attend Freakshow High and work towards whatever goals they have. (Some curses can be ended, others are eternal.)

Zombies are not the infectious type--they are, specifically, people who were raised by the voodoo magic of a witch. This applies to all zombies, but normally, most zombies are automatons that have no free will, give no thought, are basically raised creatures that are slaves to the one who created them to do their bidding and nothing but their bidding. However, it is a not-too-uncommon happenstance where zombies gain sentience and with it, a sense of free will. They think, they are no longer mindless, they no longer are slaves, though they may remain servants, they just aren't nothing but a body. They have a mind and thus are entitled to everything which comes with it.

In this sense, zombies are technically speaking a very specific form of construct, but they are classified differently because constructs weren't actual people before gaining sentience whereas zombies were. The personalities zombies gain may or may not reflect who they were before. They may or may not have memories of who they were before.

Constructs are magically-created golems that have somehow gained sentience. Whereas golems are mindless automatons that have, of sorts, 'programming' that they follow, constructs can think, have free will, and are thus entitled to everything that comes with it.

The quintessential example of a construct would be Frankenstein's Monster (though depending on how much of Frankenstein's monster is nuts and bolts and how much is flesh he probably qualifies more as a zombie); that is in a nutshell what a construct would be. Something artificially constructed that has gained a will of its own.

Ectoplasmic creatures, which I am calling 'ethereal', are also numerous in attendance.

Ghosts are the most famous of the 'ethereal' species, due to more or less being the ones who overall have the best abilities. Like all ethereal species, most ghosts are not born, but while they have incredibly reduced fertility, they are not actually sterile, so it is possible for an ethereal creature to be born as an ethereal creature rather than simply randomly existing by happenstance.

They have optional invisibility which they can trigger at will. Like all ethereal creatures, they can fly--and of the ethereal creatures, by shifting their legs into a ghostly tail, they can achieve the fastest flight speed of any ethereal creature, and are basically to flight what merfolk are to water.

Wraiths are ethereal creatures who have the ability to teleport. In this sense, they can rival ghosts in speed in flight, by repeatedly teleporting over and over again, but while they can shift from one location to another instantly, this is not something they can spam indefinitely. (They can do it in rapidfire short-term, and there's no hard-limit to what they can do, but they do get winded the more they use it.)

Banshees are ethereal creatures who more or less have the ability to shout really really loudly and painfully. But it's a little more complicated than that; they basically have mastery of sound of all sorts. They can mute sounds that would normally be made, or crank up sounds that would normally be inaudible. They can't travel at the speed of sound, but they can otherwise fully manipulate sound in ways that make them basically unparalleled masters of sound.

People know them as shouting really loudly and painfully though because while Banshees are capable of really complex, nuanced uses of their power...inherent in being a Banshee is basically an innate sense of drama queen (note that there's a dead even split between male and female banshees), an inherent hamminess, laziness, desire to play things up, and the like, and also an utter lack of awareness to how they are perceived by others, who think that their loud screeches are 'true art' and that the people who cover their ears are haters that don't understand, more or less.

​Phantoms are ethereal creatures who have the ability to phase through matter. This is an optional ability. Other ethereal creatures are still very much physical, which is something you might not expect. And all ethereal creatures thus have the ability to interact with objects (which is why I didn't add poltergeists to the list of ethereal creatures originally, though I have since reconsidered), and be interacted with.

Phantoms can optionally disable this interaction and optionally pass through walls and such.

Specters are unique among ethereal creatures as having the ability to shapeshift. They can choose what form they appear as, which makes them one of the stronger ectoplasmal creatures since they can fly and more or less choose what mass and shape they have, which can have a number of rather useful effects, even allowing them to somewhat mimic the powers of other ethereal creatures. (Take on a form small enough to pass through a wall if the wall has a crack in it, for instance, or accelerate themselves by physics, and so on and so forth.)

Poltergeists were originally not in the list because all ethereal creatures can interact with objects, but I decided to add them in with them being unique among ethereal creatures as being able to do this from a range with them having telekinetic powers whereas other ectoplasmal creatures require touch.

Bigfolk are basically your Yetis, Bigfoots, Sasquatches, and such.

Sirens are similar to Banshees in being masters of musical noise, but with more of a pleasant take on it and also being more seductive, with their sounds inherently containing hypnosis to them.

Among the attendees would also be a word that I imagine exists and I could find but was too lazy to for this blog because this is a massive tangent from my true blog entry, involving a catch-all term for Satyrs, Centaurs, and Minotaurs.

I also included from Greek Mythology Harpies, Chimeras, and Sphinxes (who would also take on the Egyptian mythology there as well as the Greek one), with the intention of adding more similar with research.

I also added in Ratmen, anthropomorphic rats, and Avians, anthropomorphic birds (aka birdfolk).

One classification I also added was something I wanted to be distinctly separate from Witches, Necromancers, who more or less are masters of the dead, having a high attunement to ethereal creatures, can raise the dead, and perform some low-level magics separate from Witch magic that revolve around various aspects of humans specifically.

And that's a list I expected to be incomplete.
It's all I have.
But it's something I made on December 11th with a little added on December 13th (though for this blog I did a little bit of on-the-spot decision making, namely, including Poltergeists).

I did far more than make the attendees though.

I did an estimation of the size of the school, somewhere in the range of 200-500 students.
Given that number, I estimated that there'd be around 15-30 teachers and probably 20-60 total faculty (since not all faculty would be teachers though there would of course be people with multiple jobs).

I named the town the school of Freakshow High is in, and modeled it as being a fairly isolated town-city: not small enough to be a town, but small enough that when most people think of a 'city', they're going to think more populous than what this is. (To put this into perspective, probably about the size of Snohomish or Monroe here in the state of Washington. Not entirely rural, but also not exactly a metropolis. No skyscrapers, but a fair amount of industrialization yet enough undeveloped land that there's plenty of trees and the like around.)

The school is in Edenville, and I even gave Freakshow High its sports teams' names: the Edenville Devilsnakes.
I think that the size of a small city-town is somewhere in the range of 2000-10,000 though I admit I would need to research this a bit. (Not exactly sure where but it's not a big enough deal for me to focus on.)

I have character bios on Hey You and the Dean, a fair idea of Hey You's background and where they came from, the like. A ton of work I put in.

And yet in spite of all that, it is a project I will never make because I would need help to make it.

...So what was all of that build-up for?

...Because on December 13th, sharing a sheet of work scrapbook paper that the first half contained the additions for Freakshow High.

...Was a webcomic project that I could​ do on my own.

This is a long, long blog post, so, uhh...lemme pull it back and remind you of exactly what I was on about since I realize we went on the longest tangent ever. Go way back to the, "One thing was working on a webcomic project which has many, many, of the same themes as The Descended does, with a similar core cast size (four protagonists), following a 'villain' in his rise to power, that has a notable beginning and end, in a Fantasy setting (albeit an Urban Fantasy setting of sorts; religious notes about it but not a lot of actual nonhumans otherwise), which I wanted to blog about ages ago yet never got around to it.", section of this blog entry.

That project is what I actually set out to talk about.
I can't make Freakshow High on my own.
But if I so chose to. (I probably won't, but I have the choice that I could.)
I could make this new project.

​This new project has the first chapter more or less mapped out. It has a set beginning, end, and various middle parts set out. I know what I want to do with it if I were to do it and I know how I would do it, more or less.
I have the main characters modeled out as well as the three other demons in the setting. (The minions of the three other demons, the later lesser followers of the titular demon, the lesser followers of the three other demons, the followers of more holy divine powers, the lesser followers of more divine holy powers, and random people who aren't followers of anyone? Yeah I have absolutely none of them modeled out.)

Which is to say, the most important characters, I know what they look like more or less and know their personalities in a nutshell.

I have done rather extensive worldbuilding and can talk about every aspect of the world; it's a fairly simple world to pull off easily enough. It's neat, it's beautiful, but also fairly simple to grasp once you get into it, just get a few of the basic bases down and you can follow along rather freely. 

And like Freakshow High, I did more work than that.
I made a really really cool logo for it that I can draw repeatedly and easily because while simple, it is easily replicable. (It is probably not a very original logo concept, but it is still something I took time to design which I feel like I put my own spin on that makes it a signature of my webcomic.)

I even made the webcomic's slogan too.

During the outage, I went one step further and drew the cat in the series, too. Mind you--I did so in about three to four minutes, with zero reference images (this was at Denny's so no kitties to use) and zero erasing. I drew a cat in five minutes with zero references and in spite of that, it actually looks passable as being a cat. 

The only reason I didn't draw more was due to lacking time, usually being busy with other things.

But all of the pieces to make the webcomic are there if I were to so choose.

That project is one which I'm not sure I want to mention by name, but ehhhh...sure, I'll risk listing its name; it's Bazu's Fourthsworne.

To keep a long long story short:
There are four rulers of Hell, the Foursworne, and Bazu the Broken (full name, Bazu Fourthsworne, the Fourth Foursworn) is the weakest of them. (He is associated with snakes and the color yellow.) He was UnPersoned by the first foursworn, trapped to rule the smallest section of Hell and with no presence on earth and no followers and no means of manifesting.

The story follows his rise to power after he is, through a sheer stroke of luck, manifested by pure happenstance in a ritual that had every reason to not go right but somehow actually did go right. (It was deliberately written wrong as to sabotage any efforts to make it successful, but by a one in trillion chance occurrence, managed to fulfill the conditions that had been left out.)

The main characters aside from him (this contains first-episode spoilers by the way):
Creed, his summoned Avatar. Creed has four forms: possessing the cat, possessing the cat but transformed into a humanoid form (that of a little boy), using the cat as a way of manifesting an incomplete form (very loosely modeled off of Ryoma Hoshi from Danganronpa V3), and a fully manifested complete form where he is the will of Bazu incarnate.

Adam Caine, the person who did the summoning, becomes his head follower, basically what you'd get if you combined the Pope with a King in that he has almost absolute authority over Bazu's domain (which, as noted, at the beginning of the story...is nothing, but Bazu makes it clear that as he gains power, so too will Adam), second only to Bazu himself.

Lilith Edenson, one of the people present at the summoning, becomes a servant of Bazu by making a contract with him. During the summoning process, Adam killed his sister--Lilith, in love with her, was very much Not Okay with this. Contracts with a demon can be broken down into more or less trivial (the demon does something and in exchange the servant does a single task for the demon and is then free), difficult (the demon does something hard to accomplish and in exchange the servant has lifelong servitude, but is free once they die), or impossible (the demon, via the contract, accomplishes something that shouldn't be possible for the demon, in exchange for the person making the contract becoming an eternal servant, damned to forever be the slave of the demon), to more or less keep the long story short.
Reviving Adam's sister, whose death was integral to the success of the ritual, was an impossible feat, which via the contract, was achieved, but as a consequence, Lilith has become an eternal servant of Bazu.

And the actual protagonist of the story (because Bazu is more of the deutagonist), the one whose perspective the majority of the story is told through:
Evelyn Caine, preferring Eevee (not Eve), is the sister of Adam Caine and more or less FWB with Lilith. (Lilith is a lesbian, Eevee is pan, Lilith's love for Eevee is stronger than Eevee's love for Lilith but they have communicated their feelings. Eevee does love Lilith, just...not as much as Lilith loves Eevee, and Lilith has accepted this and is okay with the status of their relationship since both Eevee and Lilith are happy with it.)

Since Adam, her brother, becomes basically a lord of the damned helping Bazu accomplish his will in exchange for becoming more powerful, and Lilith her sort-of-lover is eternally indebted to Bazu to always serve his will, she more or less tags along with the group of them.

She is heavily a deadpan snarker, will heavily riff on Bazu, has a low opinion of him, will insult him, and so on and so forth. For his part, Bazu considers her expendable and will often trick her into doing things that are far more dangerous than they may seem, to further his own ends, and has no qualms of letting her die again and no intention of reviving her a second time should she die again. He demonstrates, both with his actions and his words, that she is essentially cannon fodder for him, a useful tool, but not an actual asset.

She doesn't really have a reason to help Bazu but more or less nonchalantly tags along and inevitably ends up helping him anyway. Sometimes by choice, sometimes to help Adam (she is his sister so she does care for him), sometimes to help Lilith (she does care about Lilith more than she cares about a friend), but often just because Bazu manipulated things that way.

Because Bazu is, specifically, the Demon of Charisma and is the most charismatic bastard around. Not the smartest, not the strongest, but his charm is why he was basically removed from the mortal realm; he was too much of a threat if allowed to roam free...

...And yet, the story follows precisely what happens after he does exactly that.
​From Eevee's viewpoint, by and large.

I love the project and I like it a lot.
I can make it, too.
Will I?
Ehhh...not sure.
But it's primed and ready for me if I ever decided to.

So what else?
I kinda have a growing urge to mod Civilization III again.
I don't want to work on the Across the Ages project--that was a bit too cumbersome. I do like what I was doing with it, but it just was something that had too many issues that I don't think someone of my skill level could work out.

Instead, I wanted to work on a more toned-down attempt at a modified version of the Rise of Rome scenario.
My first modified Rise of Rome scenario was my first, and grandest, venture into modding Civ 3 stuff.
It had a ton of stuff done but was atrocious overall and I basically made it ridiculously easy mode regardless of who I was playing on, adding everything and the kitchen sink to it.

This toned-down version would have a few modifications that would risk pushing me into that territory, but which with luck I'd be fine with.
The basic idea, 7/8 playable, Egypt still on the decline, but with each civilization having specific traits of theirs emphasized and played up. 
I'd remove pollution as much as is possible (this is just a quality of life improvement), add in Wool in locations as close to the Medieval scenario as is possible and no other locations (which would actually make it difficult to achieve for half the civs, which is a good thing!), turn silver/gold into resources, add in the wonders from Mesopotamia that aren't included, two outposts for Rome to allow for contacting the Celts and Goths (one in England, one in approximately Germany near the rivers there) with one unit on them, an extra Carthago Novo unit for Carthage as compensation, an outpost for Persia to allow first-turn contact with Scythia and similarly an extra Macedon unit as compensation, and then the draw to the scenario:

The units.
Goths would have a focus on raw offense, forgoing defense but having offense rivaling or even exceeding even Roman units.

Celts would have movement speed, traveling extra distance. Their units would have bog-standard attack/defense.

Carthage would have units that take less shields to produce, but require more resources to make, emphasizing their cheap mercenary nature. These units would be loosely equal to normal units, but some stronger and others weaker.

The Scythians would have units that treat all terrain as roads, but no extra movement speed, to differentiate their units from the Celtic units. Their units would have bog-standard attack/defense.

Rome would have their units be able to use all worker actions, have the strongest overall units in offense/defense (including a defensive horseman that'd be able to match their citizens), but pay for it in having those units be more expensive overall in terms of shields.

Egypt would have unique units, but have all of them be weaker than units from other civs, to represent their 'on the decline' nature.

The Greeks would have amphibious warriors/swordsmen (who would have stats equal to other swordsmen otherwise) and be self-balanced against the Persians for their spearmen to be loosely equivalent to the Persian swordsmen with Persian units having higher offense and lower defense and Macedonian units being equal in both.
Their units would be stronger than Carthage, but weaker than Rome.

I wouldn't touch things otherwise for risk of turning things too complex and ruining the simple idea as it is now.
Now, admittedly--there would still be about 75 units in the scenario, but that wouldn't be "75 units plus the ones already in there", it would be "75 units including the ones already in there".
Maybe bump it up to 80 when you add in leaders, armies, gallies, and workers.

But I am pretty sure a total of 80 units in the game or thereabouts, is not more than most scenarios.
I'd have to double-check to be sure, but I feel like if it's not actually much more than is in most scenarios, no real harm in striving for it.

It feels incredibly doable, I'd just need to do it.
Hmm, what else...I think that beyond that, it's just 'catching up' stuff.
I need to play a few TFT games to get the quest there.
I have eight days to play two RANKED (yes, RANKED) games of League, and to also play one of Garen, Jax, Draven, or Leona. (Sadly, I only own Garen of them. The one I'd least one to play.)
ARURF is life and I want to test if my build with a mana champion works on ARUF, where cooldowns are at 80% and every item is thus over the CDR limit. But also mostly to see if a manamune can transform into the muramana in ARURF.

I have obligations that I am days late to attending to, and these once I finally finish this blog entry (I think I've been writing this blog for an upwards of six hours?), those are going to be what I probably focus on.

I have a vod to watch and multiple videos to watch to catch up on. Probably about 12-24 in total. Most of them ~10 minutes but at least four of them are longer.

​Busy, busy times.

Funny, I seem to recall blogging, heavily, about Snowmageddon about this time last year. Maybe it was two years ago (it seems heavy snow is every other year), but I kinda feel like it was last year? Maybe it was a bit earlier so technically 2018, maybe a bit later, but I do seem to recall early circa last year, there was heavy snow.

And this year.

There is ridiculously heavy snow.
Which is kinda annoying to be honest.
Our uninterruptable power supplies aren't actually working--right now, they're glorified outlets, serving as nothing other than precisely that, something to give multiple things needing power, power...so long as you have power. The second power goes out, even if it's for a split second...BAM. Everything dies. Computer, internet, everything. Not a single thing stays up.

And our generator isn't working (not that we have internet when we have no power anyway), so no generator, no UPS, means that when we have a power hit...everything goes down until we get power back. Meaning anything I am doing, better be automatically saved and not crucial because if it ain't automatically saved or if it is crucial...I be screwed.

Notably.
This does allow me to do stuff like watch people; this does allow me to play TFT. But it doesn't really allow me to play Minecraft; it doesn't really allow me to play League.

I can.

Can.
It's just incredibly risky, to the point where it's not something I really want to do unless I have teammates who know about it in advance and can cover for me if it does happen and I leave my team in a 4v5.

Now, admittedly.
Given that I play on Oceania's server.
Me having a sudden dc due to weather? I'll blend right in! Or so I imagine. Opposite extremes, quite literally, because I'm in a land of ice, Australia is a land of fire right now, but I imagine the effects would be similar when it comes to playing the game; high likelihood of getting sudden dcs.

Admittedly, I don't really know nearly as much about the fires in Australia as I should. My close friend is from Australia, their family lives in Australia, and I have multiple friends and associates who live in Australia. I know it is really, really bad, but...I don't know as much about it as I should, and I don't know what I'd realistically be able to do to help.
(I mean. I imagine there's donations to charity and the like. But I am notoriously stingy with my money; I know it makes no sense, but I usually just...I will give hundreds, even thousands, of dollars to a friend in need. They need not be a close friend. They need not have the expectation of paying me back. Anyone I call a friend, anyone, I would give hundreds, even thousands, of dollars to if they were in need of the money, with no expectation of them ever paying me back. Yet donating to a charity? Donating to a charity which would help the friend, which would have 100% of the money go to a good cause that I would love to support and I know is a good cause and I know the money will do good...for whatever reason, I just...am incredibly hesitant to do so. I guess it's more or less the difference between knowing the face of who I'm helping, versus helping an idea which has no true face, if I had to wager a reason.)

Like...should I better educate myself on it to know about it more? What would I actually do with that knowledge? Spread it to people who could have use of it, spread it to people who with it could help? The people who I know that could have use of the knowledge, are already more knowledgeable on the subject than I am; THEY could teach ME. So that'd leave the 'spread it to people who with the knowledge can help', but even there, I'm not sure what I could do.

I don't really feel comfortable asking people to, what, give money, for a cause especially when I myself am not contributing to it. So what would they be giving? Relief supplies, maybe? Similar story there; I'm not comfortable with asking them to give things I myself am not giving. So I just...don't know what I would do to help. Write to the government asking the government to help? As one of their constituents, contribute a well-thought-out plea for them to help?

Maybe, but I'm not sure how I could pull that off and I'm not sure who I could spread the word to that would want to do it and could, who hasn't already done it. (Basically, the people with the skills to do it and will to do it that I know, have already informed themselves better than I am.)

In that sense, I just don't really have any idea of what I could do to help and I feel really guilty about it but like.
I don't really know what I could do.

But I digress.
I'm also having the obvious heavy depression. There's not much to say about that though. It's fairly self-explanatory. I feel worthless. I feel like I am a piece of trash. A failure, fraud. Someone who makes promise after promise.
And delivers on none of them.
I am just.
Objectively.
Terrible.

And it's very negatively impacting me.
Where, yes.
I have the thoughts of, "it might just be better if I wasn't around", because then people wouldn't have those false hopes about me. Then people wouldn't expect me to be any good, when I am demonstrably not. You could always go. "But Bree. Can't you just...decide to not be in those positions of responsibility?" Resign, step down, be forcefully removed, and so on?

Why yes.
I could.
And then I would lose what little hope I am holding onto.
I would lose one of the only things keeping me alive.
I don't really have a reason to live right now, but having duties, obligations, that I am bound to, helps to at least keep me floating by--losing those duties, losing those obligations, means I lose the things I am floating by on.

I would be way, way worse off if I lost them.
And yet every day I feel like I am losing them, specifically because.
I am failing at them.
And because I am failing at them.
​I am at constant risk of losing them.

And what makes it worse.
Every day.
I have visions of my jobs as they could be.
And I have visions of my jobs as they should be--not as optimal as they could be, but at least realistically humanly achievable. Things that I have no reason to not achieve and then...I don't achieve them. For. no. good. reason.

I think about the job as it is most optimal, every day--but that daydream I have no delusions of becoming real. It's fictional, unrealistic, not something that I could ever achieve. It's worth striving for anyway, but I have no disappointment if I fail because I know that it's not possible in the first place.

But I also think about the job as it is most practical, every day--the job as it could realistically be done easily. There is literally nothing stopping that from becoming real because it's not unrealistic. It's easily doable, and easily achieved. And yet I don't do them. For no good reason. No excuse, no real reason for it.

When I inevitably fail to achieve that, how could I not feel disappointed in myself? It's fully possible, and easily so, for me to do the things. So why on earth do I not get them done, when I can easily get them done? There's no excuses, no justifications. I have no alternative answer.

Other than "I suck".
I just fail.
No reason I shouldn't have done it, yet I didn't do it.
What can that be.
Other than a problem with me?

You might think.
"Maybe your thoughts of 'this is pragmatic' is off and your pragmatic is still 'too perfect'?"
Except no.
It isn't.
I know what is too ambitious for me.
I might still try the too-ambitious anyway, but I'll hold no illusions of when it fails, of it being unrealistic.
I have a very good sense of what is basic minimum, versus what is absolute maximum. 
And I am constantly, consistently, below the basic minimum.

And if you asked others who have or had the same job, they would agree. They would look at what I did versus what I am expected to do, and agree with my self-assessment of it being below the acceptable standards. That I am not performing to the expectation of my jobs.

If they said otherwise to my face.
They would be lying to try and comfort me.
Or maybe they would be delusional in legitimately thinking I'm okay, due to bias from liking me and thinking surely I couldn't fail and maybe them being highly self-critical of themselves. (Basically, there's a higher chance that they'll think I'm fine, if they are self-critical enough to think that they weren't doing what they should.)

But if they were to honestly assess me, in private, not to my face, talking to others in the business.
They would be forced to confess, to admit, to face the truth.
That I am not performing to the levels I should be.

I know that I have low self-assessment most of the time.
Where due to my ego I have high expectations of myself and due to this am largely self-critical when I fail to live up to my own self-hype.

But I know that if someone were to objectively rather than subjectively measure me and assess what I've been doing.
I objectively would not be living up to expectations and nothing they can do or say will change that objective truth.

And if I am not living up to expectations.
The only conclusion to draw from this is that I am failing.
And if I am failing at everything.
I feel like a failure.

How can I not?
I'd argue that if I am failing at everything, I should feel like a failure because if I'm failing at everything...I feel like I should feel like a failure because what do you call someone who's failing at everything? The best word for it would be failure.

...And in this regard, I was highly successful overall! I still have three, lengthy, videos to watch (one is two hours; two are each 45 minutes), but I watched about ten videos today to get entirely caught up there. There were a bunch of things I needed to get caught up on, though, and...I was...less successful elsewhere.

In Minecraft I did do some work but had the tilting experience of zombie death losing my experience and risking my items...again. And now I wasted a bunch of time for what amounts to nothing.

In Teamfight Tactics, I needed to play five games for the orb of enlightenment and play enough games to get the four quests done--this also contained extreme tilt of either lousy luck in the earlygame and by the time my fortunes were turning around...being eliminated by those who had the amazing luck earlygame and were just strong enough to beat me before I could make a comeback...

...Or godly good luck earlygame, but which was severely soured by the lousy luck lategame where I would spend 100 gold and not get a single T3, not get the key T2 that I was after, and in many cases, not get the 5g unit I needed to make my comp transition into the lategame, where I knew I had the earlygame crushed but I knew that I needed to go to a very specific comp to not get outscaled...and couldn't because no matter how much gold I spent in spite of being the requisite level and literally nobody else running my comp, the unit just. wouldn't. spawn.

Which lasted until I got a few games I considered passable enough. Still didn't complete the latter two quests but considering one of said quests requires me to play nine games to completion and each game is like 30-60 minutes long, an average of 45 minutes...that...didn't happen.

Then in League I had multiple misfortunes. I had my Ashe stolen from me; that game went predictably badly. I was assigned a game of jungle. I said that I don't play jungle, recommended a swap, nobody took me up on the offer, but fortunately when one of my teammates noticed that my champion locked in was Ashe and asked "can Ashe jungle" and I bluntly said 'no', they dodged. (I generally assume that most of the people who dodge have alternate accounts or aren't willing to play games that they know they'll lose. I do not have alternate accounts and I will play games that I know I will lose, because I figure that they might give me a learning experience.)

Then I got a game where I accidentally took the wrong runes--the runes I took were runes I use on Ashe, but in that specific game, I really really needed Sorcery, and yet I was stuck with Fleet Footwork. Sorcery would've allowed me to get a ton of kills that game that I didn't get, because I took the wrong runes accidentally due to the Vlad game. Even if it was winnable, it became unwinnable when two members of my team dc'd.

And then I got a game where my team did flame me for my build--to be fair. I was 0/8, but in this case, that legitimately was not entirely my fault. My "support" was Tryndamere. Tryndamere can be played in 4/5 positions, like Ashe can--top, jungle, mid, even in the right circumstances adc. (With Ashe's four being top, mid, support, and adc, obv.) He is very much not a support in any way shape or form.

He didn't take a support item--which meant that whenever he last hit, he was stealing my cs. Because he was stealing my cs, I had less gold than I should have had. He also took fights that would be fine for him to take, between his ult and his spin--but he criticized me when I went in and criticized me when I didn't go in because while he has tools to escape from death...I do not. And he was expecting me to have some magical get-out-of-a-2v4-situation.

Because, yes. We were 2v4'd. Repeatedly. Given that it was a 2v4, I did fairly well given the circumstance. I could burn my ult defensively and summoners to escape to safety, and did so repeatedly, which kept me from dieing like four more times than I did, and at least two of my deaths were due to me getting collapsed on by 3-5 people when I didn't have vision on them and thought that they were somewhere else. (Those are at least partially my fault, yes, but when caught out by 3-5 people, I'm dead; there's no escaping that.)

He wanted me to engage in fights that were 2v3, even 2v4. I could not, and when I tried, I died. He wanted me to engage in situations which I knew I wasn't in position to engage in--he has a spin he can use for a gap close; if he spins into a fight when we were previously together...I can't get in range to help in time because Ashe is much much slower than Tryndamere's spin.

Not helping was the fact that my toplaner lost hardcore and my jungler was also in on the flaming (the jungler and "support" were the ones doing the flaming), in spite of my jungler himself having done pretty terrible. And it reflects in their scorelines, too. I had the second-lowest number of deaths in the game, but only by one. (Somehow, the jungler had one less death than me.)

It was all-around incredibly frustrating. Ashe can engage in all-ins, but she is primarily a specialist at dealing poke damage. She is the queen of kiting--of hit-and-run. Hit, retreat. Hit again, retreat. And only after the enemy has been whittled down sufficiently, do you engage...preferably still with enough ability to leave room for a disengage or a finisher.

Being asked to engage engage engage without kiting, to go purely on the offensive especially when we were behind in every lane with only one player on our team doing even close to remotely well, is the exact opposite of what you're supposed to do on Ashe, especially when behind.

Heck, even the enemy team had a member who recognized that I wasn't the problem. And I believe it was my midlaner who shared that opinion, mentioning that Normals are a good place to practice or something to that effect, with at least one person in the game who wasn't the jungle/support saying that I could be pioneering a new meta.

Maybe they were sarcastic, maybe not, it's hard to say for sure, especially from vague memory, but if they were sincere in giving that benefit of the doubt then they were giving me far more than my own team did. (Plus at the beginning of the game I am fairly certain one or two members of my team dropped the N-word but since I was too busy playing the game I couldn't look up who it was. I have two very obvious suspects tho.)

And, heck. At the end of the game, I ended up with stats that were still some of the best on my team and I could tell that in teamfights where I was able to kite away from the enemy I was actually dealing significant damage, contrary to my teammates' claims of my build being worthless for damage. I was less than 400 damage away from dealing the second-highest damage on my team and I had the sixth-highest damage in the game; I did more damage than the enemy adc. I was one of the only two on my team to damage a turret. I earned more gold than our toplaner, which is an impressive feat mind you since, again I must reiterate: my "support" was stealing my cs so my gold income was halved. I was one point off of having the second-highest vision score on my team, and also one point off of matching the enemy adc.

I had the highest minion kill of my team...and had an exact tie with the enemy adc, down to the last number, for being second-highest in the game. The only player who killed more minions was the enemy toplaner. (Who, being Mordekaiser when Mordekaiser even post-nerf is kinda OP...was. Well. Mordekaiser.)

Are those good stats to have? No, not particularly. They are still not great. It still means that overall I was a little bit sucky. But in spite of my team having placed the blame on me and my build...I genuinely don't think that it was my fault? Like...toplane lost hard against a champion who can and did 1v5 us. Hard, HARD lost. Midlane was the best of us but even they in spite of getting the kills they did were barely going even with their counterpart and were losing against the enemy toplaner and losing when outnumbered.

My "support" didn't take a support item, took half of my cs (when I am already not good at csing), entered into areas we had zero vision of and expected me to follow, took fights that I couldn't engage in, took fights that I couldn't disengage from, and sure enough had the highest deaths in the game.

It is not an uncommon belief that in games, supports are the main difference between winning and losing--a good support might not win by 1v5ing the enemy team, so much as they win by setting their team up for success. A bad support directly loses their team the game, by setting them up for failure.

And, hey.
I didn't place blame on them in-game.
I never flamed back.
I never asked them questions about their rather-questionable tactics.
But I feel like I have the right to believing that that game was genuinely just not my fault? Like, sure. I admit. I made many, many, many mistakes. I did get genuinely caught out of position multiple times. I should have been smart enough to recognize, "I can't engage on that." I should have been smart enough to ping my teammates not to engage on that. I should have pinged when I was trying to engage on something.

And I made many misplays. Missed most of my ults. Missed many volleys. A ton of my volleys got minion-blocked where one minion (or if I were lucky, multiple minions) ate all of my arrows, meaning none of them connected. I did legitimately play a bad game, and I feel they had room to call me out on the mistakes I did make.

But they were calling me out on things that I genuinely don't think I was responsible for. Ashe needs lifesteal? I had it. I didn't have the full 12% because I couldn't farm it out, couldn't get champion kills, but I don't think that my inability to do those things lies on me. Ashe needs damage? I was dealing considerable damage when I wasn't instantly deleted. The only thing that they called me out on which I feel has merit is that Ashe needs crit, for a stronger slow. Crits double her slow and deal increased damage to slowed targets; my build didn't have the crit yet.

But honestly--in that game, I cannot think of a single time a crit giving increased slow would've made a difference. I was building defensive items that are designed to help keep someone alive, and which just so happen to on this build give me extra damage and a bottomless supply of mana. Would a stronger slow have allowed my team to kill an enemy who got away? No occasion that I can think of. Would a stronger slow have allowed someone to survive in a situation they didn't? Not when the slow would be applied to one enemy champion when someone is being dogpiled by three enemies. A stronger slow applied to one still leaves two in kill range.

I am fairly certain that there was no way I could have slowed them and made a difference.
But I am also fairly certain that I couldn't have done more damage with a different build.
The problem was that I kept dieing before I could deal the damage. There's no build in the world which can deal damage on Ashe when you're dead before you can so much as proc Ranger's Focus. If you get to only launch one volley and maybe one autoattack and are dead before you can launch a second auto...there's no Ashe build in the world which can get her a kill there. She can't oneshot like that.

And the build I go for is actually one of the best possible builds for trying to prevent being killed. It's a hugely defensive build with a metric ton of armor and a ton of MR in it as well. I was still being killed before I could get a full combo off, because I didn't have my teammates taking the damage for me. They were dead, they were fighting elsewhere, they were unable to stop the enemies from bypassing our frontline to focus on me, our backline. All three at different times.

I don't think there was any build I could have done. None. Which could have prevented that.
And sure enough.
I had a final game I played where I ended up hugely popping off.
I do admit--I had an incredibly competent support, and my midlaner won lane. I think my jungler and toplaner actually lost lane tho? I mean, I remember almost all of my deaths were in the earlygame and yet I wasn't the one who gave first blood; it was my toplaner. And I recall my jungler having died early, too. Might be mistaken tho.

And I will fully confess. Even if we didn't all play well early. There wasn't a single weak link later in the game. (The closest was us having an uncoordinated assault on the enemy base where when some of us were dead, the others were attacking, and when they died, the others who respawned tried attacking, but that was a collective int from everyone including me making miscalculations.)

So it's not like I singlehandedly won my team the game. I had the most deaths on my team and the lowest kills to my name, but almost second-highest kill participation in the game. (Highest was my support, second-highest was my midlaner, by a slim margin--they had one more than me. Though I admit, I only had one more than our jungler or toplaner who both were just one behind me. Suffice to say: we teamfought a lot and worked incredibly well as a unit.)

I had better stats than most of the enemy team and better stats than the enemy adc across the board, and overall I did incredibly well. My team was friendly, supportive, we worked together well, coordinated reasonably well enough, and even when we inted, we usually got something out of it. Securing a drake even if three of us died (not exactly worth), securing a nexus turret even if most of us die (probably still worth), the like.

And this brings the total games I've run this build in on Normals, with the runes and items, up to five. I thought it was more than that, but I could only find five in my match history. Three of them have been victories. Two of them have had teammates who hard-flamed me in the form of some combination of {jungle, midlaner, support}. 

I blooged about the prior defeat before, and this is my blog about the defeat here.

But so far I still maintain my conclusions thusfar.
It feels like the build's success/failure rate has less to do with the build itself, so much as it does, the team I am on. If I have teammates who are making plays that are blatantly mistakes who then flame me when those plays go south...it doesn't work, but I don't think any build would work for those games for a player of my skill level, which is to say, not very good. I will fully admit to being a trash-tier player and a significant portion of my losses are due to mistakes I made so I will own up to having been a significant contributor to the loss.
(Though, as I said last time: I feel like I am in the right to justifiably not take exclusive blame for the loss and that my teammates played equally as large a part in the loss, at a minimum if not more of a part than I did.)

If I have teammates who are chill, work well with me, synergize with me, are willing to own up to "whoops, that was my fault" when they make a mistake, accept me saying the same, and who have a plan to recover rather than running in and doing the same thing we just got killed trying to do...it tends to work. Mind you, I admit: given those circumstances, probably any build would work.

And I do confess, this game I had a little bit of an extra edge; the enemy team was all-AD (a fact I didn't recognize until midway through the game; I probably should have built tabis in hindsight, or rather, since I didn't notice the enemy team was all-AD until midway through the match, sold my Ionian boots for Tabis), when two of my items give some of the highest armor in the game. Frozen Heart gives the highest armor in the game (100 armor), and Iceborn Gauntlet is in the top...I think six? Maybe it's only top eight, but it still gives a ridiculously large amount of armor. (I did let my team know about this fact, which they found useful to know, because apparently I was the first one to realize the enemy team was all-AD and none of them had realized it until I pointed it out, so that was a good contribution of mine. I mean, not sure it made much of a difference; the two members who built armor were two members who are already tanks, and a third who was maybe building into tank is also sometimes albeit not always played as a tank, so it's hard to confirm for sure that their itemization was due to them taking note of the full-ad enemy team after I noted it, but hey, I'd like to hope that I made a difference in helping them.)

Obviously, in terms of games to run the build in...a build where the enemy team has some difficulty bursting me down (though Pyke could still deliver killing blows with his ult, annoyingly enough, because many times where I thought I was high enough HP to survive, I received a nasty surprise that I didn't realize would kill me until it did) is going to be a bit more successful than a game where they can kill me even if I got to full-build easily.

And obviously, in terms of games to run the build in...having two tanky frontlines who have excellent tools at protecting their backline from being accessed, preventing the enemy champions from getting on top of me (with a third who, at least with their itemization, was also a tanky frontliner that had excellent tools at protecting me), is pretty much the dream. Gnar was building tank and he can toss people around; Sejuani has multiple ccs/slows in her kit; Leona has some cc in her kit and a gap-closer (admittedly, one-way--towards her enemy. But if the enemy bypasses her and she has the ability up, she can use it to again place herself between them and me).

I played it not as well as my other two wins, which is reflected in my final gold score and to some extent champion damage and similar stats. In spite of this being probably the best comp of my three victories for the build, it was my worst performance with the build of my victories.

But that wasn't the build's fault, that was me being tired, tilted, and making multiple misplays. I would've been those things with any build. In fact I would again argue: using any other build other than the build I used, would've resulted in me being the LVP, least valuable teammate, of the game, because any other build for this game would've had me still be tired, tilted, and making multiple misplays, but with a build not suited for perfectly working with my team's comp, to perfectly counter the enemy team's comp.

Overall, my faith in the build isn't being shaken by anything.
Briefly, in the game where I was being flamed for it.
I did consider it.
Of, "is it actually not that good in spite of my insistence otherwise?".
I did.
But after that consideration.
And upon reflection of looking at how that game went, the scoreline, how that game felt to me as a player, with how at the end I did feel like I was doing the damage I was supposed to be doing, how most of my problems were due to mistakes I made as a player with my team certainly not helping, and looking at the postgame to have an intuitive feeling for what my instincts had told me about my team. (My instincts told me that my "support" didn't have a support item; my instincts told me that my support and jungler weren't really playing well; my instincts told me that the enemy toplaner had hard-stomped due to how strong he was compared to the others on the enemy team.)

I just have the feeling that it really wasn't the build's fault we lost that game, no matter what my flaming teammates might believe. And feel like I am rather justified in that belief.

I feel like the build is working for me.
Heck, even if it's not a build which works for other players.
I think it is a build which works for me. And if it works for me.
It feels good to run.
My successes feel like a large part due to the build.
My failures don't feel like they're due to the build.

Then I feel like it is the right build for me.

But I digress.
I've been writing this blog for at least an hour; I suspect it is closer to two. It's 3:48 am right now, the game I finished I believe finished at 2 am? I don't think that I went straight from it to here, but I certainly didn't do much after it before coming here to the blog.

I have work tomorrow.
I get up at 8 am for a shift starting at 10.
And, oh yeah.
I still have a bunch of stuff I need to do.
I got some stuff caught up on.

I got most of my stuff, not.
Like, I still need to get caught up on my emails and to send one to my boss about trainings. They said that the ones available were full, and that they were "looking into" options. I need to give them a reminder of, "Hey, I uh...really need this?" Because trainings are a Big Deal to keep up to date on.
And I still have a ton of daily chores to do that I haven't done yet.

I half-considered writing a blog today saying "god I am pathetic" by listing all of the things I need to do, which I promised I would do (I promised to do judging today, after having previously promising to do it on Monday and failing to deliver on that promise), because...well, when you think about it.

I really kinda am pathetic.
I watched videos instead of attending to those matters.
I played games instead of attending to those matters.
I wrote this long-winded blog post that amounts to little more than a ramble ranting about my delusions of having a good build and complaining about teammates calling me trash when I believe that they themselves more than qualify for that term themselves, something which even if it is true leads to a dangerous road of me not acknowledging my own faults. (I try to take responsibility for what was in fact my fault, but if I think that it isn't my fault and is my team's fault, even if that is true, it can lead to me thinking it isn't my fault and was my team's fault...when it isn't true. And I want to avoid that.)

I basically started today thinking, "today will be a day where I get everything I need to, done...or close to, knocking out almost everything on my immediate to-do list!".

I ended up realizing that while I did do some things and while nothing I did ended up in a complete and total waste...
...Due to tilt, I ended up doing just about none of what I set out to do. Some, I did! Most I did not.

So yes.
I do suck and am a piece of utter garbage for failing like this.
No wonder I prefer to focus on writing the gaming entries like on League.
Because at least on those I feel like I am writing about things I'm not​ a failure on.

What do I talk about? I more or less talked about my current ongoing things yesterday. League, how I need to get my second second-place in TFT, Minecraft, how the troll build I went for actually ended up working so well for me that I ended up playing the best game I've ever played...not much has happened since then. (At least, not stuff I care to blog about.)

I suppose I could mention my disdain at Kongregate selecting one particular game, repeatedly, for an "easy" badge of the day that I have never earned.

That badge being for the game indestructible tank.

I've earned the bloody medium badge.
And don't have the easy badge.
Because the bloody easy badge is nigh-impossible, highly luck based, and it is incredibly frustrating to, repeatedly, time and time again, play the game, do it for a long long time...only to end up, not actually earning it in all of my tries.

This is not the only game to have that problem.
I can think of similar games that give me issues, like Sydney Shark.

Games where Kongregate, every single year, makes them badges of the day...
...But which I can never earn them because their rating is a lie, their rating should be hard or even impossible and yet for whatever godforsaken reason they are listed as easy or medium.

I have most badges for most games.
I only have one impossible badge--there's multiple which I could realistically achieve if I put in the time and effort for them (I could speedrun MARDEK for the two there but I haven't gotten them because I want to achieve my personal definition of 100% completion on MARDEK; I could grind Hipolyta to eventually get one there; I might might might be able to get the Pandemic2 one; etc.), but it's safe to say that their ratings as very difficult to obtain are earned.

I have a ton of hard badges, and plenty more which I could easily obtain if not for a combination of laziness, time restrictions, and apathy where I'll play, work towards it, and eventually lose interest even if I was 95% of the way towards earning it.

I have medium badges for just about every single game that I have an interest in playing, and similarly so for easy badges. If the game is something I want to play, chances are, I have already played it and earned the badges for it, or if I haven't earned the badges, it's because I played it before it had badges and didn't replay it once the badges were added.

So if a game has a badge which I haven't earned.

There's two possibilities.
The first, it is a game that slipped through the cracks--I didn't play it because either I didn't know about it or I thought I played it but somehow didn't or I wanted to get around to playing it and put it on my playlist but didn't actually play. The like.

The second, there is a darn good reason it is a badge I haven't earned--idle games, p2w games, games that are utterly unappealing to me, and games that are just...like. What's the name of that sidescrolling running game which there's like five of in total? Don't have most of the achievements there because that's another example of a game where there's a lot of luck involved, where you do long runs or sometimes not so long runs due to failing early, often, repeatedly, and you just have to grind and grind and grind and HOPE that this run you just so happen to do the exact combo necessary to get through.

There are games which fit that description which I don't mind--usually, games where. Yaknow. You have upgrades? Where what you do between runs, affects the chances of you earning the achievement ON a run. Those games are fine, I play those games, enjoy them, and can come back to them time and time again.

But when every single run gives you the same start.
Except the course is randomized so you can't even memorize it.
And they require exact timing.

That's not fun.
That's not easy.
That's not medium.
That's luck, that's hard, that's not really skill, that's just tedious gameplay and the indestructible tank game which is the Monday badge of the day is such an example of a game of that type that I loathe and utterly hate whenever Kongregate makes it a badge of the day because I can't earn the badge of the day for that day because it. is. not. something. I. can. do. If I could I've have done it already because I am a Kongregate addict who plays most of the games on there.

I'll start with a small TFT update; I have one of my two second-place wins but still need the other. Been running whatever comp I felt like running, most of them being ones which an opponent stole from me for god only knows what reason given that most of them weren't optimal, and it worked out fairly well. Still need to put in some more tho.

On the main riot client game of League, realtalk: I actually really really like the troll build? It actually doesn't feel troll when I'm running it. Specifically, the Arcane Comet + Manaflow Band + Transcendence + Gathering Storm with secondary of Presence of Mind + Legend:Bloodline, building a tear into Manamune, with the ideal final items of Ionian Boots (but with the option to build Ninja Tabi if against a full-AD enemy team, Merc Treads if against heavy-CC and/or heavy-magic enemy team, or I suppose technically Boots of Swiftness if the enemy team has a ton of slowing effects that are negatively impacting engagement/disengagement opportunities), Abyssal Mask, Iceborn Gauntlet, Frozen Heart, and Essence Reaver.

For extra spice you can if you get into the late lategame and have the mindset of "boots don't deal damage, let's get an item which does" replace the boots with Righteous Glory for extra mana, armor, etc. to add tankiness, retain the 10% cdr of Ionian Boots, and give extra mana. But obviously that's kinda memeing.

The build works off of two angles. The first, a transformed Manamune/Muramana deals extra damage based off of both your maximum mana, and your current mana (two passives, one for current, one for maximum). The more mana you have, the more damage you deal. Abyssal Mask and Essence Reaver both replenish lost mana, and Presence of Mind also gives mana upon takedowns, too!

The second, cdr = damage due to transcendence. Transcendence + starting rune of CDR = 20% natural CDR. Essence Reaver =40%.

Then you throw in the extra CDR. Boots = 10% above maximum. Abyssal Mask = 10% above maximum. Frozen Heart = 20% above maximum. Iceborn Gauntlet = 20% above maximum. Combine them all into the full build, and that's 10 + 10 + 20 + 20% = 60% excess CDR.

Transcendence gives 1.2 attack damage per point of excess cdr--so 60 * 1.2 = 72 extra damage.

​Frozen Heart and Iceborn Gauntlet in tandem makes you absurdly tanky. Between those two items, you get 165 armor. 

Abyssal Mask gives you magic resistance for a start, but also in tandem with legend bloodline gives you a bunch of health. The item itself grants extra health, but more than that, it gives up to 25 HP per spell cast. Given volley spam pretty much every single second with 40% cdr and five ranks in volley (I think the actual time is like 1.2 seconds with 40% cdr and five ranks?), with volley costing 70, that's at least 14 health healed every time. (I'd have to double-check how a transformed Muramana interacts with it.)

It's not much healing. Rather than an infinite percentage, capped at a flat rate. Lifesteal items and runes, and hp regeneration items, would give more healing overall. But it gives just enough to keep me alive. The build gives a bunch of magic damage, a fair amount of physical damage, a little bit of healing, and an infinite supply of mana.

It has fairly good scaling, too; the later into the game it gets, the stronger the build becomes.

The build has a very very very heavy reliance on poke damage and really really really sucks at all-inning...but honestly? I really really suck at all-inning and rely very very heavily on poke damage so a build which plays into that style is playing into my strengths.

On a vaguely related note, in my games, I've also shifted my mindset a lot more towards a "play it safe" mentality. Specifically, "It is better to go 0/0/0 and not make plays, than to make plays that even for a good player would be 50/50 but for a player as terrible as I am are more like 20/80".

The plays that if they would work out would get me to 5/0, but have an 80% chance of making me go 0/5.

Playing to not die, to farm it out, to not get overaggressive.

I lose a ton of map pressure from this approach. I don't deal much damage to turrets. I often lose drakes. Heck, if I have to back when there's a wave dangerously close to crashing under my turret, I'll lose my turret, too. (This happens when I don't die, but get low enough in HP where I might as well have died, and need to back to stop myself from dieing, in spite of the lousy wave position, because if I stayed to try and reset/push the wave...one attack from the enemies connecting and I die.)

This is, obviously, not ideal.

But in spite of the lack of turret/drake pressure...I actually feel like I'm playing better?

Like.

I still apply a ton of pressure in terms of poking enemy champions, albeit trying to prioritize csing over damaging them (though in an ideal world, I can do both!). But I feel like preventing my own death is leading to the games stalling out longer, in my team's favor. A case of losing lane by playing safe, in order to have a chance at winning the game.

The enemy adc still gets fairly fed, from matching/exceeding my cs, getting more tower plates, and often, from roaming and getting kills which I don't match. (I've had a fair amount of times where the enemy botlane rotates mid to 3v1 or even 4v1 my midlaner. I do ping it out, of course, but if my midlaner ignores the pings or thinks that they can win a 1v4...free kill to the enemy team.)

But frequently, in the games where I've lost.

It hasn't been because of the enemy adc/support. Usually it's actually been because my midlaner/jungler both lose, and then the enemy team dives botlane and I can't win a 2v4. (Except, by playing it safe...sometimes, I do! Well, relatively speaking. If in a 2v4 the enemy team doesn't get two kills for free...that's a win. So if they lose one, or two, or if they don't kill both me and my support...well, given the numbers severe disadvantage, that's still coming out ahead overall.)

Like.

I am a dumb stupid idiot who is utterly incompetent at the game.
When my team loses because of my actions, I will own up to it, admit fault. I know when I've made a mistake and will own up to it. I know when I've screwed up. I have a fairly good intuitive sense for how things are going in my lane in terms of me relative to my opponent. I know when I've made the enemy botlane too fed to win, more or less; I have a good sense for those sorts of things.

And given that.
I will fully own up to my shortcomings.
I know that, especially given the build I am running, that I am not applying the pressure that I as the adc for the team should be applying, that I am giving up on the in-current-meta critical earlygame in favor of a lategame which may never exist at all (though again, this is mostly from lack of forward pressure, in that I apply plenty of poke damage and harass the enemy champions, but because I avoid pushing the minion wave forward due to not wanting to overextend and be caught out of position, the earlygame push just isn't there), I am not doing things optimally.

But I actually feel like I am still playing better, playing smarter, playing with a greater awareness, than I would be if I tried to be more aggressive and take the 20/80 plays that inevitably get me killed.

My team still places a fair amount of blame on me.
And not unjustifiably so.
When I botch just about every gank attempted, that is on me, so calling me an idiot when I botch the gank is something I own up to and say: "Yeah I messed that up".

But I mean.
If you're the jungler, and you keep ganking for the person who admits they botched it and says that they probably will continue to botch it.
Even after the person asks you why you don't try ganking for the other lanes which are actually doing well and won't botch it.
When I as your adc ask you, "Hey, I will botch the ganks you make bot, so why don't you gank top?", when top was winning and bot due to me can't help in a gank.

...And then you as the jungler continue to gank bot anyway in spite of that.
In spite of me warning you that I can't do a gank right, and you knowing that I am an idiot, calling me as such. You deliberately choose to gank for someone you know to be an idiot.

I mean.

...I really don't think the blame for that lies on me?
When there was a toplane winning which you could've snowballed off of, but ignoring the toplane altogether and leaving them on an island whereas the enemy jungler gave pressure toplane to reverse the lead.
That's...really not good jungling?

A general rule of jungling is to not gank for a losing lane most of the time.
And with the nerfs to most drakes and dragon souls, and with the double summon of rift herald.

It's quite viable to build a lead toplane. 
And adamantly refusing to visit top, giving the enemy team not one but two rift heralds (which results in basically two towers minimum being killed).
And not building a lead through the lane which is winning.
And ganking for someone who you said is an idiot and who flat-out agreed to that assessment, who told you not to gank for them more.
And then continuing to gank for that person anyway.

Like.

In games like that.
Is it really my fault?
Sure, yes. I'm incompetent. Yes, I botch ganks. Yes, I am an idiot. Yes, I'm playing in a way, using a build, which is not optimal, which doesn't apply good map pressure. But when I warn my team about these things. Tell them that I am playing safe. Tell them that I am going to hug my turret. When I have a visibly low mana bar due to not having my tear yet, when I am low on HP, when I am being blocked by a solid wall of minions that creepblock me preventing me from getting close enough to engage. When I own up to my mistakes and indicate that those mistakes will continue to be made.

And then the jungler and/or midlaner for my team continues to try and focus on botlane and gank/roam it repeatedly in spite of my provably, demonstrably, poor track record of actually capitalizing on that.

I really don't think that you can really say that's my fault?

I can take the blame for my own actions. I can take the blame for not being better. I can take the blame for things I mess up and decisions which result in us not having map pressure which I should be applying. But when I tell my team about these things and my team still tries to play around me anyway in spite of me telling them not to? That's...really not on me, and I don't think it's really fair to say anything otherwise.

Like, if mid/jungle have a negative k/da where they have double the deaths that they have in kills/assists and I have a neutral or positive k/da because of playing safe...I mean. Only so much of that blame can be placed on me for not taking a fight I know I'll lose, when my team decides that they want to take a fight that they should know they'll lose but for whatever reason think that they can win.

When the enemy team is at full HP/mana, and/or have a level advantage, and/or have the item advantage, and/or have the positioning advantage...I'm not going to donate another kill to them because I can take one look at that situation and know that we'll lose that fight.

I will go into a fight that I know I'll lose and die in, if I feel like our team gains something significant enough that it compensates for that death. Get a drake, probably worth it. Get a tower, or prevent a tower from falling, might be worth it. Prevent the enemy team from getting a shutdown on someone on my team who is doing well enough to get a bounty, and/or get someone on my team to cash in on a big enemy team bounty by killing them for the shutdown gold, then my death's probably worth it overall.

But if I see that we're going to lose and get nothing from the lost fight, I'm not going to fight it even if the entire rest of my team thinks that for whatever godforsaken reason the fight is somehow winnable even though it is painfully obviously very much not winnable. Being that cowardly doesn't seem like a mistake; it seems like it's recognizing the situation and making the smart call to give the enemy team the least amount from their advantage as is possible.

The enemy team will always get an advantage when playing against me. I suck. I am trash. And even if I wasn't trash by running off-meta builds like I do I am innately, inherently, playing sub-optimally because if the off-meta builds weren't flawed, then they would actually be meta builds. (Basically, they're off-meta for good reason! I suck enough to not be able to properly break down with proper reasoning why they're not optimal, but I'm not disillusioned enough to believe they are.)

The build I am running is really really fun, is quite suited to my style, has a decent theory behind it, and when it gets the items for the build, actually fares fairly well. But I know that it's not optimal and I know that I am a trash player. So given that. I want to give the enemy team the smallest possible advantage given that they will always get one when playing against someone as bad as me with a build as bad as mine.

And when I more or less tell my team that this is what I am doing.
And the team decides to make a different call.
And that different call is obviously something which will get the enemy team ahead even more than they already are.

I don't think you can place all that blame on me.
Some, yes. Due to me being incompetent and innately, inherently, always giving the enemy team an advantage.
In games where I am ahead early I fall behind late; in games where I am behind early I might go even late but I never go ahead late and frequently am still behind late. I never do well. Just adequately. So there is always some blame on me and I will always own up to it.

But I mean...I am very very very rarely getting caught out; I am very very frequently pinging things, letting my team know about positions of the enemy champions, ults usage, summs usage, when I am low on mana/hp, when I have a lot of gold and am looking to back, and when I can spare the time to type, telling them with things other than pings. I respond to the pings of my teammates, too; whenever I think that I can help, I do.

I don't ping these things perfectly. I can make misjudgments. I can think a fight is winnable, a drake can be taken, a tower/plate can be taken, etc., when it turns out that it wasn't, or when it turns out that the only way it was doable is if I didn't play incompetently and thanks to my incompetence it turns out to not be doable.

And I am sure that vice-versa is true, too. That there are situations I chicken out of, where I refuse to try on them due to my cowardice, which were easily winnable if I had actually tried. Where my team is stronger than I thought, and where we could with my help even with me incompetent, get what we're after.

So that lessens the rant above, in that there will be situations which were my fault which I didn't think were my fault because my team was stronger than I thought.

But no matter how many times I make those misjudgments.

I can't take literally all the blame for it. I still won't intentionally flame my teammates. (I dunno, is saying, "Question for you: why are you ganking for an idiot who will botch it? Why not gank for mid/top?", flaming? It's not intended to be inflammatory; it was a genuine question because I couldn't really figure out why the hell the jungler who knew I was botching their botlane ganks, kept on trying to gank botlane, ignoring top altogether. That felt like a misplay on their part to me but I know I am trash at the game so if they had a good justification for it, then that would be something that I could take into consideration. But when the only response to that question is to be told, 'shut up'...I don't get how that's meant to improve our odds at winning? So I do have to wonder if the question was taken as flaming because I mean...why would they respond to it with that toxicity otherwise?)

So even when I think that they are partially to blame. I'm not going to say as much. I'll say things like "We can't win that fight" (which is true), I'll apologize for mistakes I made, acknowledge them, admit to shortcomings, etc. But I'm not going to singlehandedly claim responsibility for 100% of the blame when my team is very obviously making mistakes that were misplays? 

And I think that's not an unfair stance to take. To admit to things I did wrong, to not flame my teammates, to advise them of things, to explain my mindset, to let them know what I am, and was, doing, and to try and direct them in the area where they can best compensate for my incompetence.

To take blame for what I did which was a mistake, and to admit to the consequences of what I chose in the game, but to not take the blame for what my teammates do.

Plus, I feel like I have a fairly good sense for what situations/games are winnable and what situations/games are not. If we have a win condition, I feel like I can usually identify it fairly well. There's been plenty of games where I've had the mindset of more or less, "Okay so we suck at this game...but so, too, do these members of the enemy team. If we can kill all their incompetent members without losing any of our own, and/or if we can down the competent member(s) so that their competent members can't 1v9, then we have a chance at winning".

And sure enough, a lot of my clutch Ashe ults have been to deliver the crippling blows necessary to achieve exactly those ends--either take out multiple less-competent members of the enemy team, or take out a single competent member of the enemy team, to give us a window to take an objective or at the very least stop the enemy team from taking an objective.

If I think that the game can be won...then if enough of my team shares that belief, often, it can be, until that thought disappears. (Often, games will have a chance to be won...but if one thing goes catastrophically wrong, that wincon disappears and the game becomes unwinnable. So, there's the mindset of, the game is winnable...up until the point where it isn't.)


But enough ranting about League. (I have said a lot on the subject; to sum it up: I am incompetent, use a suboptimal build, have a suboptimal playstyle, and I own up to that all, but I think that I am improving, can't be solely responsible for the losses and can't take all the blame, and even if what I am doing isn't optimal...it is hella fun.)

I also wanted to talk about Minecraft some more.

In the game, I've still got a ton of projects to do.
I need to build a second netherportal given that my first...doesn't work as intended. (It takes me into the netherrealm but when I leave...it takes me out at a different location than it put me in.)

I want to build the church/cathedral that I have planned.

I need to finish the documentation of my mine along with ideally using proper railings for as much of it as is possible. (Given the setup for my mine...I'm somewhat doubtful that I'd be able to get a track that can switch to be...what, eight different directions? A four-way track would need to have a way to switch between straight north/south |, straight east/west -, north-east, north-west ˥, south-east L, and south-west. Am I missing any? I feel like I am, though if I did get them all I guess that's only six. But six is still four more than I have ever gotten to work.)

And probably more.

But I wanted to talk more about the railings.

Railings are...somewhat tricky.

For railings on a slope, for the life of me, I can't figure out what I did wrong which causes the minecart to not stop at the end of the track and to catapult itself to be literally inside the block which is meant to be the terminal point of the rail. In theory, the cart could go up...if not for the fact that it keeps catapulting inside of the end block at the bottom. (I have tested it and managed to get a cart to go up--but once the cart comes back down...stuck inside the stone brick slab that was meant to stop the cart just before.)

When it comes to the railings inside of my mine, I actually have them working the way I want them to! A minecart is put at the end, you hop in, and then you move forward, catapulting to the endpoint of that railing. The minecart stays there, usually, and you can hop out just fine, usually. It sometimes doesn't work as intended, but sometimes it works the way I want it to.

But when I made a rail on the surface, going from near my house to the nearby village, it...
...Had a rather...interesting result.
Minecarts placed on the track will move from one end to the other end...and then, immediately. Start moving towards the other end. And when back to the end they started on...begin traveling to the other end...and keep going...and keep going...and keep going...

...And never stop.

There's like, 3, 4, minecarts on the railing.

And they are.
Continuously.
Moving.
From one end to the other end and back and forth and back and forth.

I accidentally invented an automatic public transportation method.

Where I can wait.
And wait.
For the cart.
Then hop in.
Get to my destination, hop out quickly.
Then wait.
And wait.
And hop back in.
And return to my origin point.

The travel is fairly fast!
It's just that it's a little inconvenient.

I find it fairly neat and kinda funny; it feels somehow appropriate and rather suiting that I somehow managed to completely and totally accidentally invent an automatic transportation.
So if there's a fix for it...even if the fix would make it function as intended and make things more convenient...I'm not actually sure that I would want to?

Soyeah.

That's what's been going on.

Mostly I've been focusing on refurbishing my mine to make it aesthetically pleasing, making the travel time between locations less, getting the appropriate farming network so that I have a near-infinite amount of the resources I need (especially for trading--I want to stock up on Emeralds and need Wheat, Potatoes, and Beatroot for it; I also need to get more leather even though I really don't like killing cows because I find the animals in Minecraft to be so cute and cow, pig, chicken, sheep, doesn't matter: if they are staring directly at me they are adorable and I feel like a monster when I need to kill them).

Eventually my goal is to more or less instantly be able to travel anywhere I want to go. Some via Netherportals, but mostly by minecart since it's one of the fastest methods of travel. (I realize another method of fastly traveling is to have an animal you ride, e.g. a horse. But minecarts are something I have access to and some knowledge of, and don't require me to drag around an animal everywhere.)

I'm also working on exploring. I've done a little surface spelunking, but my current undertaking: taking a glass bridge to island hop. Working my way to a sunken ship which I believe my friend looted when I was new to the server. But which if it isn't already looted...might be worth exploring a bit. (Yes, a glass bridge. I stole the idea from a streamer though I am putting far far less glass and far far less effort into the glass bridge compared to him.)

I'm hoping to at some point to be able to map out my area so that I, personally, can navigate between important areas in the server, without a need for a netherportal. Like, to know how to get the fastest route from the spawn area to my house, and maybe vice-versa. And other similar things.

So, I've been keeping busy there. Been playing almost every single day.

It's actually been rather successful, but there's so. much. stuff. to do that it'll take me a while to get literally all of it done. I signed up for a secret santa event and today I finally started the project. It's...a little less than a third complete, but hey, before today, it was 0% complete! And I've still got five days to finish it, so if I work on it the next few days the same amount as today, should be done before the deadline.

I believe I caught up elsewhere on that site as well, for the most part. And in minecraft I knocked basically every single item off of my immediate to-do list. Some items will require a lot more resources to complete (eventually, I have the end goal of making the main pathway in my strip mine have smooth stone slabs as the path with railings on top and after I look at a tutorial on minecart railings, with the appropriate extras--this will take a lot; eventually, I have the end goal of making the main pathway in my strip mine have entirely stone brick surroundings, which will take a lot; eventually, I have the end goal of having every major point in my strip mine network be appropriately signed and marked by railings, which will take a ton of resources and time), so I still have those to do.

There was one project which I have the resources to do, I just need to spend time and pickaxe durability on actually doing, but which I didn't actually get done; another thing which I want to do is to stock up on emeralds which requires getting resources that the farmer in the nearby village will buy, which takes a ton of resources to get even close to a reasonable number of emeralds. (I think, for instance, it's something like 10 wheat for 1 emerald? And while I have a rather extensive wheat farm network, it aint extensive enough; I get like 2-3 stacks of 64 when ideally I'd get 9-10.)

Also, when I made my latest wheat farm I neglected to actually put the water into the central port so I need to stop being lazy and actually do that, but that's a small thing.

In TFT I completed a quest--I didn't really feel like playing TFT today (shocker! The girl who plays TFT nearly every day, actually had a day she didn't really want to? I know, right?), so the one game to complete the quest was all I did. (Surprisingly, it was a game where someone midgame stole my comp and I finished seventh as a direct consequence of them stealing my units. Incredibly tilting also was getting two Braums with giant's belts but for the whole game, not getting a single third Braum to make a T2 Braum with Warmogs. Incredibly tilting game where everything which could've gone wrong, did...and yet I didn't feel like playing another game? That never happens, I always feel like continuing until I get a game I'm satisfied with, but today I just...didn't want to play so completing the quest was satisfaction enough.)

​In League, I haven't played a match today yet so I still need my win of the day. And the ongoing event has three unfinished quests (which TFT games also count towards), which getting a win of the day helps with. There was also a new patch which went live, which was disappointing for TFT (remember when I said I was expecting the new lunar trait to either be nerfed or cause both electric and assassins to be nerfed? Yeah, well...Riot went with the latter rather than the former, and to add insult to injury, the lunar trait isn't live yet and won't be live this year from my understanding), and which vastly nerfed dragons and dragon souls in league.

Which, honestly, I am rather fine with. The only time I hold no accountability for drakes is when I'm a toplaner (where I'm instead accountable for rift), basically. (I mean that's not exactly true, toplaners can and do have an impact on drakes especially post-laning phase, but IN GENERAL, toplaners are mostly responsible for the top half of the map, not the bottom half. My friend if they are still into league at all could probably rant at me for my portrayal here and I'll just say, YES I KNOW, let me just talk it out a bit.)

WHAT I MEAN BY THIS, is.
I am a trash-tier player.
We almost never get drakes in games I play in, because I am meant to play a key part in securing them. Midlaner, botlaner, support, my job as any of them is to help out there, and that is something which I consistently fail to be anywhere remotely competent at helping with. If we go for a drake and come out behind, I am safely the one who bears the most blame. Yeah, maybe my teammates make mistakes as well, but their mistakes are compounded by my own and my own are usually worse than theirs.

So drakes being nerfed?

Helps me a lot because my team rarely if ever gets them due to my own incompetency, meaning the enemy team gets less from having secured them so easily.

So the patch helps me in league by virtue of me being the one who was getting more hard-crushed by drakes being secured. Which helps me play and will make me want to play more and which might mean my team flames me less often. 

Most of the catchup I need to do though is still videos. I did a fair amount...was it yesterday? It was either yesterday or Monday. But I need to do more today. I have at least six to watch, though probably no more than ten. Most of those videos average ~10 minutes each so that's about an hour minimum, though because one video is an average of 45 minutes (give or take 30, being as low as 15 and as high as an hour 15), that bumps my estimated total up to about two hours to get caught up there.

There's also still the art blog I want to make--I could make it now I guess, but while I have plenty of time to do so, this...is actually plenty long enough a blog for today? I mean, I can and have made blogs which were ridiculously long which switched subjects midway through and people probably end up missing the content as a consequence thinking it's entirely the one thing when it transitions to the other. (Trust me, I know this because it's happened to me; when searching my own blog for specific things, I had trouble finding them because I started reading an entry thinking it was the one thing, not realizing it transitioned into the actual thing I was looking for later.)

Heck, this blog itself while it is fairly coherent and mostly on the same sort of subject line (about my efforts to catch up on stuff with small quick updates) has already been like that a little, having mentions of things which would themselves normally be individual blog entries. So I don't really want to blog about it now, even though I realize there's the very real chance that I never end up blogging about it because when that happens I often never do.

In the eventual future I'll also need a real-life thing of signing up for a training, but that's more of a thing which can be done last-minute and the closer to the due date the better actually, within reason. (Basically there's a training I need to do for my job but I want to take it as close to the expiration of the original as is possible.)

So basically.

I'm kinda sorta actually staying on top of things?

Not as much as I'd prefer.
Not as much as is ideal.
And I'm really not doing much in my life at all (among other things I'm not doing, not really spending time with my friend and hanging out to do things like watch Buffy the Vampire Slayer, One Piece episodes, have me play the third Danganronpa, and such, though that is at least partially due to how busy they are right now and also how they have others to spend time with than just me so they have not only their own real life to try and stay on top of but also others in their life they try to stay in contact with other than just me which I recognize eats up their time).

So it's obviously not the maximum optimal situation.
But.
​It's pretty darn close?

So let's blog about the story idea I had yesterday!
I envisioned it as a manga-styled (probably not literally right-to-left, but art-style, plot, the everything, stereotypical shonen manga) story, and named it 'SirPlus' (because while I imagine that pun is known, it's not something I think would be an actual story's name, whereas Surplus, the title that I'd otherwise want, would almost certainly be taken), after the titular character's eventual codename.

So to describe this story, I need to give some background info. The main inspiration is YuYuHakusho, with a significant dash of InuYasha but with sides of various other series which feature things like Ki or an equivalently-named body energy source.

The idea spawned from wanting to run a series featuring five energy types--and this being a stereotypical shonen series, yes, the protagonist can, eventually, tap into all five of the energy sources (and his codename derives from his ability to do so, thanks to a commonly-used reference chart for the nature of the five energy types).

The five energy types are as follows:
Holy Energy, considered the opposite of Demon Energy, has a few requirements. The user must be pure of heart (but mind you, 'pure of heart' has a very very loose definition; a chivalrous pervert can still be considered pure; someone who is pure evil is still pure; a well-intentioned extremist with pure intentions counts, and so on and so forth).

You must learn how to use Holy Energy while you are currently alive. (Mind you, you can use it if you've learned it even if you are dead; if you were a spirit who was through any means given a 'living' body, you can then learn it while using this body even if said form is only temporary.)

You cannot be a pureblooded demon; no demon can ever learn holy magic. Heck, while means of becoming a demon (though rare) may exist, if someone knows how to use Holy Energy, they cannot become a pureblooded demon. To become one, they'd have to give up their Holy Energy capacity altogether.

And finally, you must have training in how to use Energy--usually, this is easiest done if the energy you are training in is Spirit energy, but Body energy is just as commonly used (mostly because Body energy can be learned by literally anyone with training whereas Spirit energy has some requirements of its own).

With the exception of Kekkaishi, Shrine Maidens, and Holy Monks (each of which is a special exception because they use a specific variant of holy energy), this energy type is not inherited genetically. You can be born the child of a Holy Energy user and be unable to use it; you can be born the child of a family who nowhere in their family has anyone ever used Holy Energy and yet have the capacity to tap into it; you can be surrounded by Holy Energy users and never learn it yourself; you can have never ever ever encountered a Holy Energy user in your entire life and yet still pick up how to use it.

Literally any non-demon can use it, so long as they meet the specified criteria; pure of heart, currently alive, not a pureblooded demon, and trained in how to use Energy (so basically, Holy Energy is almost never the first of the five energy types learned unless you're a Kekkaishi, Shrine Maiden, or Holy Monk).

However, in spite of this capacity of anyone being able to learn it, it is the least-learned type of energy out there of the standard four. Its primary users are the Kekkaishi, Shrine Maidens, and Holy Monks, who learn it as part of their family legacies. (You don't need to be born into one of those three to take it up, but it is certainly much easier if you are born into a family of one of those three. You also aren't required to use that specific form of Holy Energy. Someone who is the child of a Kekkaishi can learn customized Holy Energy magic which doesn't involve Kekkaishi barriers at all.)

Kekkaishi, Barrier Warriors (who have an approximately equal number of active female and active male members), are mostly defensive. Their barriers can purify evil within them (which also gives them minor healing abilities, a frequent attribute of Holy Energy), but otherwise it takes creativity to use them offensively. Creating small spear-like barriers; crushing someone between two barriers; creating a barrier and removing the oxygen from within to asphyxiate those within; creating a barrier and exploding something within to create a contained localized explosion, etc.

Shrine Maidens (who are mostly, but not exclusively, female...though they are still called Shrine Maidens even when male and wear the Shrine Maiden clothing regardless of gender) are mostly offensive. They have limited healing abilities and are very skilled at detecting evil, finding weak points in enemy's defenses, and offensive usage of magic, mostly through either enchanted physical arrows (these are more powerful) or outright pure energy arrows (these are less powerful but have unlimited ammo and don't require lugging around a physical bow/quiver).

Our protagonist's mother is a semi-retired shrine maiden. She no longer travels across the country (something active shrine maidens are expected to do), but she still helps out at her shrine, around town, and trains the next generation of shrine maidens. Our protagonist refused to take up the family tradition, so isn't trained in shrine maiden holy magic, but he is trained by her in how to fight, skills he'd later transition into his own style. (He ends up using customized Holy Energy eventually, although it is not the first Energy type he learns even though he's obviously known about it his whole life.)

Holy Monks (who are mostly, but not exclusively, male) use a balance of offensive and defensive applications of their holy magic. They use charms, they use enchanted staves, they use holy fists/elbows/knees/feet, can launch some energy attacks, ward against attacks especially from evil, purify evil from an area, etc. 

All three have plentiful membership and all three have similar tendencies. Some stay local, to help out around the town, whereas others roam around the country (even world), helping out others, and it is expected for them to protect, to heal, to ward against evil and so on and so forth.

All three also happen to have been taught and learned that while a fair share of their enemies would be demons, demons are not inherently evil nor are all evils in the world originating from demons and are quite aware of what their fellow human beings are capable of, both the good and the bad.

But speaking of demons...

Demon Energy, on the opposite side of the spectrum from Holy Energy, is innate to anyone with demon blood in their veins. It is also exclusive to them. There's not much more to say than that. Only demons can use it, and every demon inherently uses it. Obviously, some demons use it more than others, but every demon has the capacity to use it to at least some degree.

Spirit Energy has similarly complex requirements to Holy energy. The user must have died--but mind you. This death doesn't require you to currently be dead. Clinical death counts. And, yes. That loophole you probably just thought of? It is exploited. If you are dead for less than a minute, it still counts as a death even if you are immediately revived.

Because this aspect of spirit energy is known and well-documented, it is commonly exploited in fact. Obviously, unlocking it via this method is considered dangerous (there's always the risk the revival fails), but it is still an oft-used albeit slightly dangerous method of unlocking this energy type for use.

In extremely rare cases, near-death experiences (especially accompanied by some combination of: latent untapped body energy potential, extremely strong presence of Spirit Energy in the area over a sufficiently long period of time, a brief comatose state accompanying the near-death experiences) can unlock it.

Spirit Energy also takes training to unlock and master. One need not unlock another type of energy first to use it, but it's certainly easier to learn spirit energy if you know how to use a different type of energy first. It is also much much easier to learn if you are a spirit, especially in a currently-not-in-a-living-body state.

Mind you--spirits who have obtained a living body don't magically lose access to their spirit energy; once unlocked, it's unlocked permanently even if you're well and truly fully alive the entire time.

Life Energy, on the opposite side of the spectrum from Spirit Energy, is never used by anyone even though almost anyone can use it. The 'almost' comes from it having a pretty simple restriction: its user must currently be alive, thus, spirits can't use it (and thus why it's considered to be on the opposite side of the spectrum).

Only a spirit sacrificing a revival method can use it without consequence; only a spirit with a currently-living vessel can use it, but doing so drains the life of the vessel. Life Energy is, simply put, sacrificing your lifespan. All beings, even demons who have lived for millenia, have a lifespan, and using life energy shortens it. It is irreversible; it is not something which you can just go use and then try to replace by using a different energy method (say, a demon trying to use a demon power to maintain their immortality).

Once gone, it is gone. It will shorten the time you have alive, permanently. It is finite in its supply. It is a measure of last resort, to be used only when you are ready to give up your life in a last-ditch effort to well and truly fight to the bitter end in defense of your objective. It cannot be forcefully used. It cannot be coerced out of someone. If you were, say, controlling the body of someone you wouldn't be able to kill them by making them use life energy. It requires conscious, deliberate, fully willing, thought to use as a measure of last resort, where you have pushed yourself to your limit and need a final push to actually accomplish the job.

As a consequence, unlike other energy types, it usually cannot be drained from others. (Energy drainers are in of themselves fairly rare, but they exist. Yet none of them can drain life energy. Well, almost none of them...) There's a minor exception; an antihero character (might be a rival to the protagonist? Not sure yet about that) can drain it...but only from those who consent to the drain. He tells them that he can fight, he can save them, but that they need to, say, give up one year of their life to do so and asks them if they accept; only if they do does he have the ability to use their life energy in the amount quantified.

There'd also be one vampiresque villain biting the neck of a victim with the ability to drain it--but only if the victim has absolutely no defense, no way of fending off the attack. No training, no resistance, no awareness, and no incredibly strong latent energy of any type.

The protagonist only uses it once, but it was a very notable instance.

The final type of energy, Body Energy, also called Ki Energy, is something literally anyone can learn to use. Everyone has it; everyone can use it. There's no restrictions; there's no limitations. All it takes is to train in it, or to be innately gifted with it and exposed to a sufficiently large trauma as to forcefully unlock it. (And for obvious reasons, the former is far more common than the latter and is the preferred method.)

None of these energy types are limited in what they can do; the only limits to them are the aforementioned requirements to be able to use them in the first place. They can do literally anything the user wants them to, provided the user has both the sufficient reserves of the energy (again, none of these energy types exist in unlimited quantities for a person; everyone has a finite supply at any given time) and the sufficient training in mastering what they want to do with it. (If you want to launch a fireball, you can't just spontaneously think 'launch a fireball' and it'll happen; every technique you use is something you need to train your body how to learn how to use.)

Now, there is a bit of a 'trump triangle' to energy types. Holy will, usually, be able to overcome Demon energy. Demon energy will, usually, be able to overcome Spirit energy. Spirit energy will, usually, be able to overcome Holy energy. But these aren't hard rules so much as general guidelines of "all other factors equal, one energy type has a slight advantage over the others".

For what it's worth, Ki is mostly neutral to all three but could potentially overall be at a slight disadvantage; Life energy is mostly going to have the advantage over all three but harvesting it is not going to guarantee victory.

Now it is worth mentioning: you know how in basically every single anime show ever, each and every single person has different moves and techniques? How they are customized to the individual; some series may have some standardized techniques and some series may have characters who trained together using at least one of the same moves while having personalized unique individual moves to not be completely identical; same principle applies here.

Energy, regardless of type, is highly customized to the individual. Each and every individual learns their own techniques. They name their own moves, they discover the motions for their moves on their own, they learn how to channel the energy and how to shape it to do the desired effect, all on their own.

They can also be taught by another how to do it, by being trained by them. Seeing it done, going through the motions of it being done, and so on and so forth until they learn how to accomplish the technique.

Thus, while there are standards, while some abilities (e.g. Kekkaishi/Shrine Maiden/Holy Monk ones) are standardized, most powers are unique to the individual. And even said standard abilities? Can be modified/customized by an individual, quite often, to somehow mold them differently from their original form/shape.

So these energies both simultaneously are and are not "magical do anything" energy types. You can do anything that you have trained yourself to be able to do. Shoot a spear of energy is something that if you trained how to do you can do, but if you wanted to spontaneously shoot a spear of energy, good luck. Create an energy shield is something that if you trained how to do you can do, but if you desperately needed to defend against an incoming attack and shouted 'shield!' without having actually trained yourself in how to create a shield...good luck.

This training isn't just mental, nor is it just physical; it is a combination of both. You need to actually practice, you need to actually learn, you need to actually figure out how something works, in order to do it. And skills don't instantly transfer from one energy type to another (with the exception of life energy which would never be used if it didn't have this ability setting it apart from the other four; nobody's going to willingly burn off their lifespan to train in how to use it, obv). You can't practice a skill using demon energy and then try to use that same skill using spirit energy; to pull off that skill using spirit energy, you need to practice using it with spirit energy and figure out the difference.

Mind you. Once you learn how to use one energy type, it's usually not that hard to transfer this knowledge into applying a different energy type. If it took you ten years to learn Ki, it might take you only ten weeks to figure out how to use spirit energy techniques that are similar to your body energy ones. But it is not an instant "it's active, therefore I can transfer one to another".

The main advantages to having access to multiple types of energy are as follows:
-As mentioned, certain energy types can have the edge over other energy types, situationally. So knowing how to use multiple types allows you to respond in the way most likely to give you the advantage.
-Certain energy types are more easily suited for certain skills than others. While every energy type can do what the others can, certain energy types have easier times doing specific tasks (say, forming an energy blade) than others do.
-The body only stores a finite amount of every given energy type at a given time. You don't have unlimited body, demon, holy, spirit, or life energy; they are a resource that is depleted and needs to be restored with rest and recovery.
...However. It's not "your body only stores a certain finite amount of total energy"; it's "your body only stores a certain finite amount of each energy type".

So basically, having access to two energy types doubles your energy pool; three, triple. Four, quadruple. All five, you can fight until you drop dead from expending your life energy which would presumably be the last to be fully depleted.

I wanted to make a story based around that concept.
What I came up with was that the protagonist was the son of the aforementioned Shrine Maiden and, secretly, unknown to him until much much much later in the story, the demon Rakan. (His father's actively involved in his life. Has a part-time job, is involved in housework, and the like. So the reason it's not known isn't because his dad's not around; it's just that his parents never told him that he's half-demon and never told him about his demon lineage so while he knows about his mother being a semi-retired shrine maiden, he has no clue that his father's a semi-retired monster.)

Rakan is...well, the pioneer of the Demon Bullet and Demon Blade techniques (the protagonist's first techniques were ki-based versions of these techniques); for centuries, he's been known for his rampages where he slaughters and literally devours humans.

He derives no pleasure from consuming human flesh, nor does he need to in order to survive. (He can live just fine off of normal food.) However, whenever he consumes human flesh, he gains a temporary huge boost to his power...and 1/100th of this boost is permanent so if he were to consume 100 humans he would effectively permanently boost his power as much as he would temporarily from a single serving.

He does like to fight opponents who put up a fight. Mind you, 'putting up a fight' does not translate to 'can actually threaten him'; usually when he went on his rampages he'd find the people taking up arms against him and shred them to pieces slowly. Enjoying the hunt, in a sense. And if someone tried to just...not fight him, he'd find a way to incentivize them into doing so.

In his own words he fully admits that while demons are not inherently evil, he is. (Well, mostly. He's under no obligation to his wife not to commit such acts. He never promised not to, he was never asked not to, she never instructed him not to, but out of love just chose to not do so anymore. Not because it'd be preying on her kind. Just because it seemed like a romantic gesture to him. He's got no intention to start eating humans again, but he didn't change his morals or anything of the sort. In his own words, "I fell in love with her, not the human race she belongs to.")

It'd have been fully possible for him to increase his power by nonlethal methods: consuming recently deceased corpses (they need to be fairly fresh for him to get the power), or even taking nonlethal bites out of a person (which even with the best of healing abilities will leave a scar, but which is easy enough for him to do). He killed humans because he thought it fun to do.

This earned him a lot of titles.
Rakan the Devourer.
Blood Bullet Rakan.
Demon Blade Rakan.
SerpentSlayer Rakan.
Lord Rakan. (The title demons, particularly those who consider themselves his servants, call him.)
Ninth Hell Rakan. (Basically, the ninth demon to be considered so powerful as to be hell on earth.)
Rakan the Slasher.
The Striped Tiger.
Crescent Heavenkiller Rakan.

He insists "most of those titles I earned by killing some dude who had a few of his own"--
Said person those titles were earned by killing? A demon by the name of Ivan the Unkillable, AKA, The Unslayable Serpent, AKA, DragonGod Ivan, AKA The Hand of Heaven. (He was later revived and thus, is still actually alive. Still, the act of killing him was enough to be worthy of attention.)

Ivan was a demon considered powerful enough where if he were so inclined he could've been powerful enough to be a Hell--and only wasn't one because he was actually fairly saintly in that he was a genuinely altruistic demon with no ulterior motive, a down-to-earth demon who was friendly and amicable...just, immensely powerful. (And is half the reason why people know demons aren't inherently evil even though quite a lot of demons are.)

Rakan insists that the only reason he was able to pull it off was that he had just fed on an entire city's worth of people and thus was at the absolute highest possible peak of his power, and in his own words, "I thought he was just some schmuck who objected to me slaying a city; if I had known who he was, I would've run."

Rakan certainly didn't help his reputation when, after the aforementioned event, there was a conference held in the afterlife on whether to hunt him down and kill him due to him being such a large threat. Rakan killed himself (after setting up a revival mechanism so that he'd be brought back to life) in order to invite himself to the conference and offer his viewpoint explaining the matter.

This would basically be akin to party crashing in on heaven when you're Lucifer and saying, "Yo, God, sorry about the mess I caused downstairs, but it was an accident, I swear; I came here to apologize for the misunderstanding." He said that the city slaying was done as an experiment, he found it boring, he promised he would never do something on that scale again, explained he had no intention of challenging people like Ivan, and promised to do them a favor so long as they didn't put out the kill order on him.

He got what he wanted; they decided not to put out the kill order on him...by instantly on the spot classifying him as the Ninth Hell--threats so dangerous that nobody is to try and kill because they are just that dangerous. (He later paid off that favor simply enough; they asked for him to be present in a place, which convinced one of the other nine hells to negotiate rather than fight as they were originally going to until Rakan was there.)

He also said that he would mitigate the damage he'd do by continuing to do what he was already doing: hunting down demons (particularly evil ones) of notable strength and killing them, so that they wouldn't menace people. He had ulterior motives for this, of course; not done out of any sense of altruism, but simply done to seek a challenge, in that he wanted to have some good fights against opponents he knew he could beat but which he'd still have some difficulty in bringing down, where it wouldn't be easy to massacre them.

So he is, as far as demons go...rather noteworthy, rather notorious, both by spirits and by other demons because of his actions over the course of centuries of carnage and mayhem. 

The protagonist inherited his father's powers, albeit dormant. As he is half-human, his demon powers passively grow stronger with time without him needing to consume human flesh. (He can consume human flesh to gain that immediate power spike and 1/100th of said power spike permanently being added...but as he's no desire to partake in cannibalism, for obvious reasons, opts not to.)

There's a tradeoff, though. Our protagonist is a really big eater who needs to eat a ton of calories to fuel said demon powers. In fact, when activating his demon powers, he consumes his own body fat and looks unnaturally muscular as a consequence when using his demon powers. He has the power to surpass his father quite easily, it's just that in his current state he can only use his demon powers at their fullest for a limited amount of time as a consequence of currently requiring that consumption of his own body to activate them.

Mind you, that is not a normal demon trait; it is a trait specific to "newblood" demons, where their demonic powers can only be activated by a trigger mechanism of some sort. His trigger mechanism just so happens to be his father's trait of consuming flesh. Given enough time to develop, he'd be able to use his demon powers without the need to consume his own body flesh, and consuming his own body flesh would be an optional thing done to give his demon powers an immediate power boost.

I guess I should talk about the world the setting takes place in.

In this setting, demons have faded in and out of common knowledge. Sometimes, they're out in the open and everyone knows about them; other times, they're in the shadows and very few humans are "in the know". In the current modern era the story is set in, people are slowly transitioning from a long period of the former into the latter; demons aren't completely out in the open, but they're less and less secretive.

There's not an unlimited number of afterlives, but there is a very large number of afterlives for dead people to go to; they will go to the afterlife most suited for them. Some could be described as 'hell', most would be described as some form of 'heaven'. There's a transitionary realm between our world and said afterlives, where there's a collective bureaucracy of spirits who help make the transition of spirits into the afterlives easier.

The existence of spirits is not public knowledge, but it's a bit of an "open secret"; basically everyone who uses energy or is closely tied to someone who uses energy has some awareness of spirits' existence. They are, after all, heavily involved with the world.

Usage of ki is something everyone knows about, though. Everyone knows how ki works; everyone knows ki exists; everyone knows what ki does, and so on and so forth. Not everyone learns how to use it; in fact, most people don't. But it's a thing that everyone knows about.

Martial artists are a big thing, as are organizations that travel across the world. Some official, some unofficial, some international, some by country. Militaries and Police Forces usually have many members trained in the usage of at least one form of energy; Detectives with powers investigating usage of powers are a thing; etc.

The setting would, obviously. Have Loads And Loads of Characters. Some muggle, most not; some who start muggle and gain powers, most who were already using energy of one form or another at the beginning of the story. (Our protagonist starts off not having any, but very very very quickly learns ki, as the need arises.)

There's probably more details to the story than these, but this is most of where the idea came from.

It's a big​ project and you can maybe see why I wanted to make it. I really love the idea.